Odkedy v roku 2017 vy\u0161la kniha Colossal, sna\u017e\u00edm sa n\u00e1js\u0165 \u013eud\u00ed, s ktor\u00fdmi by som sa o \u0148u podelil. Narazil som na stenu. \u013du\u010fom, pre ktor\u00fdch by tento pr\u00edbeh mohol ma\u0165 odozvu, je jeho sledovanie najviac nepr\u00edjemn\u00e9. A \u013eudia, ktor\u00ed by mali najv\u00e4\u010d\u0161\u00ed \u00fa\u017eitok z internaliz\u00e1cie jeho posolstva o de\u0161trukt\u00edvnej povahe toxickej maskulinity, s\u00fa t\u00ed, ktor\u00ed s\u00fa \u00faplne otupen\u00ed t\u00fdm, \u010do chce film poveda\u0165. Len m\u00e1lokto je na mieste, kde by z neho mohol ma\u0165 skuto\u010dn\u00fd \u00fa\u017eitok.\n<\/p>\n
Zd\u00e1 sa, \u017ee mu\u017ei s\u00fa ods\u00faden\u00ed na podobn\u00fd osud.\n<\/p>\n
Film, ktor\u00fd nap\u00edsal a re\u017e\u00edroval Alex Garland (Ex Machina, Annihilation), je horor, ktor\u00fd pod\u013ea slov jeho tvorcu je o \"pocite hr\u00f4zy. \" Sk\u00f4r ne\u017e vra\u017edy alebo gore je v\u00e4\u010d\u0161ina zapam\u00e4tate\u013en\u00fdch momentov a\u017e pr\u00edli\u0161 zn\u00e1mym v\u0161edn\u00fdm stra\u0161en\u00edm. Alebo aspo\u0148 pre niektor\u00fdch \u013eud\u00ed zn\u00e1me. \n<\/p>\n
Film sa za\u010d\u00edna v momente, ke\u010f Harper (Jessie Buckley) prich\u00e1dza do malebn\u00e9ho chatov\u00e9ho meste\u010dka v n\u00e1deji, \u017ee sa emocion\u00e1lne zotav\u00ed po smrti svojho b\u00fdval\u00e9ho man\u017eela. Od chv\u00edle pr\u00edchodu je v\u0161ak nespokojn\u00e1. V\u0161etci - majite\u013e domu, ktor\u00fd si prenajala, miestna pol\u00edcia, far\u00e1r z ne\u010falek\u00e9ho kostola, n\u00e1hodn\u00ed cudzinci (v\u0161etk\u00fdch hr\u00e1 Rory Kinnear) - vnucuj\u00fa Harper nepr\u00edjemn\u00fa pr\u00edtomnos\u0165, ktor\u00e1 jej v najlep\u0161\u00edch chv\u00ed\u013each znemo\u017e\u0148uje jednoducho sa c\u00edti\u0165 pohodlne a existova\u0165.\n<\/p>\n
Teraz u\u017e asi viete, kam to smeruje. Zd\u00e1 sa, \u017ee mu\u017ei by chceli uk\u00e1za\u0165 vplyv mikroagresi\u00ed vo\u010di \u017een\u00e1m t\u00fdm, \u017ee ich urobia len o nie\u010do viac makro, \u010do len zd\u00f4raz\u0148uje ot\u00e1zku, koho presne film o\u010dak\u00e1va v publiku. Pre niektor\u00fdch je tento pr\u00edbeh \u00faplne zbyto\u010dn\u00fd. Mnoh\u00e9 \u017eeny u\u017e poznaj\u00fa, a\u017e pr\u00edli\u0161 vidite\u013ene, \" pocit hr\u00f4zy\", ktor\u00fd Garlandov\u00e1 na pl\u00e1tne stv\u00e1r\u0148uje. (Ako povedala moja kolegy\u0148a Jaina Grey: \" Nemus\u00edm plati\u0165 15 dol\u00e1rov, aby som sa b\u00e1la, \u017ee ma bud\u00fa prenasledova\u0165 a vra\u017edi\u0165 mu\u017ei, m\u00f4\u017eem jednoducho \u00eds\u0165 von. \" ) Ostatn\u00ed, t\u00ed, ktor\u00ed nevedeli, kam toto nastavenie smeruje, s\u00fa pravdepodobne div\u00e1ci, ktor\u00ed by z jeho stra\u0161enia mali najv\u00e4\u010d\u0161\u00ed \u00fa\u017eitok - a s\u00fa t\u00ed, ktor\u00ed si s najmen\u0161ou pravdepodobnos\u0165ou k\u00fapia l\u00edstok. \n<\/p>\n
Film je akoby navrhnut\u00fd tak, aby zabr\u00e1nil argumentom t\u00fdch, ktor\u00ed by odmietali to, \u010do chce poveda\u0165. Je to zjavn\u00e9 u\u017e v traileri, napr\u00edklad ke\u010f policajt povie Harper, \u017ee je skeptick\u00fd k tomu, \u017ee mu\u017e, ktor\u00fd ju prenasledoval, ju naozaj prenasledoval: \"Neviem, \u010di v\u00e1s raz videl. \" Tieto momenty zd\u00f4raz\u0148uj\u00fa, ako skepsa, odmietanie a obvi\u0148ovanie obet\u00ed pom\u00e1haj\u00fa vytv\u00e1ra\u0165 pr\u00e1ve to hrozn\u00e9 prostredie, o ktorom mnoh\u00ed tvrdia, \u017ee neexistuje. Harperine obavy nie s\u00fa vymyslen\u00e9 alebo len v jej hlave; hr\u00f4zu vytv\u00e1ra kolekt\u00edvne odmietanie bra\u0165 jej obavy v\u00e1\u017ene. Mu\u017ei teda chc\u00fa kri\u010da\u0165: \" Vid\u00edte? Nem\u00f4\u017eete tu ignorova\u0165 nebezpe\u010denstvo. \" Film m\u00e1, samozrejme, pravdu, ale zd\u00e1 sa, akoby kri\u010dal do pr\u00e1zdna. \n<\/p>\n
