Zin\u0101tnisk\u0101 fantastika sav\u0101 vispiln\u012bg\u0101kaj\u0101 form\u0101 darbojas k\u0101 Mobija josla. T\u0101 kritiz\u0113 tagadni, spekul\u0113jot par n\u0101kotni. P\u0113c gadiem agr\u012bnie sekot\u0101ji atskat\u0101s atpaka\u013c un analiz\u0113 t\u0101s prognozes, labi apzinoties, ka zin\u0101tnisk\u0101 fantastika ir rad\u012bjusi pasaules, kur\u0101 vi\u0146i dz\u012bvo, pl\u0101nu. Utopiska vai antiutopiska, n\u0101kotne vienm\u0113r atk\u0101pjas pati no sevis. Tom\u0113r fantastikas veidot\u0101jiem reti kad ir iesp\u0113ja atgriezties pie sav\u0101m rad\u012btaj\u0101m pasaul\u0113m p\u0113c tam, kad notikumi, kurus vi\u0146i paredz\u0113ja, ir s\u0101ku\u0161ies. \u0160aj\u0101 zi\u0146\u0101 Lana un Lilija Vahovski ir vien\u012bg\u0101s.\n<\/p>\n
Kad 1999. gad\u0101 izn\u0101ca Matrica, t\u0101 bija skaisti realiz\u0113ta kiberpanka pasaka. Taj\u0101 tika izmantota pirmo interneta gadu cer\u012bg\u0101 ener\u0123ija un tika iecer\u0113ts, kas var\u0113tu notikt, ja cilv\u0113ces pa\u013cau\u0161an\u0101s uz savienojam\u012bbu un dom\u0101jo\u0161\u0101m ma\u0161\u012bn\u0101m novestu pie t\u0101s gandr\u012bz piln\u012bgas boj\u0101ejas. T\u0101 bija dr\u016bma prognoze, ta\u010du t\u0101 bija viena no gar\u0101s zin\u0101tnisk\u0101s fantastikas st\u0101stu rindas, kas pare\u0123oja tuvo n\u0101kotni. \"Br\u012bni\u0161\u0137\u012bg\u0101 jaun\u0101 pasaule\" v\u0113st\u012bja par antidepresantiem. Filips K. Diks br\u012bdin\u0101ja las\u012bt\u0101jus par androidiem, un tagad, kad sap\u0146ojam par elektriskaj\u0101m ait\u0101m (vai vismaz skat\u0101mies Boston Dynamics robotu deju), m\u016bs p\u0101r\u0146em bailes no m\u0101ksl\u012bg\u0101 intelekta sacel\u0161an\u0101s. Ikviens, kas ra\u017eo nov\u0113ro\u0161anas tehnolo\u0123ijas, noteikti zina 1984. gadu. Vai virtu\u0101l\u0101 un papildin\u0101t\u0101 realit\u0101te visp\u0101r past\u0101v\u0113tu, ja neb\u016btu Viljama Gibsona \"Neuromancera\" un ASV ku\u0123a \"Enterprise\" holodekas?\n<\/p>\n
Tas, ko Vahovski paredz\u0113ja Matric\u0101 - pasaule, kur\u0101 m\u0101ksl\u012bgais intelekts p\u0101rv\u0113r\u0161 cilv\u0113kus baterij\u0101s un veic simul\u0101ciju, lai saglab\u0101tu vi\u0146u paklaus\u012bbu, - v\u0113l nav piln\u012bb\u0101 piepild\u012bjies, ta\u010du m\u0101jieni par to ir visur. Neviens nedz\u012bvo simul\u0101cij\u0101, bet Sil\u012bcija ieleja nevar apbr\u012bnot metaversu, kas bie\u017ei vien \u0161\u0137iet tikai da\u017eu klik\u0161\u0137u att\u0101lum\u0101 uz rietumiem. Zin\u0101tnieki str\u0101d\u0101 pie smadze\u0146u-datora saskarn\u0113m, kas p\u0113c daudziem gadiem var\u0113tu nos\u016bt\u012bt virtu\u0101lo pieredzi uz m\u016bsu smadzen\u0113m. M\u0101ksl\u012bgais intelekts nerada m\u016bsu realit\u0101ti (iesp\u0113jams), bet tas dz\u012bvo m\u016bsu automa\u0161\u012bn\u0101s, televizoros un zobu birst\u0113s. Lai iepaz\u012btu re\u0101lo pasauli, nav vajadz\u012bga sarkan\u0101 pill\u012bte, bet konspir\u0101ciju pilnais, lab\u0113jais internets \"sarkano pill\u012bti\" ir p\u0101rtapis par \"sarkano pill\u012bti\", kas noz\u012bm\u0113 pamosties, lai saprastu, k\u0101 liber\u0101lisms saind\u0113 Ameriku. (Vai kaut kas taml\u012bdz\u012bgs.)\n<\/p>\n
