Kop\u0161 2017. gad\u0101 izn\u0101ca \"Colossal\", esmu centies atrast cilv\u0113kus, ar kuriem dal\u012bties taj\u0101. Esmu sastapies ar sienu. Cilv\u0113ki, kuriem \u0161is st\u0101sts var\u0113tu rad\u012bt rezonansi, ir tie, kuriem ir visne\u0113rt\u0101k to skat\u012bties. Un cilv\u0113ki, kuri visvair\u0101k ieg\u016btu no filmas v\u0113st\u012bjuma par toksisk\u0101s v\u012bri\u0161\u0137\u012bbas destrukt\u012bvo dabu, ir tie, kas ir piln\u012bgi apstulbu\u0161i no t\u0101, ko t\u0101 v\u0113las pateikt. Tikai retais no vi\u0146iem var g\u016bt patiesu labumu no filmas.\n<\/p>\n
V\u012brie\u0161iem, \u0161\u0137iet, ir lemts l\u012bdz\u012bgs liktenis.\n<\/p>\n
Filmas scen\u0101rija autors un re\u017eisors Alekss G\u0101rlends (Ex Machina, Annihilation) ir \u0161ausmu filma, kas, p\u0113c t\u0101s autora v\u0101rdiem, ir par \" \u0161ausmu saj\u016btu. \" Nevis slepkav\u012bbas vai asinis, bet gan liel\u0101k\u0101 da\u013ca atmi\u0146\u0101 palieko\u0161o mirk\u013cu ir visai paz\u012bstami ikdieni\u0161\u0137i bied\u0113jo\u0161i briesmo\u0146i. Vai vismaz da\u017eiem cilv\u0113kiem paz\u012bstami. \n<\/p>\n
Filma s\u0101kas br\u012bd\u012b, kad H\u0101rpere (D\u017eesija Beklija) ierodas gleznain\u0101 vasarn\u012bcu pils\u0113ti\u0146\u0101, cerot emocion\u0101li atg\u016bties p\u0113c biju\u0161\u0101 v\u012bra n\u0101ves. Ta\u010du jau no iera\u0161an\u0101s br\u012b\u017ea vi\u0146a j\u016btas nemier\u012bga. Ikviens - m\u0101jas, kuru vi\u0146a \u012br\u0113, saimnieks, viet\u0113j\u0101 policija, tuv\u0113j\u0101s bazn\u012bcas draudzes pr\u0101vests, nejau\u0161i sve\u0161inieki (visus tos sp\u0113l\u0113 Rorijs Kinn\u0101rs) - uzspie\u017e nepat\u012bkamu kl\u0101tb\u016btni, kas lab\u0101kajos br\u012b\u017eos ne\u013cauj H\u0101rperai vienk\u0101r\u0161i justies \u0113rti un past\u0101v\u0113t.\n<\/p>\n
Tagad j\u016bs jau dro\u0161i vien zin\u0101t, uz ko tas ved\u012bs. V\u012brie\u0161i, \u0161\u0137iet, grib\u0113tu par\u0101d\u012bt mikroagresijas pret sieviet\u0113m ietekmi, padarot to tikai nedaudz makro, kas tikai uzsver jaut\u0101jumu par to, kas tie\u0161i film\u0101 sagaida auditoriju. Da\u017eiem \u0161is st\u0101sts ir piln\u012bgi nevajadz\u012bgs. Daudz\u0101m sieviet\u0113m jau ir p\u0101r\u0101k labi paz\u012bstama \"\u0161ausmu saj\u016bta\", ko Garlanda atveido uz ekr\u0101na. (K\u0101 izteic\u0101s mana kol\u0113\u0123e D\u017eeina Greja: \"Man nav j\u0101maks\u0101 15 dol\u0101ri, lai baid\u012btos, ka mani vaj\u0101 un slepkavo v\u012brie\u0161i, es varu vienk\u0101r\u0161i iziet \u0101r\u0101. \" ) P\u0101r\u0113jie, tie, kas nezin\u0101ja, kur \u0161\u012b scenogr\u0101fija ir iecer\u0113ta, iesp\u0113jams, ir auditorija, kas no filmas biediem g\u016btu visliel\u0101ko labumu - un ir tie, kas vismaz\u0101k pirks bi\u013ceti. \n<\/p>\n
\u0160\u0137iet, ka filma ir veidota t\u0101, lai nov\u0113rstu argumentus no tiem, kas pret to, ko t\u0101 v\u0113las pateikt, izturas noraido\u0161i. Tas ir redzams pat treiler\u012b, piem\u0113ram, kad policists saka H\u0101rperai, ka ir skeptiski noska\u0146ots, ka v\u012brietis, kur\u0161 vi\u0146u vaj\u0101ja, patie\u0161\u0101m vi\u0146u vaj\u0101ja: \"Es nezinu, vai vi\u0146\u0161 tevi redz\u0113ja kaut reizi. \" \u0160ajos br\u012b\u017eos tiek uzsv\u0113rts, k\u0101 skepticisms, noraido\u0161\u0101 attieksme un upuru vaino\u0161ana pal\u012bdz rad\u012bt tie\u0161i to \u0161ausmino\u0161o vidi, par kuru daudzi apgalvo, ka t\u0101 neeksist\u0113. H\u0101rperes bailes nav izdom\u0101tas vai tikai vi\u0146as pr\u0101t\u0101; \u0161ausmas rada kolekt\u012bvs atteikums uztvert vi\u0146as ba\u017eas nopietni. V\u012brie\u0161i v\u0113las kliegt: \" Redzi? J\u016bs nevarat ignor\u0113t briesmas. \" Filmai, protams, ir taisn\u012bba, ta\u010du \u0161\u0137iet, ka t\u0101 kliedz tuk\u0161um\u0101. \n<\/p>\n
