\" Reizi pa reizei, iesp\u0113jams, k\u0101 pazem\u012bbas vingrin\u0101jumu, St\u012bvens Soderbergs uz\u0146em patiesi neizskaidrojamu filmu,\" sav\u0101 2002. gada recenzij\u0101 par Soderberga filmu \"Full Frontal\" rakst\u012bja Rod\u017eers Eberts. Eberta diem\u017e\u0113l vairs nav, t\u0101p\u0113c es to teik\u0161u - jaun\u0101kais neizskaidrojamais Soderbergs ir \u0161eit.\n<\/p>\n
Tom\u0113r tas ir iemesls svin\u012bb\u0101m, nevis satraukumam. Pat tad, kad ra\u017e\u012bgais un nevienm\u0113r\u012bgais Soderbergs ir iesl\u012bg\u0161anas re\u017e\u012bm\u0101, vi\u0146\u0161 nere\u017eis\u0113 garlaic\u012bgas filmas. Vi\u0146a jaun\u0101kais darbs Kimi, kas ceturtdien piedz\u012bvoja pirmizr\u0101di HBO Max, ir viegls, dz\u012bv\u012bgs trilleris, kuru vai nu apgr\u016btina, vai pastiprina - gr\u016bti pateikt - d\u012bvainas narat\u012bv\u0101s izv\u0113les. Rezult\u0101ts ir neparasta \"Aizmugur\u0113j\u0101 loga\" jaunin\u0101\u0161ana, kas uzdro\u0161in\u0101s uzdot jaut\u0101jumu: \"Kas b\u016btu, ja D\u017eimija Stjuarta viet\u0101, kas ar salauztu k\u0101ju skat\u0101s pa logu, m\u0113s skat\u012btos, k\u0101 Zoja Kravica klaus\u0101s vied\u0101s m\u0101jas ier\u012bces sav\u0101kto audio, c\u012bnoties ar ilgsto\u0161u traumas izrais\u012btu agorafobijas l\u0113kmi?\n<\/p>\n
Pats si\u017eets ir pietiekami vienk\u0101r\u0161s, it \u012bpa\u0161i sal\u012bdzin\u0101jum\u0101 ar Soderberga p\u0113d\u0113jo filmu \"Bez p\u0113k\u0161\u0146a g\u0101jiena\", kur\u0101 dubultie noziegumi kr\u0101j\u0101s viens uz otra, l\u012bdz paties\u012bba izk\u016bp\u0113ja. \u0160eit \u013caundari ir skaidri, t\u0101pat k\u0101 varonis. And\u017eela \u010cilda (Kravica) str\u0101d\u0101 tehnolo\u0123iju uz\u0146\u0113mum\u0101 Amygdala, kas gatavojas publiskot savu ier\u012bci Kimi, konkurentu Alexa un Siri. \u010cildsa pavada dienas pla\u0161\u0101, nevainojam\u0101 industri\u0101l\u0101 loft\u0101 Sietl\u0101, klausoties audio fragmentus, kas apz\u012bm\u0113ti cilv\u0113ka interpret\u0101cijai, un reiz\u0113m jokojot ar savu tehnisk\u0101 atbalsta kol\u0113\u0123i Rum\u0101nij\u0101. Kad vi\u0146a nestr\u0101d\u0101, vi\u0146a skat\u0101s zi\u0146as, grie\u017eoties uz trena\u017eiera, aps\u0113sti t\u012bra zobus, r\u012bko videokonferences ar mammu un psihiatru vai aicina kaimi\u0146\u0161 Terijs (Bryan Bowers) uz sarunu. K\u0101du dienu vi\u0146a dzird audio fragmentu, kas izklaus\u0101s p\u0113c vardarb\u012bga nozieguma. Kad vi\u0146a m\u0113\u0123ina zi\u0146ot par dzird\u0113to Amygdala, vi\u0146a k\u013c\u016bst par ietekm\u012bgu cilv\u0113ku m\u0113r\u0137i, kuri nev\u0113las, lai audioieraksts nopl\u016bst.\n<\/p>\n
