Soci\u0101lie trilleri ir gr\u016bts uzdevums. To uzdevums ir caur spriedzes un \u0161ausmu prizmu p\u0101rbaud\u012bt apspiest\u012bbas ne\u017e\u0113l\u012bbu - un drosm\u012bg\u0101kajos gad\u012bjumos to drosm\u012bgi ap\u0161aub\u012bt. \u0160is \u017eanrs prasa, lai filmu veidot\u0101jiem izdodas pan\u0101kt delik\u0101tu l\u012bdzsvaru starp izpratni un izklaidi. Scen\u0101riste un re\u017eisore Mariama Diallo sav\u0101 stil\u012bgaj\u0101 un p\u0113t\u012btaj\u0101 debijas film\u0101 \"Meistars\" (Master) ir atradusi autentisku \u017eanra p\u0101rst\u0101vi. Filma, kuras centr\u0101 ir psiholo\u0123isk\u0101 trauma, kas rodas, esot meln\u0101dainajam presti\u017e\u0101 Jaunanglijas koled\u017e\u0101, un t\u0101 izsaka kutino\u0161u trauksmi, kas atkl\u0101j da\u017ek\u0101rt vienk\u0101r\u0161\u0101s, da\u017ek\u0101rt sare\u017e\u0123\u012bt\u0101s, bet vienm\u0113r notur\u012bg\u0101s rasu nesaska\u0146u rad\u012bt\u0101s bailes Amerik\u0101. T\u0101 ir ar\u012b apsveicams skat\u012bjums uz soci\u0101l\u0101 trillera robe\u017e\u0101m un to, k\u0101das jaunas m\u0101c\u012bbas, ja t\u0101das visp\u0101r ir, \u0161is \u017eanrs var sniegt.\n<\/p>\n
\"Skolas, kas ir gandr\u012bz tikpat sena k\u0101 valsts,\" atv\u0113r\u0161ana Ankaster\u0101, \"Master, tikko izlaists Amazon Prime, izseko tr\u012bs meln\u0101daino sievie\u0161u dz\u012bvi akad\u0113misk\u0101 gada laik\u0101, kad vi\u0146as saskaras ar mikroagresiju, kas dzel\u017ea, provoc\u0113 un izsauc sentimentus, kas paz\u012bstami jebkurai meln\u0101dainai personai, kura ir c\u012bn\u012bjusies gar\u012bgaj\u0101 kaujas lauk\u0101, apmekl\u0113jot elit\u0101ru, galvenok\u0101rt balto koled\u017eu. Paranoja mijas ar \u0161aub\u0101m. Bailes, ko p\u0101r\u0146em apjukums. Emocion\u0101l\u0101s p\u0101rslodzes smag\u0101s s\u0101pes. T\u0101 saj\u016bta, ka viss un visi tuvojas. Diallo, kur\u0161 m\u0101c\u012bjies Jeil\u0101, r\u016bp\u012bgi un paciet\u012bgi apskata \u0161o teritoriju, sv\u0101rst\u012bdamies starp re\u0101lismu un p\u0101rdabisk\u0101m \u0161ausm\u0101m, kas rodas no meln\u0101daino cilv\u0113ku dz\u012bves pieredzes, kas saskaras ar to, ko Ta-Nehisi Koitss d\u0113v\u0113 par \"bez\u0137erme\u0146a teroru\". \"\n<\/p>\n
Si\u017eets att\u012bst\u0101s, kad Gail Bishop (Regina Hall lom\u0101 ar nepietiekamu sp\u0113ku) tiek paaugstin\u0101ta par \"kapteini\" vien\u0101 no koled\u017eas dz\u012bvojamaj\u0101m m\u0101j\u0101m. Vi\u0146a ir pirm\u0101 meln\u0101dain\u0101 pasniedz\u0113ja, kas ie\u0146em \u0161o amatu, un vi\u0146as paaugstin\u0101\u0161ana amat\u0101 aizs\u0101k virkni saasino\u0161u tik\u0161anos starp vi\u0146u, kol\u0113\u0123i profesori L\u012bvu Bekmenu (Amber Gray) un D\u017easminu M\u016bru (Zoe Renee), dedz\u012bgu pirmkursnieci, kas v\u0113las iek\u013cauties. Ja Gail ir ma\u0123istra sirdsapzi\u0146a - un vi\u0146a t\u0101da patie\u0161\u0101m ir - tad Jasm\u012bna ir t\u0101 emocion\u0101lais centrs, t\u0101 tr\u012bco\u0161\u0101 sirdsdarb\u012bba.\n<\/p>\n