To v\u0161ak neznamen\u00e1, \u017ee v \u0148om nie s\u00fa \u017eiadne skuto\u010dn\u00e9 nadprirodzen\u00e9 hr\u00f4zy. Pri v\u0161etk\u00fdch t\u00fdch metafor\u00e1ch a aleg\u00f3ri\u00e1ch s\u00fa tu skuto\u010dne groteskn\u00e9 sc\u00e9ny, ale v pravom Garlandovom \u0161t\u00fdle sa ku koncu st\u00e1vaj\u00fa abstraktnej\u0161\u00edmi a otvorenej\u0161\u00edmi na interpret\u00e1ciu. (Ak ste boli zm\u00e4ten\u00ed zo z\u00e1veru Annihilation, tento film v\u00e1m urob\u00ed len o nie\u010do v\u00e4\u010d\u0161iu slu\u017ebu). Pr\u00edbeh sa nezrieka ani katarzie. Vyslobodenie existuje, najm\u00e4 v sp\u00f4soboch, ak\u00fdmi Harper reaguje na hr\u00f4zy - z\u00e1vere\u010dn\u00e9 slov\u00e1 filmu sa zdaj\u00fa by\u0165 predur\u010den\u00e9 na to, aby sa stali t\u00fdm druhom pr\u00edli\u0161 re\u00e1lneho mementa, ktor\u00e9 je zvy\u010dajne dom\u00e9nou prv\u00fdch epiz\u00f3d BoJacka Horsemana -, ale je rezignovanej\u0161ie a vy\u010derpanej\u0161ie ne\u017e napr\u00edklad Kolos\u00e1lny. Nie je tu \u017eiadne triumf\u00e1lne v\u00ed\u0165azstvo nad jej tr\u00fdznite\u013eom. Len \u013e\u00fatos\u0165.\n<\/p>\n
Tento nedostatok triumfu sa zd\u00e1 by\u0165 z\u00e1mern\u00fd. Neexistuje \u017eiadne z\u00e1zra\u010dn\u00e9 tla\u010didlo, ktor\u00e9 by dok\u00e1zalo mu\u017eom pom\u00f4c\u0165 pochopi\u0165, ak\u00e9 je to \u017ei\u0165 ako \u017eena - \u010do mimochodom nehovor\u00ed ni\u010d o zlo\u017eit\u00fdch \u0161ed\u00fdch oblastiach pohlavia a identity, ktor\u00fdch sa t\u00e1to recenzia nedotkla, preto\u017ee sa ich nedotkol ani film. Preto\u017ee tieto tla\u010didl\u00e1 neexistuj\u00fa, mu\u017ei ich nem\u00f4\u017eu stla\u010di\u0165. Ir\u00f3niou je, \u017ee pr\u00edbeh, ktor\u00fd tento film rozpr\u00e1va, je do istej miery o jeho vlastnom zlyhan\u00ed. Mo\u017eno by mohol pril\u00e1ka\u0165 publikum presne t\u00fdch mu\u017eov, ktor\u00fdch sa sna\u017e\u00ed pranierova\u0165, v snahe ich pou\u010di\u0165, ale to sa mi zd\u00e1 ako \u010falek\u00e1 \u0161anca. Keby to bolo tak\u00e9 jednoduch\u00e9, Mu\u017ei by nemuseli existova\u0165.<\/p>\n","protected":false},"excerpt":{"rendered":"
Odkedy v roku 2017 vy\u0161la kniha Colossal, sna\u017e\u00edm sa n\u00e1js\u0165 \u013eud\u00ed, s ktor\u00fdmi by som sa o \u0148u podelil. Narazil som na stenu. \u013du\u010fom, pre ktor\u00fdch by tento pr\u00edbeh mohol ma\u0165 odozvu, je jeho sledovanie najviac nepr\u00edjemn\u00e9. A \u013eudia, ktor\u00ed by mali najv\u00e4\u010d\u0161\u00ed \u00fa\u017eitok z internaliz\u00e1cie jeho posolstva o de\u0161trukt\u00edvnej povahe toxickej maskulinity, s\u00fa t\u00ed, […]<\/p>\n","protected":false},"author":1,"featured_media":35298,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[62],"tags":[],"class_list":["post-35288","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-other"],"_links":{"self":[{"href":"https:\/\/movieworld.blog\/sk\/wp-json\/wp\/v2\/posts\/35288","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/movieworld.blog\/sk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/movieworld.blog\/sk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/sk\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/sk\/wp-json\/wp\/v2\/comments?post=35288"}],"version-history":[{"count":0,"href":"https:\/\/movieworld.blog\/sk\/wp-json\/wp\/v2\/posts\/35288\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/sk\/wp-json\/wp\/v2\/media\/35298"}],"wp:attachment":[{"href":"https:\/\/movieworld.blog\/sk\/wp-json\/wp\/v2\/media?parent=35288"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/movieworld.blog\/sk\/wp-json\/wp\/v2\/categories?post=35288"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/movieworld.blog\/sk\/wp-json\/wp\/v2\/tags?post=35288"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}