(Spoileris: seko Matrix Resurrections si\u017eeta punkti.)\n<\/p>\n
T\u0101 ir \u0161\u012b nom\u0101co\u0161\u0101 saj\u016bta, kas caurstr\u0101vo Matrix Resurrections. It k\u0101 Lana Va\u010dovski b\u016btu redz\u0113jusi, ka s\u0101k veidoties visslikt\u0101kais no vi\u0146as pa\u0161as idej\u0101m, un v\u0113l\u0113tos iesl\u0113gt trauksmes sign\u0101lu. Filmas darb\u012bba norisin\u0101s Sanfrancisko, aptuveni 60 gadus p\u0113c notikumiem Matricas revol\u016bcij\u0101s, kas ir p\u0113d\u0113jais ori\u0123in\u0101l\u0101s trilo\u0123ijas st\u0101sts. Neo (Keanu R\u012bvss) un Tr\u012bsvien\u012bba (Karija-Anna Mosa) ir atkal iek\u013cauti Matric\u0101, un vi\u0146iem ir likts aizmirst savas gl\u0101b\u0113ju dienas. Tomass Andersons tagad ir veiksm\u012bgs videosp\u0113\u013cu dizainers studij\u0101 Deus Ex Machina (LOL). Vi\u0146\u0161 ir atbild\u012bgs par sp\u0113\u013cu trilo\u0123iju, kas paz\u012bstama k\u0101 Matrica, kura bied\u0113jo\u0161i atg\u0101dina notikumus no pirmaj\u0101m trim Vahovsku film\u0101m. Tagad vi\u0146\u0161 str\u0101d\u0101 pie jaunas sp\u0113les ar nosaukumu Binary, kas, iesp\u0113jams, ir atsauce uz kod\u0113\u0161anas valodu, bet ar\u012b net\u012brs m\u0101jiens uz sarkano tableti pret zilo tableti, \u012bstu pret viltus, br\u012bvu gribu pret likteni un, iesp\u0113jams, faktu, ka dzimums nav ne viens, ne otrs.\n<\/p>\n
Vismaz t\u0101 vi\u0146\u0161 str\u0101d\u0101, l\u012bdz tiek izsaukts uz sava priek\u0161nieka (sp\u0113l\u0113 D\u017eonatans Grofs (Jonathan Groff)) biroju un vi\u0146am tiek pazi\u0146ots, ka vi\u0146a studijas m\u0101tesuz\u0146\u0113mums Warner Bros. v\u0113las veidot trilo\u0123ijas turpin\u0101jumu, lai ar\u012b k\u0101. \"(Tas ir \u012bpa\u0161i smiekl\u012bgi, \u0146emot v\u0113r\u0101, ka Vahovski gadiem ilgi teica \"n\u0113\" re\u0101lajai Warner Bros. par atgrie\u0161anos pie \u0161\u012bs fran\u0161\u012bzes.)\n<\/p>\n
T\u0101l\u0101k seko metanarat\u012bvs par Matrix sp\u0113\u013cu ietekmi gan uz Matricu, gan Matrix filmu ietekmi uz skat\u012bt\u0101ja pasauli. Vahovski velta veselu mont\u0101\u017eu ori\u0123in\u0101l\u0101s trilo\u0123ijas v\u0113st\u012bjumam - t\u0101 bija par kriptofa\u0161ismu! un transidentit\u0101ti! un kapit\u0101lismu! - un par to, k\u0101 skat\u012bt\u0101ji v\u0113las turpin\u0101jumu, kas b\u016btu \"svaigs\". \" Sp\u0113\u013cu dizaineri izsaka t\u0101das fr\u0101zes k\u0101 \" reboots sell \" un \" mums vajag jaunu bullet time \", kam\u0113r Tomass Andersons c\u012bn\u0101s, lai no\u0161\u0137irtu fikciju no realit\u0101tes.\n<\/p>\n