Pla\u0161\u0101ka m\u0113roga st\u0101sts ir pietiekami regul\u0101ra ka\u0137u un pe\u013cu sp\u0113le. Tom\u0113r filmas b\u016btisk\u0101 d\u012bvain\u012bba izpau\u017eas deta\u013c\u0101s. And\u017eela sirgst ar smagu agorafobiju un, neraugoties uz s\u0101p\u012bgo zobu infekciju, nev\u0113las pamest savu dz\u012bvokli. Un tom\u0113r And\u017eelai ir elektriski zila boba ar b\u0113rnu spr\u0101dz\u0113m. Sauciet mani par (burtisk\u0101 noz\u012bm\u0113) matu \u0161\u0137\u0113pmet\u0113ju, bet \u0161o \u0101rk\u0101rt\u012bgi sare\u017e\u0123\u012bto friz\u016bru b\u016btu \u013coti gr\u016bti izveidot m\u0101j\u0101s, vienatn\u0113. Gr\u016bti iedom\u0101ties izskatu, kas daudz skaidr\u0101k kliedz \"piecu stundu viz\u012bte pie friziera ar regul\u0101ru apgrie\u0161anu\". Un, j\u0101, \u0161\u012b filma patie\u0161\u0101m norisin\u0101s nedaudz alternat\u012bv\u0101 visum\u0101, kur notika Kovid-19, bet Sietlu ar\u012b satricina politiski protesti pret likumiem, kas ierobe\u017eo bezpajumtnieku p\u0101rvieto\u0161anos, t\u0101p\u0113c, iesp\u0113jams, \u0161aj\u0101 pasaul\u0113 ir biju\u0161i iev\u0113rojami sasniegumi m\u0101jas apst\u0101k\u013cos veicam\u0101 kr\u0101so\u0161an\u0101, bet c ' mon.\n<\/p>\n
V\u0113l viens trauc\u0113klis: K\u0101p\u0113c And\u017eela ir tik bag\u0101ta? Vi\u0146a ir slav\u0113jama satura moderatore, bet dz\u012bvo pla\u0161\u0101 Sietlas b\u0113ni\u0146u m\u0101j\u0101 k\u0101 k\u0101ds m\u016bsdienu Freizjers Kreins. Ir k\u0101ds net\u012b\u0161s koment\u0101rs, ka t\u0113vs vi\u0146ai pal\u012bdz\u0113jis veikt remontu, bet tom\u0113r - vai m\u0113s skat\u0101mies filmu par trasta fonda b\u0113rnu, kur\u0161 vienk\u0101r\u0161i izv\u0113las str\u0101d\u0101t vid\u0113ja l\u012bme\u0146a (lab\u0101kaj\u0101 gad\u012bjum\u0101) satura anal\u012bti\u0137a amat\u0101? Turpret\u012b Amygdala izpilddirektors Bredlijs Haslings (Dereks DelGaudio) filmas s\u0101kum\u0101 redzams telekonferenc\u0113jamies no improviz\u0113tas darba vietas sav\u0101 gar\u0101\u017e\u0101. K\u0101p\u0113c \u0161im cilv\u0113kam nav m\u0101jas biroja? Ir pand\u0113mijas tre\u0161ais gads, un vi\u0146\u0161 ir vado\u0161\u0101 amat\u0101! Ja \u0161\u012b b\u016btu, teiksim, Nensijas Meiersas filma, m\u0113s var\u0113tu ne\u0146emt v\u0113r\u0101 d\u012bvaino scenogr\u0101fiju. Ta\u010du Soderbergs parasti labi p\u0101rzina \u0161\u0137iru at\u0161\u0137ir\u012bbas.\n<\/p>\n
And\u017eela ir neizskaidrojama, kas nav tas pats, kas sare\u017e\u0123\u012bta. Vi\u0146a ir neuztic\u012bga un piesardz\u012bga, bet ar\u012b bez vilt\u012bbas ieklaus\u0101s priek\u0161niekos, kad tie liek vi\u0146ai neko neuzr\u0101d\u012bt rakstiski un ierasties biroj\u0101, nevis br\u012bdin\u0101t iest\u0101des. Vi\u0146as agorafobija dod Soderbergam attaisnojumu izmantot k\u0101du m\u016bzikas video stila drebo\u0161u kameru, kad vi\u0146a beidzot uzdro\u0161in\u0101s iziet iel\u0101s, bet cit\u0101di tas ir piedauz\u012bgs