Kur pirms interneta dz\u012bvoja m\u016bsu otrie \"es\"? \"Agr\u0101k past\u0101v\u0113ja tikai viena realit\u0101te,\" saka re\u017eisors Mamoru Hosoda. Vi\u0146a jaun\u0101 filma Belle st\u0101sta par to, k\u0101 internets ir rad\u012bjis iesp\u0113ju b\u016bt daudziem \"es\" da\u017e\u0101d\u0101s pasaul\u0113s. Piektdien ASV izn\u0101kusi filma Belle st\u0101sta par Suzu Naito, kura c\u012bn\u0101s ar jaunieg\u016bto popzvaigznes slavu virtu\u0101laj\u0101 pasaul\u0113 U. Hosoda nor\u0101da, ka tie\u0161saist\u0113 \"cilv\u0113ki var izp\u0113t\u012bt citas iesp\u0113jas. Vi\u0146iem var b\u016bt alter ego un dz\u012bvot br\u012bv\u0101k\". Tie\u0161i to Suzu ar\u012b dara, kad vi\u0146a ir Belle.\n<\/p>\n
Pla\u0161aj\u0101 U digit\u0101l\u0101s pils\u0113tvides ainav\u0101 Suzu p\u0101rsteidz vi\u0146as k\u0101 Belles - mirdzo\u0161as, roz\u0101 matu b\u0101kas - par\u0101d\u012b\u0161an\u0101s. U tehnolo\u0123ija autom\u0101tiski \u0123ener\u0113 avat\u0101rus, pamatojoties uz lietot\u0101ju biometrisko inform\u0101ciju. Suzu, kura p\u0113c m\u0101tes n\u0101ves bija p\u0101rst\u0101jusi dzied\u0101t, U saskata vi\u0146\u0101 sp\u0113ju b\u016bt izcilai. Tas ir pievilc\u012bgs priek\u0161stats - ka anon\u012bmu gudrinieku rad\u012bta nosl\u0113pumaina virtu\u0101l\u0101 pasaule var p\u0101rv\u0113rst parastu meiteni par elku. Un tas darbojas tikai t\u0101p\u0113c, ka Belle vair\u0101k piev\u0113r\u0161as emocion\u0101l\u0101m, nevis tehnolo\u0123isk\u0101m paties\u012bb\u0101m.\n<\/p>\n
Hosoda, kur\u0161 re\u017eis\u0113jis ar\u012b filmas Mirai, Vilka b\u0113rni un Vasaras kari, kop\u0161 2002. gada filmas Digiman par savu anime filmu t\u0113mu ir izv\u0113l\u0113jies internetu: The Movie. Vi\u0146a aps\u0113st\u012bba ar virtu\u0101lo vidi k\u0101 vietu, kur par\u0101d\u0101s m\u016bsu \"es\", lieliski iederas vien\u0101 no domin\u0113jo\u0161\u0101kajiem m\u016bsdienu anime \u017eanriem - isekai. Vislab\u0101k to iemieso 2012. gada filma Sword Art Online. isekai apraksta varo\u0146u p\u0101reju uz cit\u0101m pasaul\u0113m, jo \u012bpa\u0161i virtu\u0101laj\u0101m, un reinkarn\u0101ciju taj\u0101s, kur vi\u0146i sevi realiz\u0113. \"Kad es skatos uz citiem re\u017eisoriem, kas nodarbojas ar interneta t\u0113mu, t\u0101 m\u0113dz b\u016bt negat\u012bva, t\u0101da k\u0101 distopija,\" saka Hosoda. \" Bet es vienm\u0113r skatos uz internetu k\u0101 uz kaut ko t\u0101du, ko jaun\u0101 paaudze var p\u0113t\u012bt un rad\u012bt jaunas pasaules. Un man joproj\u0101m ir \u0161\u0101da attieksme pret internetu. T\u0101p\u0113c tas vienm\u0113r ir bijis optimistisks. \"\n<\/p>\n