Tas nenoz\u012bm\u0113, ka nav nek\u0101du re\u0101lu p\u0101rdabisku \u0161ausmu. Vis\u0101m metafor\u0101m un alegorij\u0101m ir patiesi groteskas ainas, ta\u010du \u012bstaj\u0101 Garlanda manier\u0113 t\u0101s k\u013c\u016bst abstrakt\u0101kas un interpret\u0113jamas l\u012bdz beig\u0101m. (Ja j\u016bs mulsin\u0101ja filmas Annihilation beigas, \u0161\u012b filma jums b\u016bs tikai nedaudz labv\u0113l\u012bg\u0101ka.) St\u0101sts neatsak\u0101s ar\u012b no katarses. Atbr\u012bvo\u0161ana past\u0101v, \u012bpa\u0161i veidos, k\u0101 H\u0101rpers rea\u0123\u0113 uz \u0161ausm\u0101m - filmas p\u0113d\u0113jie v\u0101rdi, \u0161\u0137iet, ir lemti k\u013c\u016bt par t\u0101du p\u0101r\u0101k re\u0101lu memu\u0101ru, k\u0101ds parasti ir BoJack Horseman agr\u012bno epizo\u017eu dom\u0113na, - bet t\u0101 ir rezign\u0113t\u0101ka un nogurdin\u0101t\u0101ka nek\u0101, teiksim, Kolos\u0101ls. Nav triumf\u0101las uzvaras p\u0101r savu moc\u012bt\u0101ju. Tikai no\u017e\u0113la.\n<\/p>\n
\u0160is triumfa tr\u016bkums \u0161\u0137iet apzin\u0101ts. Nav burvju pogas, kuru nospie\u017eot, v\u012brie\u0161i saprastu, k\u0101 ir dz\u012bvot k\u0101 sievietei - starp citu, nerun\u0101jot par sare\u017e\u0123\u012btaj\u0101m pel\u0113kaj\u0101m dzimuma un identit\u0101tes zon\u0101m, kuras \u0161aj\u0101 recenzij\u0101 nav apskat\u012btas, jo ar\u012b filma to nedara. T\u0101 k\u0101 \u0161\u012bs pogas neeksist\u0113, v\u012brie\u0161i nevar t\u0101s nospiest. Ironija ir t\u0101, ka st\u0101sts, ko \u0161\u012b filma st\u0101sta, zin\u0101m\u0101 m\u0113r\u0101 ir st\u0101sts par t\u0101s pa\u0161as neveiksmi. Varb\u016bt t\u0101 var\u0113tu piesaist\u012bt auditoriju tie\u0161i no tiem v\u012brie\u0161iem, kurus t\u0101 cen\u0161as nomelnot, m\u0113\u0123inot vi\u0146us apgaismot, ta\u010du tas \u0161\u0137iet t\u0101ls izr\u0101viens. Ja tas b\u016btu tik vienk\u0101r\u0161i, filmai V\u012brie\u0161i neb\u016btu j\u0101eksist\u0113.<\/p>\n","protected":false},"excerpt":{"rendered":"
Kop\u0161 2017. gad\u0101 izn\u0101ca \"Colossal\", esmu centies atrast cilv\u0113kus, ar kuriem dal\u012bties taj\u0101. Esmu sastapies ar sienu. Cilv\u0113ki, kuriem \u0161is st\u0101sts var\u0113tu rad\u012bt rezonansi, ir tie, kuriem ir visne\u0113rt\u0101k to skat\u012bties. Un cilv\u0113ki, kuri visvair\u0101k ieg\u016btu no filmas v\u0113st\u012bjuma par toksisk\u0101s v\u012bri\u0161\u0137\u012bbas destrukt\u012bvo dabu, ir tie, kas ir piln\u012bgi apstulbu\u0161i no t\u0101, ko t\u0101 v\u0113las […]<\/p>\n","protected":false},"author":1,"featured_media":35298,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[62],"tags":[],"class_list":["post-35282","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-other"],"_links":{"self":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/posts\/35282","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/comments?post=35282"}],"version-history":[{"count":0,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/posts\/35282\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/media\/35298"}],"wp:attachment":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/media?parent=35282"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/categories?post=35282"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/tags?post=35282"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}