elements, it k\u0101 s\u0101kotn\u0113j\u0101 scen\u0101rija melnrakst\u0101 b\u016btu nor\u0101d\u012bts, ka galvenajai varonei b\u016btu vajadz\u012bgi citi \u0161\u0137\u0113r\u0161\u013ci, ko p\u0101rvar\u0113t, nevis tikai nepat\u012bkami tehnolo\u0123iju p\u0101rzi\u0146i, kas tiecas p\u0113c vi\u0146as dz\u012bv\u012bbas. Ar\u012b vi\u0146as rom\u0101ns ar kaimi\u0146u \u0161\u0137iet k\u0101 iepludin\u0101ts film\u0101, m\u0113\u0123inot iz\u0146emt k\u0101du lodzi\u0146u.\n<\/p>\n
Ta\u010du, tikl\u012bdz And\u017eela atst\u0101j savu m\u0101ju, filma iedarbina savu dzin\u0113ju un p\u0101rv\u0113r\u0161as par pietiekami aizraujo\u0161u kin\u0113tisku izv\u0113rstu paka\u013cdz\u012b\u0161anos, un ir gr\u016bti p\u0101r\u0101k daudz r\u016bp\u0113ties par neparastu raksturu. Kad cilv\u0113ki, kas v\u0113las apklusin\u0101t And\u017eelu, ierodas m\u0101j\u0101s, un vi\u0146a izk\u013c\u016bst no vi\u0146u g\u016bsta un tad atkal non\u0101k briesm\u0101s, filmas tonis pingpon\u0113 starp \u0161ausm\u0101m un kom\u0113diju, un kulmin\u0101cijas izr\u0101viens ir tik vij\u012bgs, p\u0101rsteidzo\u0161s un gandr\u012bz vai \u0161makains, ka tas pieder pie Soderberga smiekl\u012bg\u0101ko darbu kanona. Cilv\u0113ki dro\u0161i vien v\u0113l gadiem ilgi l\u016bgs savus viedos m\u0101jas asistentus iesl\u0113gt \u0161o filmu, kad b\u016bs noska\u0146ojums uz kaut ko \u0101tru, baisu un mazliet mu\u013c\u0137\u012bgu.<\/p>\n","protected":false},"excerpt":{"rendered":"
\" Reizi pa reizei, iesp\u0113jams, k\u0101 pazem\u012bbas vingrin\u0101jumu, St\u012bvens Soderbergs uz\u0146em patiesi neizskaidrojamu filmu,\" sav\u0101 2002. gada recenzij\u0101 par Soderberga filmu \"Full Frontal\" rakst\u012bja Rod\u017eers Eberts. Eberta diem\u017e\u0113l vairs nav, t\u0101p\u0113c es to teik\u0161u - jaun\u0101kais neizskaidrojamais Soderbergs ir \u0161eit. Tom\u0113r tas ir iemesls svin\u012bb\u0101m, nevis satraukumam. Pat tad, kad ra\u017e\u012bgais un nevienm\u0113r\u012bgais Soderbergs ir […]<\/p>\n","protected":false},"author":1,"featured_media":35792,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-35777","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-movies"],"_links":{"self":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/posts\/35777","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/comments?post=35777"}],"version-history":[{"count":0,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/posts\/35777\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/media\/35792"}],"wp:attachment":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/media?parent=35777"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/categories?post=35777"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/tags?post=35777"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}