V\u0113rojot Bellu, ir viegli iesl\u012bgt \u0161aj\u0101 optimism\u0101. Filma ir vizu\u0101li satrieco\u0161a - gan lauku ainavas, gan digit\u0101l\u0101 megapole, kas ir piepild\u012bta ar elpu aizraujo\u0161u pikse\u013cu skaitu. Br\u012b\u017eiem Hosadas filma ir pat mazliet satrauco\u0161a. Belles debijas d\u012bvas lom\u0101 vi\u0146a j\u0101j uz milz\u012bga lidojo\u0161a va\u013ca, debesis piepilda ziedlapi\u0146as un konfeti. Pirmaj\u0101 koncert\u0101 vi\u0146a par\u0101d\u0101s k\u0101 st\u0101stu augstas krist\u0101la lustras kakls, kas eksplod\u0113 mirdzo\u0161\u0101 zem\u016bdens zvaigzn\u0101j\u0101. Vair\u0101kos filmas punktos Hosoda pamata notikumus p\u0101rv\u0113r\u0161 par augst\u0101kas likmes anim\u0101cij\u0101m, kas ataino to patieso emocion\u0101lo ietekmi - k\u0101 tenku karu par augstas sare\u017e\u0123\u012bt\u012bbas strat\u0113\u0123ijas galda sp\u0113li. Hosoda labi izsp\u0113l\u0113 \u0161\u012bs sp\u0113c\u012bg\u0101s ainas, p\u0101rtraucot t\u0101s ar \u0113rtiem, lo-fi dz\u012bves momentiem no Suzu lauku dz\u012bves.\n<\/p>\n
Paties\u012bb\u0101 Belles burv\u012bg\u0101kie mirk\u013ci notiek analogaj\u0101 pasaul\u0113 (tostarp, iesp\u0113jams, lab\u0101k\u0101 m\u012blas atz\u012b\u0161an\u0101s aina anime). Suzu p\u0101rg\u0101jieni uz skolu un no skolas, p\u0101ri tam pa\u0161am tiltam un ar to pa\u0161u vilcienu ir tie, kuros m\u0113s uzzin\u0101m vair\u0101k par to, kas vi\u0146a ir viena, nevis U. Tie\u0161i tad m\u0113s pirmo reizi dzirdam vi\u0146as saspringto balsi dziedot, redzam, k\u0101 vi\u0146a s\u016bkst\u0101s par b\u0113rn\u012bbas draugu. Liela da\u013ca no vi\u0146as rakstura att\u012bst\u012bbas virtu\u0101laj\u0101 pasaul\u0113 \u0161\u0137iet atrauta no vi\u0146as rakstura att\u012bst\u012bbas IRL. Suzu pa\u0161izol\u0113jas no \u0123imenes, kopienas, potenci\u0101lajiem draugiem un m\u012blas interes\u0113m, l\u012bdz visus kop\u0101 saved Belle, metafora Suzu, kuru vi\u0146i visi jau dievin\u0101ja - ne d\u012bvu, vienk\u0101r\u0161i lauku meiteni, kas m\u012bl dzied\u0101t.\n<\/p>\n
Turpret\u012b Suzu film\u0101 \"U\" uzreiz j\u016btas piln\u012bgi komfortabli sav\u0101 jaunaj\u0101 lom\u0101 k\u0101 starptautiska popm\u016bzikas sens\u0101cija. Vi\u0146a dzied, dejo, maina t\u0113rpus ar Arianas Grandes ap\u0137\u0113r\u012bbu. Un vi\u0146a nolemj, ka ir vienreiz\u0113ji piem\u0113rota, lai izvilin\u0101tu \" Zv\u0113ru\", v\u0113l vienu sp\u0113l\u0113t\u0101ju, kas tiek uzskat\u012bts par bezdiev\u012bgi bied\u0113jo\u0161u. Kur ir \u0161\u012b jaun\u0101 drosm\u012bg\u0101 Suzu re\u0101laj\u0101 pasaul\u0113?\n<\/p>\n
Belle ir k\u0101 divas vai tr\u012bs da\u017e\u0101das filmas, kas mijas starp IRL un U, katra ar at\u0161\u0137ir\u012bgiem si\u017eetiem un m\u012blas interes\u0113m. No t\u0101m virtu\u0101l\u0101s pasaules komponents ir visv\u0101j\u0101kais. Tiecoties aptvert tik daudzas t\u0113mas, vietas un lietas, Belle tikai virspus\u0113ji izsmeltas t\u0101s vispla\u0161\u0101k\u0101s idejas - jo \u012bpa\u0161i t\u0101s v\u0113st\u012bjums par emp\u0101tijas un cilv\u0113cisk\u0101s saiknes potenci\u0101lu tie\u0161saist\u0113.\n<\/p>\n
