Denisam Vilj\u0113nam nekad nav tr\u016bcis amb\u012bciju. Vi\u0146a film\u0101m ir tendence b\u016bt liel\u0101m, s\u0101kot ar narkotiku kara risin\u0101\u0161anu uz ASV un Meksikas robe\u017eas film\u0101 \"Sicario\" un beidzot ar Amy Adamsas komunik\u0101ciju ar nerun\u0101jo\u0161iem citplan\u0113tie\u0161iem film\u0101 \"Ien\u0101k\u0161ana\". Kad \u0161\u0137ita, ka vi\u0146a p\u0113d\u0113j\u0101 filma - Blade Runner 2049, Ridlija Skota iem\u012b\u013cot\u0101 \u0161edevra turpin\u0101jums - b\u016bs vi\u0146a l\u012bdz \u0161im drosm\u012bg\u0101k\u0101, vi\u0146\u0161 pazi\u0146oja par n\u0101kamo: D\u016bna.\n<\/p>\n
Frenka Herberta gr\u0101mata, kas s\u0101kotn\u0113ji public\u0113ta 1965. gad\u0101, ir milz\u012bgs filozofijas, ekolo\u0123ijas, politikas un zin\u0101tnisk\u0101s fantastikas pasaules veido\u0161anas apjoms, kas ir tik sare\u017e\u0123\u012bts un episks, ka \u0161\u0137iet gandr\u012bz neiesp\u0113jami to ekraniz\u0113t. Paties\u012bb\u0101 daudzi to ir m\u0113\u0123in\u0101ju\u0161i - ar viduv\u0113jiem rezult\u0101tiem. Slavens ir \u010d\u012blie\u0161u re\u017eisora Alehandro Jodorovska m\u0113\u0123in\u0101jums 70. gados ekraniz\u0113t \u0161o gr\u0101matu, ta\u010du vi\u0146am t\u0101 ar\u012b neizdev\u0101s to pabeigt. Deivids Lin\u010ds turpin\u0101ja ies\u0101kto, un, lai gan vi\u0146am izdev\u0101s uz\u0146emt Dune filmu kinote\u0101tros, vi\u0146am neizdev\u0101s ar to izcelt visu Herberta st\u0101sta sare\u017e\u0123\u012bt\u012bbu. (Tom\u0113r k\u0101 \u0161l\u0101gerklasika tas nav slikts.) Devi\u0146desmito gadu s\u0101kum\u0101 Viljams H\u0113rts film\u0113j\u0101s tr\u012bsda\u013c\u012bg\u0101 miniseri\u0101l\u0101, kura pamat\u0101 bija gr\u0101mata, ta\u010du ar\u012b tas neizrais\u012bja lielu atsauc\u012bbu.\n<\/p>\n
Tagad Villeneuve to izm\u0113\u0123ina. Patiesi, ja k\u0101ds no m\u016bsdienu re\u017eisoriem var\u0113tu rad\u012bt kaut ko t\u0101du, kas iepriecin\u0101tu gan kriti\u0137us, gan Herberta cien\u012bt\u0101jus, tad tas ir vi\u0146\u0161. Turkl\u0101t vi\u0146\u0161 ir p\u0101rliecin\u0101ts. \" Kad es uz\u0146\u0113mu filmu \"Blade Runner\", man bija pietiekamas prasmes, iema\u0146as un zin\u0101\u0161anas, lai sp\u0113tu uz\u0146emties kaut ko tik lielu izaicin\u0101jumu,\" saka kvebekie\u0161u re\u017eisors. \" Es zin\u0101ju, ka esmu gatavs uz\u0146emties \u0161o filmu. Es zin\u0101ju, ka varu to paveikt. \"\n<\/p>\n