Mikroagresijas uzkr\u0101jas, un Jasm\u012bnu s\u0101k p\u0101r\u0146emt skolas folkloras da\u013ca. St\u0101sta, ka pirms vair\u0101kiem gadsimtiem skolas pils\u0113ti\u0146\u0101 mirusi sieviete, kas, k\u0101 uzskat\u012bja, bijusi ragana, un tagad vaj\u0101 to, katru gadu teroriz\u0113jot k\u0101du jaunu pirmkursnieku. Ta\u010du m\u012bta realit\u0101te ir daudz tuv\u0101ka, un tas Diallo sniedz lielisku paral\u0113li, lai izvestu st\u0101st\u012bjumu no pag\u0101tnes uz fantastiku: 1965. gad\u0101 Ankasteras pirmais meln\u0101dainais students tika nolain\u010dots taj\u0101 pa\u0161\u0101 telp\u0101, kur\u0101 dz\u012bvo Jasm\u012bna. Pieskaroties vardarb\u012bgajai balto un meln\u0101daino pak\u0101r\u0161anas v\u0113sturei, kas bija izskau\u0161anas un publiskas izklaides veids - un viens no valsts pirmajiem spokiem -, Diallo savu soci\u0101lo trilleri p\u0101rv\u0113r\u0161 21. gadsimta spoku st\u0101st\u0101.\n<\/p>\n
Neatkl\u0101jot p\u0101r\u0101k daudz, teik\u0161u, ka lin\u010d\u0113\u0161ana film\u0101 tiek izmantota gan burtiski, gan ar domu sp\u0113ku, Diallo izmanto da\u017e\u0101dus est\u0113tiskus trikus, lai skat\u012bt\u0101ji lab\u0101k izprastu pieaugo\u0161o tumsu, kas ap\u0146em Jasm\u012bnu un Geilu. Tas galvenok\u0101rt notiek, izmantojot kr\u0101sas - Diallo rakstur\u012bgie sarkanie to\u0146i liek smelties atmi\u0146\u0101 -, \u0113nas un main\u012bgos kameras kadrus, kas uzbur dimensiju un dzi\u013cumu. Pla\u0161\u0101k\u0101 kontekst\u0101 filma atkl\u0101j struktur\u0101lo sist\u0113mu kait\u012bgo dabu, jo \u012bpa\u0161i augst\u0101kaj\u0101 izgl\u012bt\u012bb\u0101 - k\u0101, k\u0101p\u0113c un kam t\u0101s tiek uztur\u0113tas. No t\u0101 izriet, ka tie, kas m\u0113\u0123ina c\u012bn\u012bties pret varas sist\u0113m\u0101m, ir nol\u0101d\u0113ti jau pa\u0161\u0101 to \u012bsteno\u0161an\u0101.\n<\/p>\n
Kritiskais jaut\u0101jums par filmu izskan jau pirmaj\u0101 ceturtda\u013c\u0101, bet t\u0101 dzirksteli saglab\u0101 visu filmas laiku, lai izgaismotu \u017eanra b\u016bt\u012bbu, kas, pat tad, ja tas ir dv\u0113seli satrauco\u0161\u0101kais un demistific\u0113jo\u0161\u0101kais, paliek saist\u012bts ar specifisku pieredzi, kad piev\u0113r\u0161as meln\u0101dainajiem cilv\u0113kiem. K\u0101du nakti, kad Jasm\u012bna atgrie\u017eas sav\u0101 istab\u0101, vi\u0146a tiek p\u0101rsteigta. \"Kas tu esi? \" jaut\u0101 baltais v\u012brietis, kad vi\u0146a ien\u0101k. Gandr\u012bz uzreiz citi studenti - ar\u012b visi baltie, kurus visus uzaicin\u0101jis Jasm\u012bnas istabas biedrs, - nepat\u012bkami uzm\u0101c\u012bgi atbild, kas piezem\u0113jas k\u0101 dun\u010di. Vi\u0146i kliedz meln\u0101daino sievie\u0161u v\u0101rdus, kas bie\u017ei tiek izmantoti k\u0101 kli\u0161ejiski apz\u012bm\u0113jumi noteiktam meln\u0101daino sasniegumu t\u0113lam: Beyonce \u0301 , Lizzo, \" viena no m\u0101s\u0101m Viljams\u0101m. \"\n<\/p>\n