\"U\" neatg\u0101dina nevienu no m\u016bsdienu MMORPG vai kibertelp\u0101m, un tas b\u016btu labi, ja \"Belle\" b\u016btu fant\u0101zijas filma, nevis koment\u0101rs par tehnolo\u0123iju sp\u0113ku. Strukt\u016bra pie\u0161\u0137ir tehnolo\u0123ijai j\u0113gu. T\u0101 nosaka, k\u0101 tehnolo\u0123ija tiek izmantota un k\u0101 t\u0101 ietekm\u0113 lietot\u0101jus. Sp\u0113\u013cu dizaineri lab\u0101k nek\u0101 jebkur\u0161 cits zina, ka sp\u0113l\u0113t\u0101ju sp\u0113ja pa\u0161realiz\u0113ties vi\u0146u sp\u0113l\u0113s ir dzi\u013cu zin\u0101\u0161anu un uzman\u012bbas deta\u013c\u0101m rezult\u0101ts; s\u0101kot no person\u0101\u017ea rad\u012b\u0161anas procesa l\u012bdz pat kaujas sp\u0113ka robe\u017e\u0101m. Tas ir, k\u0101 saka: Ierobe\u017eojumi ir izgudrojumu m\u0101te.\n<\/p>\n
T\u0101d\u0113j\u0101di filmas \"U\" bezstruktur\u012bba ir t\u0101s v\u0101j\u0101kais punkts, padarot \"Belle\" ne tik daudz par filmu par tehnolo\u0123iju ietekmi uz cilv\u0113kiem, cik par filmu par eskeipismu. Un b\u0113g\u0161ana pamat\u0101 vienm\u0113r ir saist\u012bta ar vietu, no kuras j\u016bs b\u0113gat. T\u0101p\u0113c Belles lab\u0101kie mirk\u013ci notiek K\u014d chi prefekt\u016br\u0101, nevis neierobe\u017eotaj\u0101 un nezin\u0101maj\u0101 pasaul\u0113 U. Film\u0101 \"Belle\" internets joproj\u0101m ir tikai instruments.<\/p>\n","protected":false},"excerpt":{"rendered":"
Kur pirms interneta dz\u012bvoja m\u016bsu otrie \"es\"? \"Agr\u0101k past\u0101v\u0113ja tikai viena realit\u0101te,\" saka re\u017eisors Mamoru Hosoda. Vi\u0146a jaun\u0101 filma Belle st\u0101sta par to, k\u0101 internets ir rad\u012bjis iesp\u0113ju b\u016bt daudziem \"es\" da\u017e\u0101d\u0101s pasaul\u0113s. Piektdien ASV izn\u0101kusi filma Belle st\u0101sta par Suzu Naito, kura c\u012bn\u0101s ar jaunieg\u016bto popzvaigznes slavu virtu\u0101laj\u0101 pasaul\u0113 U. Hosoda nor\u0101da, ka tie\u0161saist\u0113 […]<\/p>\n","protected":false},"author":1,"featured_media":35844,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-35829","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-movies"],"_links":{"self":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/posts\/35829","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/comments?post=35829"}],"version-history":[{"count":0,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/posts\/35829\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/media\/35844"}],"wp:attachment":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/media?parent=35829"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/categories?post=35829"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/tags?post=35829"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}