Lai \u012bstenotu savu redz\u0113jumu, re\u017eisors ir sapulcin\u0101jis talant\u012bgu slepkavu pulku: Atreides), Oskars Issaks (Pola t\u0113vs, hercogs Leto Atreides), Rebeka Fergusone (vi\u0146a m\u0101te, l\u0113dija D\u017eesika), Zendaija (\u010cani), D\u017eo\u0161s Brolins (Gurnijs Halleks), D\u017eeisons Momoa (Dankans Idaho), Deivs Bautista (Glossu \"Briesmonis\" Rabans), Stellans Skarsg\u0101rds (lielais sliktais barons Vladimirs Harkonens) un Havj\u0113rs Bardems (fremenu vadonis Stilgars). P\u0113c tam vi\u0146\u0161 vi\u0146us aizveda uz Tuvajiem Austrumiem, lai film\u0113tu savu versiju par Paulu Atreidu, jaunieti uz tuksne\u0161ain\u0101s plan\u0113tas, kas gadiem ilgi c\u012bn\u0101s par visd\u0101rg\u0101ko vielu Visum\u0101 (melan\u017eu jeb \"gar\u0161vielu\").\n<\/p>\n
Deniss Vilj\u0113novs: J\u0101, es to izlas\u012bju, kad man bija 13 vai 14 gadi. Pirm\u0101 D\u016bnas gr\u0101mata ir milz\u012bgs, sp\u0113c\u012bgs piedz\u012bvojums par jaunu z\u0113nu, kur\u0161 atkl\u0101j jaunu pasauli. Taj\u0101 pa\u0161\u0101 laik\u0101 mani p\u0101rsteidza tas, cik inteli\u0123enta t\u0101 bija. T\u0101 bija \u013coti b\u016btiska attiec\u012bb\u0101 uz to, kas notiek uz Zemes - gan no vides, gan reli\u0123isk\u0101 viedok\u013ca. T\u0101 palika ar mani cauri gadiem, mani vaj\u0101ja. T\u0101p\u0113c, kad cilv\u0113ki teica: \"K\u0101ds b\u016btu j\u016bsu liel\u0101kais sapnis? \", es teiktu: \"D\u016bna. \" Tas notika taj\u0101 laik\u0101, kad Legendary ieguva ties\u012bbas. M\u0113s tik\u0101mies, un dar\u012bjums tika nosl\u0113gts 45 sekun\u017eu laik\u0101. Es grib\u0113ju to dar\u012bt. Vi\u0146i grib\u0113ja to dar\u012bt kop\u0101 ar mani. Un mums bija kop\u012bga kaisl\u012bba un redz\u0113jums par to, k\u0101dai \u0161ai filmai j\u0101b\u016bt. Lai non\u0101ktu l\u012bdz \u0161im br\u012bdim, pag\u0101ja \u013coti ilgs laiks, bet, kad es biju gatavs, tas bija \u013coti \u0101trs projekts. Viss nost\u0101j\u0101s sav\u0101s viet\u0101s.\n<\/p>\n
Gan \"Blade Runner 2049\", gan \"Dune\" ir \u0101rk\u0101rt\u012bgi v\u0113rien\u012bgi projekti. \u012apa\u0161i \"K\u0101pas\" v\u0113riens ir gandr\u012bz nefilmisks. Vai k\u0101dreiz bija k\u0101di iebildumi pret to, ka j\u016bs to uz\u0146ematies?\n<\/p>\n
Dz\u012bve ir \u012bsa! M\u0113s esam spiesti m\u0113\u0123in\u0101t paveikt neiesp\u0113jamo. Tas ir m\u0101kslas skaistums. Es cen\u0161os sasniegt robe\u017eas. Es zin\u0101ju, ka esmu gatavs to paveikt, bet j\u0101, tas ir liels izaicin\u0101jums. Ziniet, kas ir liel\u0101kais izaicin\u0101jums? Tas ir sp\u0113t sasniegt to aizraut\u012bbas un t\u0113la l\u012bmeni, k\u0101ds man bija pusaud\u017ea gados. Iepriecin\u0101t \u0161o pusaudzi ir \u013coti gr\u016bti. [Mani ieskauj cilv\u0113ki, kas jau no pa\u0161a s\u0101kuma bija \u013coti entuziasma pilni, bet es atceros sarunu ar [komponistu] Hansu Cimmeru, kad es par to run\u0101ju un teicu: \" \"K\u0101pas ir viens no maniem liel\u0101kajiem sap\u0146iem. T\u0101 ir filma, ko es jau sen grib\u0113ju uz\u0146emt. \" Un Hans paskat\u012bj\u0101s uz mani ar \u013coti nopietn\u0101m ac\u012bm un teica, ka ir b\u012bstami m\u0113\u0123in\u0101t iet tik tuvu saulei.\n<\/p>\n
