U\u017e nejak\u00fd \u010das je to star\u00fd druh hororu. Jeden film tu, druh\u00fd tam. Ale teraz, v roku 2022, nastal \u010das da\u0165 mu meno: elevator-pitch horror. \n<\/p>\n
Tieto filmy s\u00fa presne tak\u00e9, ako znej\u00fa: Ich my\u0161lienka sa d\u00e1 zhrn\u00fa\u0165 jedn\u00fdm dychom. Stra\u0161ideln\u00fd dom cez Airbnb? Skontrolujte (Barbar). N\u00e1kazliv\u00fd a ne\u010destn\u00fd \u00fasmev, ktor\u00fd v\u00e1s zabije do siedmich dn\u00ed? OK (\u00dasmev)! Mo\u017eno je to stra\u0161ideln\u00e9 Zoom vol\u00e1 (Hostite\u013e) alebo pl\u00e1\u017e, ktor\u00e1 v\u00e1s rob\u00ed star\u00fdmi (Star\u00fd). Alebo s\u00e9ria desiv\u00fdch vr\u00e1\u017ed na nat\u00e1\u010dan\u00ed porna (X). A na bud\u00faci rok komedi\u00e1lne spestrenie \u017e\u00e1nru: medve\u010f na koka\u00edne (Koka\u00ednov\u00fd medve\u010f)! Nie v\u0161etky z nich vy\u0161li tento rok, ale tento sa rozhodne zd\u00e1 by\u0165 vrcholom tohto konceptu. \n<\/p>\n
Nie s\u00fa to nov\u00e9 druhy filmov. Ur\u010dite u\u017e m\u00e1te svoje ob\u013e\u00faben\u00e9. Mo\u017eno Ringu, kde sledovanie avantgardnej videokazety vyprovokuje ducha, aby vyliezol z telev\u00edzora (op\u00e4\u0165 za sedem dn\u00ed). Alebo Final Destination, kde zop\u00e1r mlad\u00fdch a sexi \u013eud\u00ed naserie samotn\u00fa smr\u0165. Alebo Viem, \u010do ste robili minul\u00e9 leto, kde sa nejak\u00ed mlad\u00ed a sexy \u013eudia dostan\u00fa pre\u010d z vra\u017edy, ale niekto vie, \u010do robili minul\u00e9 leto. Alebo Canydman, kde \u013eudia povedia n\u00e1zov p\u00e4\u0165kr\u00e1t do zrkadla, aby privolali jeho vraha (alebo aspo\u0148 urobili skvel\u00fa reklamu svojim priate\u013eom). Tieto filmy sa \u0161\u00edria prostredn\u00edctvom kult\u00farnej premisy-prvotiny. Maj\u00fa pocit, \u017ee boli takto vytvoren\u00e9, ako tie hern\u00e9 rel\u00e1cie - Just Tattoo of Us, Ex on the Beach -, kde n\u00e1zov musel ur\u010dite vznikn\u00fa\u0165 sk\u00f4r ako detaily. Elevator-pitch horor sa vy\u017e\u00edva vo svojom h\u00e1\u010diku, v tom, \u017ee pred\u00e1va, aby v\u00e1s pobavil a nal\u00e1kal sp\u00e4\u0165 do k\u00edn. \n<\/p>\n
Ak to znie ako \u0161abl\u00f3novit\u00fd horor, do istej miery to tak je. Ale v\u00fd\u0165ahov\u00fd horor je defin\u00edcia, ktor\u00e1 vyrast\u00e1 z opoz\u00edcie vo\u010di vzne\u0161en\u00e9mu hororu. Vzostup tohto \u017e\u00e1nru si vy\u017eaduje jeho definovanie. K\u013e\u00fa\u010dov\u00fd rozdiel spo\u010d\u00edva v tom, ako s\u00fa div\u00e1ci podnecovan\u00ed k tomu, aby o t\u00fdchto dvoch druhoch filmov hovorili. Zv\u00fd\u0161en\u00e9 horory sa pova\u017euj\u00fa za metafory alebo varovn\u00e9 pr\u00edbehy, ktor\u00e9 sa zaoberaj\u00fa spolo\u010densk\u00fdmi probl\u00e9mami cez optiku gore, a preto, ako ned\u00e1vno tvrdil Wesley Morris v The New York Times v s\u00favislosti s modern\u00fdmi blockbustermi, s\u00fa nasiaknut\u00e9 diskurzom. Zatia\u013e \u010do pri hororoch s v\u00fd\u0165ahom je mo\u017en\u00e9 diskutova\u0165 len o z\u00e1pletke, pri hororoch s vy\u0161\u0161ou \u00farov\u0148ou sa vy\u017eaduje nie\u010do viac. Mus\u00ed sa diskutova\u0165 o t\u00e9me, alebo aspo\u0148 o nie\u010dom, \u010do s t\u00e9mou s\u00favis\u00ed.\n<\/p>\n
The Babadook teda nie je o vysokom mu\u017eovi v klob\u00faku, ktor\u00fd vysko\u010d\u00ed z rozpr\u00e1vkovej knihy pre va\u0161e die\u0165a, ale o rodinnej dynamike, o tlakoch spojen\u00fdch s de\u0165mi. Hereditary nie je o sekte d\u00f4chodcov, ktor\u00ed podv\u00e1dzaj\u00fa smr\u0165 a vyzliekaj\u00fa sa, ale o rodinnej dynamike, o tlakoch spojen\u00fdch s de\u0165mi. The Witch nie je o kozli, ktor\u00fd z\u00edskava du\u0161e na diablovo maslo, ale o rodinnej dynamike, o tlakoch spojen\u00fdch s de\u0165mi. V knihe It Comes at Night sa ni\u010d nedeje v noci, a o to ide. Diskutova\u0165 o pov\u00fd\u0161en\u00fdch hororoch doslovne znamen\u00e1 prehliadnu\u0165 les pre stromy, by\u0165 pr\u00edli\u0161 komer\u010dn\u00fd; ve\u010f pov\u00fd\u0161en\u00fd horor je kapitalistick\u00e1 formula, umenie zredukovan\u00e9 na svoju v\u00fdnosn\u00fa premisu.\n<\/p>\n