Un, t\u0101 k\u0101 \u0161is laikmets ir ar\u012b pilns digit\u0101lo apar\u0101tu (daudzus no tiem m\u0113s izmantojam ikdien\u0101, s\u0101kot ar Instagram un beidzot ar YouTube), kas mums st\u0101sta, k\u0101 dz\u012bvot, k\u0101diem b\u016bt un uz ko mums vajadz\u0113tu un uz ko nevajadz\u0113tu tiekties zem\u0113, kas liel\u0101koties past\u0101v uz meliem, alkat\u012bbu un paradoksiem, da\u017ek\u0101rt var b\u016bt gr\u016bti atpaz\u012bt savu t\u0113lu spogul\u012b. Zin\u0101t, kas j\u016bs paties\u012bb\u0101 esat. M\u016bsu tauta ir saist\u012bta ar pretrun\u0101m. Kas tad var b\u016bt gl\u0101bi\u0146\u0161? Man pat\u012bk dom\u0101t, ka t\u0101 ir p\u0101rliec\u012bba par sevi, kas ir \u012bstais stabilizators, saskaroties ar p\u0113k\u0161\u0146\u0101m bail\u0113m. Skat\u012bt\u0101ji v\u0113ro, k\u0101 Jasm\u012bna cen\u0161as notur\u0113ties uz k\u0101j\u0101m, bet pieredze vi\u0146u izsit no l\u012bdzsvara, un tie\u0161i \u0161is nel\u012bdzsvarot\u012bbas tr\u016bkums - jaut\u0101jums par to, kas vi\u0146a ir un vai vi\u0146a ir pieder\u012bga - sagr\u0101bj vi\u0146u, kad filma tuvojas savam p\u0101rsteidzo\u0161ajam nosl\u0113gumam.\n<\/p>\n
Meistars ir soci\u0101ls trilleris, ta\u010du, t\u0101 k\u0101 tas ir ar\u012b \u0161ausmu darbs, t\u0101 paties\u0101 tematisk\u0101 b\u016bt\u012bba ir mekl\u0113jama sevis iztauj\u0101\u0161an\u0101. Meln\u0101daino cilv\u0113ku st\u0101sts Amerik\u0101 ir \u0161ausmu st\u0101sts. K\u0101 gan cit\u0101di? T\u0101p\u0113c meln\u0101daino \u0161ausmu st\u0101sts ir tie\u0161i par cilv\u0113ka atbr\u012bvo\u0161an\u0101s robe\u017e\u0101m - ne tik daudz par gala m\u0113r\u0137i, cik par t\u0101 pras\u012bgo maksu. \n<\/p>\n
Tom\u0113r br\u012b\u017eiem man rodas jaut\u0101jums, vai soci\u0101l\u0101 trillera \u017eanrs nav p\u0101r\u0101k atsl\u0101bin\u0101jies sav\u0101 p\u0101rstr\u0101d\u0101taj\u0101 \u0161\u0137iru nemiera, rasu disharmonijas un emocion\u0101l\u0101 terora apv\u0113rsum\u0101. Atdz\u012bvin\u0101ts ar D\u017eordana P\u012bla (Jordan Peele) 2017. gada hitu Get Out, \u0161is \u017eanrs ir papla\u0161in\u0101jis \u0161o iztauj\u0101\u0161anu ar t\u0101d\u0101m film\u0101m k\u0101 Tyrel (2018) un His House (2020), kas p\u0101rv\u0113r\u0161 ikdieni\u0161\u0137us p\u0101rdz\u012bvojumus v\u0113l grotesk\u0101k\u0101, bied\u0113jo\u0161\u0101k\u0101 un re\u0101l\u0101k\u0101 v\u012bzij\u0101. T\u0101 t\u0113mas ir m\u016b\u017eam aktu\u0101las, un, t\u0101 k\u0101 t\u0101s nosaka tik daudz no t\u0101, k\u0101 m\u0113s saprotam soci\u0101l\u0101 trillera filmas - \u017eanru, kuram j\u0101pie\u0146em re\u0101lisms, pat ja tas eksperiment\u0113 ar to -, t\u0101s ar\u012b ierobe\u017eo to, kas ir iesp\u0113jams (narat\u012bvi, nevis vizu\u0101li).\n<\/p>\n