Tas viss var\u0113tu b\u016bt garlaic\u012bgs, ja neb\u016btu tik pa\u0161apzin\u012bgs, ja ne\u0161\u0137istu, ka Vahovski un vi\u0146as l\u012bdzautori Deivids Mit\u010dels un Aleksandars Hemons nodarbojas ar gudr\u0101ko tro\u013c\u013co\u0161anu kino, atmetot katru kritiku, kas ir vai var\u0113tu tikt velt\u012bta \u0161ai fran\u0161\u012bzei. Dom\u0101jat, ka ir p\u0101ragri atgriezties pie filmu s\u0113rijas, kas beidz\u0101s tikai pirms 18 gadiem? Ir k\u0101ds, kas ir gatavs atg\u0101din\u0101t, ka \"nekas tik \u013coti nemierina trauksmi k\u0101 neliela nostal\u0123ija. \" (Vai Vahovski ir las\u012bjis manu darbu?!) Vai tas bie\u017ei vien var \u0161\u0137ist p\u0101r\u0101k m\u012b\u013ci vai pa\u0161apzin\u012bgi? J\u0101, bet faniem, kuriem tas uzmana, rezult\u0101ts ir glaimojo\u0161s.\n<\/p>\n
Ar\u012b tas ir tikai pirm\u0101 tre\u0161da\u013ca. Atliku\u0161aj\u0101 da\u013c\u0101 tiek apl\u016bkotas ori\u0123in\u0101l\u0101s trilo\u0123ijas \"ar akme\u0146iem apreibino\u0161\u0101s filozofijas idejas\". Daudz tiek run\u0101ts par izv\u0113li un par to, cik bie\u017ei dz\u012bv\u0113 izv\u0113les iesp\u0113jas nemaz nav izv\u0113les iesp\u0113jas. Daudz tiek run\u0101ts par fikciju un realit\u0101ti, k\u0101 ar\u012b par faktiem un saj\u016bt\u0101m, kas ir ieviesu\u0161\u0101s Amerikas politiskaj\u0101 diskurs\u0101.\n<\/p>\n
Paties\u012bbu sakot, jebkur\u0101 cit\u0101 film\u0101 tas viss b\u016btu \u013coti ban\u0101li; \u0161aj\u0101 film\u0101 tas var\u0113tu b\u016bt pat ban\u0101li. Bet, \u0146emot v\u0113r\u0101 to, kas ir Matrix fran\u0161\u012bze un ko t\u0101 ir k\u013cuvusi par noz\u012bm\u012bgu, tas ir panesams. Matrix Resurrections\" ir rad\u012bta tiem, kas p\u0113d\u0113jos 22 gadus ir pavad\u012bju\u0161i, iegremd\u0113joties fran\u0161\u012bz\u0113. Par\u0101d\u0101s jauni varo\u0146i un jauni \u0161\u0137\u0113r\u0161\u013ci, ta\u010du nav \u0161aubu, ka \"Atdz\u012bvin\u0101\u0161ana\" ir ar\u012b par to, lai grupa atkal san\u0101ktu kop\u0101 v\u0113l vienam \u0161ovam - pat ja R\u012bvss un Moss liel\u0101ko da\u013cu laika pavada kop\u0101 ar jauniem varo\u0146iem un Morfejs tagad ir Jaunais Morfejs (Yahya Abdul-Mateen II), kas ir cita t\u0101 t\u0113la iter\u0101cija, kuru ori\u0123in\u0101laj\u0101s film\u0101s sp\u0113l\u0113ja Laurence Fishburne. Mot\u012bvi - kask\u0101des za\u013cais kods, simul\u0101cijas teorija, baltie tru\u0161i - paliek tie pa\u0161i, rekurs\u012bva cilpa, kas, lai gan nav jauna, sp\u0113l\u0113 paz\u012bstamu melodiju. Un tas ir galvenais - tie joproj\u0101m ir aktu\u0101li, jo Matricas m\u0101c\u012bba joproj\u0101m nav apg\u016bta.\n<\/p>\n
Citos apst\u0101k\u013cos \u0161\u012b atk\u0101rtojam\u012bba b\u016btu probl\u0113ma, burvest\u012bba, kas atvair\u012btu nepaz\u012bstamos, jaunpien\u0101c\u0113jus. Bet laik\u0101, kad \"red-pilling\" ir politisks modes v\u0101rds un kad \"m\u0113s dz\u012bvojam Matric\u0101\" var pateikt gandr\u012bz ikvienam, un vi\u0146\u0161 saprat\u012bs b\u016bt\u012bbu, cik daudz nezino\u0161u paliek?\n<\/p>\n