Inteligentn\u00e1 kritika zv\u00fd\u0161en\u00e9ho hororu je tu u\u017e nejak\u00fd \u010das. Ako upozor\u0148uje kriti\u010dka Nia Edwards-Behiov\u00e1, tento koncept vych\u00e1dza z kult\u00farneho snobizmu, ned\u00f4very vo\u010di \u017e\u00e1nru. Ve\u013ea z toho s\u00favis\u00ed s be\u017enou kritickou chybou, \u0161ir\u0161ou ako film, ktor\u00e1 spo\u010d\u00edva v domnienke, \u017ee pulpierskym dielam ch\u00fdba tematick\u00e1 h\u013abka. Nikto, kto si pozrel Candymana, podobenstvo o rasizme a gentrifik\u00e1cii, nem\u00f4\u017ee tvrdi\u0165, \u017ee bolo bez obsahu. Barbar, ktor\u00e9ho je \u0165a\u017ek\u00e9 zhrn\u00fa\u0165 bez spoilovania, sa spo\u010diatku prezentuje ako druh slasheru, ale potom sa dostane niekam \u00faplne inam. V\u00e1\u017ene t\u00e9my vyrastaj\u00fa z nev\u00e1\u017enych svetov.\n<\/p>\n
Tak ako pri v\u00e4\u010d\u0161ine kult\u00farnych klasifik\u00e1ci\u00ed, ak sa pozriete pr\u00edli\u0161 bl\u00edzko, rozdiely s\u00fa e\u0161te nejasnej\u0161ie. Ari Aster by pravdepodobne mohol postavi\u0165 Midsommar vo v\u00fd\u0165ahu; It Follows by mohol patri\u0165 do oboch t\u00e1borov. Napriek tomu tu st\u00e1le existuje zmyslupln\u00e9 rozli\u0161ovanie. Tieto filmy s\u00fa v s\u00falade s t\u00fdm, ako v\u00e4\u010d\u0161ina div\u00e1kov reaguje na horor: Reaguj\u00fa na\u0148 doslova, bez pretv\u00e1rky. Vy\u010daruj\u00fa si vlastn\u00e9 smoly (m\u00f4j priate\u013e st\u00e1le d\u00fafa, \u017ee jedn\u00e9ho d\u0148a nap\u00ed\u0161e svoj film \" Zl\u00e1 tr\u00e1va men\u00ed lond\u00fdnskych zhulencov na zombie\"); diskutuj\u00fa o tom, \u010di by zostali v Airbnb s cudz\u00edm mu\u017eom. Preto\u017ee jedn\u00fdm z najcennej\u0161\u00edch p\u00f4\u017eitkov hororov\u00fdch filmov je pr\u00e1ve t\u00e1to doslovnos\u0165: scen\u00e1re, nemo\u017en\u00e9 alebo mo\u017en\u00e9, ktor\u00e9 m\u00f4\u017eu v desivom svete postihn\u00fa\u0165 kohoko\u013evek.<\/p>\n","protected":false},"excerpt":{"rendered":"
U\u017e nejak\u00fd \u010das je to star\u00fd druh hororu. Jeden film tu, druh\u00fd tam. Ale teraz, v roku 2022, nastal \u010das da\u0165 mu meno: elevator-pitch horror. Tieto filmy s\u00fa presne tak\u00e9, ako znej\u00fa: Ich my\u0161lienka sa d\u00e1 zhrn\u00fa\u0165 jedn\u00fdm dychom. Stra\u0161ideln\u00fd dom cez Airbnb? Skontrolujte (Barbar). N\u00e1kazliv\u00fd a ne\u010destn\u00fd \u00fasmev, ktor\u00fd v\u00e1s zabije do siedmich dn\u00ed? OK […]<\/p>\n","protected":false},"author":1,"featured_media":33816,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-33807","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-year-in-review"],"_links":{"self":[{"href":"https:\/\/movieworld.blog\/sk\/wp-json\/wp\/v2\/posts\/33807","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/movieworld.blog\/sk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/movieworld.blog\/sk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/sk\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/sk\/wp-json\/wp\/v2\/comments?post=33807"}],"version-history":[{"count":0,"href":"https:\/\/movieworld.blog\/sk\/wp-json\/wp\/v2\/posts\/33807\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/sk\/wp-json\/wp\/v2\/media\/33816"}],"wp:attachment":[{"href":"https:\/\/movieworld.blog\/sk\/wp-json\/wp\/v2\/media?parent=33807"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/movieworld.blog\/sk\/wp-json\/wp\/v2\/categories?post=33807"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/movieworld.blog\/sk\/wp-json\/wp\/v2\/tags?post=33807"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}