Es saprotu, ka m\u0101ksla \u013cauj citiem lab\u0101k izprast rasu, \u0161\u0137iru un dzimumu apspiest\u012bbu. Es saprotu, ka t\u0101 \u013cauj tiem no mums, kas ar to saskaras ikdien\u0101, sajust atpaz\u012bstam\u012bbu. justies paman\u012btiem. Tas viss ir svar\u012bgi. Bet fakts ir t\u0101ds, ka meln\u0101dainajiem, transseksu\u0101\u013ciem, sieviet\u0113m, queer cilv\u0113kiem, inval\u012bdiem, visiem, kas past\u0101v\u012bgi atrodas neizdev\u012bg\u0101 situ\u0101cij\u0101 un kam tiek st\u0101st\u012bts, ka vi\u0146i ir probl\u0113ma, - dz\u012bves realit\u0101te vienm\u0113r b\u016bs p\u0101r\u0101ka par interpret\u0101ciju. \u017danram ir ierobe\u017eots tv\u0113rums, jo tas var mums pateikt tikai to, ko m\u0113s jau zin\u0101m.\n<\/p>\n
Soci\u0101lie trilleri ir izr\u0101d\u012bju\u0161ies nepiecie\u0161ams atsvars progresam, ko Amerika mald\u012bgi atbalsta, ar alegorijas pal\u012bdz\u012bbu atkl\u0101jot patieso n\u0101cijas b\u016bt\u012bbu. \u0160ausmas dz\u012bvo m\u016bsu vid\u016b. M\u0113s tos redzam zi\u0146\u0101s un sastopam TikTok. Meln\u0101s s\u0101pes tagad ir optimiz\u0113tas t\u0101, lai katru stundu, katru stundu k\u013c\u016btu par v\u012brusu. K\u0101 uzzin\u0101ja Jasm\u012bna, \u0161\u012bs konfront\u0101cijas nav viegli nov\u0113rst. Un pat tad, ja cilv\u0113kam izdodas izdz\u012bvot, proti, ja vi\u0146am paveicas, fizisk\u0101s un gar\u012bg\u0101s sekas saglab\u0101jas. K\u0101da bija \u0161\u012bs p\u0101rejas cena? Tas ir p\u0113d\u0113jais jaut\u0101jums, ar kuru Geilai pa\u0161ai j\u0101r\u0113\u0137in\u0101s.<\/p>\n","protected":false},"excerpt":{"rendered":"
Soci\u0101lie trilleri ir gr\u016bts uzdevums. To uzdevums ir caur spriedzes un \u0161ausmu prizmu p\u0101rbaud\u012bt apspiest\u012bbas ne\u017e\u0113l\u012bbu - un drosm\u012bg\u0101kajos gad\u012bjumos to drosm\u012bgi ap\u0161aub\u012bt. \u0160is \u017eanrs prasa, lai filmu veidot\u0101jiem izdodas pan\u0101kt delik\u0101tu l\u012bdzsvaru starp izpratni un izklaidi. Scen\u0101riste un re\u017eisore Mariama Diallo sav\u0101 stil\u012bgaj\u0101 un p\u0113t\u012btaj\u0101 debijas film\u0101 \"Meistars\" (Master) ir atradusi autentisku \u017eanra p\u0101rst\u0101vi. […]<\/p>\n","protected":false},"author":1,"featured_media":35688,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-35673","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-movies"],"_links":{"self":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/posts\/35673","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/comments?post=35673"}],"version-history":[{"count":0,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/posts\/35673\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/media\/35688"}],"wp:attachment":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/media?parent=35673"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/categories?post=35673"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/tags?post=35673"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}