Lana un Lilija Va\u010dkovski ori\u0123in\u0101l\u0101 v\u012bzija \u0161odien \u0161\u0137iet tik re\u0101la galvenok\u0101rt t\u0101p\u0113c, ka vi\u0146as tai pie\u0161\u0137\u012bra valodu. N\u0113, m\u0101ksl\u012bg\u0101 intelekta valdnieki nav izveidoju\u0161i milzu simul\u0101ciju. Ta\u010du m\u0113s daudz laika pavad\u0101m k\u0101 avat\u0101ri, \u013caujot soci\u0101lo mediju uz\u0146\u0113mumiem veidot iztikas l\u012bdzek\u013cus no m\u016bsu rado\u0161\u0101s un intelektu\u0101l\u0101s darb\u012bbas. Vair\u0101k nek\u0101 20 gadi p\u0113c pirm\u0101s Matricas izn\u0101k\u0161anas ir tik \u013coti izmain\u012bju\u0161i realit\u0101ti, ka fr\u0101ze \" alternat\u012bvie fakti \" kaut ko noz\u012bm\u0113. Iesp\u0113jams, tie\u0161i t\u0101p\u0113c \"Atgrie\u0161an\u0101s\" piev\u0113r\u0161as t\u0101s iepriek\u0161\u0113jo da\u013cu ietekmei uz pasauli. T\u0101 neatvainojas par to, ko t\u0101 rad\u012bja; t\u0101 vienk\u0101r\u0161i dz\u012bvo sav\u0101 rad\u012btaj\u0101 gar\u012bgaj\u0101 laikmet\u0101.\n<\/p>\n
Filmas Matricas atdzim\u0161ana vid\u016b jaunais Morfejs m\u0113\u0123ina p\u0101rliecin\u0101t Neo, ka Matrica, ko vi\u0146\u0161 ir m\u0113\u0123in\u0101jis aizmirst, ir tikai virtu\u0101l\u0101 realit\u0101te. Tas vienm\u0113r ir bijis ar\u012b Matricas filmu galvas trieciens. T\u0101s ir vieta, kur skat\u012bt\u0101ji dodas, lai izb\u0113gtu, bet divus gadu desmitus v\u0113l\u0101k to koncepcijas ir p\u0101rc\u0113lu\u0161\u0101s no ekr\u0101na uz ga\u013cas telpu. L\u012bdz ar \"Atdz\u012bvin\u0101\u0161anu\" gadiem ilg\u0101s diskusijas par fran\u0161\u012bzi ir atradu\u0161as ce\u013cu t\u0101s n\u0101kamaj\u0101 noda\u013c\u0101. Vai \u0161eit ir kas jauns? Hmm, nezinu. Bet ir pat\u012bkami atgriezties tru\u0161a bedr\u0113. Zin\u0101tnisk\u0101 fantastika sav\u0101 vispiln\u012bg\u0101kaj\u0101 form\u0101 darbojas k\u0101 Mobija josla.<\/p>\n","protected":false},"excerpt":{"rendered":"
Zin\u0101tnisk\u0101 fantastika sav\u0101 vispiln\u012bg\u0101kaj\u0101 form\u0101 darbojas k\u0101 Mobija josla. T\u0101 kritiz\u0113 tagadni, spekul\u0113jot par n\u0101kotni. P\u0113c gadiem agr\u012bnie sekot\u0101ji atskat\u0101s atpaka\u013c un analiz\u0113 t\u0101s prognozes, labi apzinoties, ka zin\u0101tnisk\u0101 fantastika ir rad\u012bjusi pasaules, kur\u0101 vi\u0146i dz\u012bvo, pl\u0101nu. Utopiska vai antiutopiska, n\u0101kotne vienm\u0113r atk\u0101pjas pati no sevis. Tom\u0113r fantastikas veidot\u0101jiem reti kad ir iesp\u0113ja atgriezties pie […]<\/p>\n","protected":false},"author":1,"featured_media":35454,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[62],"tags":[],"class_list":["post-35439","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-other"],"_links":{"self":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/posts\/35439","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/comments?post=35439"}],"version-history":[{"count":0,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/posts\/35439\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/media\/35454"}],"wp:attachment":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/media?parent=35439"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/categories?post=35439"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/tags?post=35439"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}