Gr\u0101mata ir alegorija par reli\u0123isk\u0101m t\u0113m\u0101m, par politisk\u0101m t\u0113m\u0101m. Vai, adapt\u0113jot gr\u0101matu, j\u016bs m\u0113\u0123in\u0101j\u0101t to aktualiz\u0113t, lai to var\u0113tu tikpat labi attiecin\u0101t uz m\u016bsu pasauli k\u0101 Herberta laikmet\u0101?\n<\/p>\n
Labs jaut\u0101jums. Vis\u0101m \u0161\u012bm t\u0113m\u0101m - gan politiskaj\u0101m, gan reli\u0123iskaj\u0101m, gan vides t\u0113m\u0101m - tur ir j\u0101b\u016bt. Bet vissvar\u012bg\u0101kais man ir saglab\u0101t piedz\u012bvojumu saj\u016btu un episkuma izj\u016btu. Es negrib\u0113ju, lai st\u0101sta sare\u017e\u0123\u012bt\u012bba trauc\u0113tu filmas izklaides v\u0113rt\u012bbai, t\u0101s sp\u0113kam, emocion\u0101lajai v\u0113rt\u012bbai. Es grib\u0113ju, lai filma b\u016btu diezgan aizraujo\u0161a.\n<\/p>\n
K\u0101ds ir piem\u0113rs, k\u0101 sabalans\u0113t t\u0113mu un st\u0101st\u012bjumu?\n<\/p>\n
Kad s\u0101ku str\u0101d\u0101t ar \u0112riku Rotu, vi\u0146\u0161 teica: \"Kas b\u016btu vissvar\u012bg\u0101kais, kas mums b\u016btu j\u0101\u0146em v\u0113r\u0101 \u0161aj\u0101 adapt\u0101cij\u0101? \" Un es teicu: \"Sievietes. \" Gr\u0101mat\u0101 l\u0113dija D\u017eesika, Pola m\u0101te, ir \u013coti, \u013coti svar\u012bgs t\u0113ls, t\u0113ls, kas ir st\u0101sta virz\u012bt\u0101jsp\u0113ks. Pols Atreids ir galvenais varonis, bet \u013coti tuvu vi\u0146am ir l\u0113dija D\u017eesika. Vi\u0146a vi\u0146u vada, pal\u012bdz vi\u0146am. Es teiktu, ka filma ir veidota - struktur\u0113ta - uz \u0161iem diviem galvenajiem varo\u0146iem. Tas b\u016btu mans liel\u0101kais skatupunkts, k\u0101 ienest D\u016bnu 21. gadsimt\u0101. Jums ir j\u0101p\u0101rliecin\u0101s, ka starp dzimumu bals\u012bm ir vienl\u012bdz\u012bba.\n<\/p>\n
Ar\u012b planetologu Liet-Kainsu, kur\u0161 gr\u0101mat\u0101 ir v\u012brietis, tagad sp\u0113l\u0113 meln\u0101daina sieviete \u0160arona Dankana-Brestera.\n<\/p>\n
Man jau bija tr\u012bs sp\u0113c\u012bgi sievie\u0161u t\u0113li: D\u017eesika, M\u0101te M\u0101c\u012bt\u0101ja [\u0160arlote Ramplinga] un \u010cani [Zendaija]. Bet es jutu, ka man vajag vair\u0101k. T\u0101p\u0113c mums ar D\u017eonu Spaihtu rad\u0101s ideja pa\u0146emt k\u0101du varoni un main\u012bt to. Un tas darbojas. Es dom\u0101ju, ka tas ir kaut kas t\u0101ds, par ko b\u016btu var\u0113jis padom\u0101t pats Frenks Herberts, ja gr\u0101mata b\u016btu sarakst\u012bta m\u016bsdien\u0101s. Tas ir \u013coti tuvu gr\u0101matas garam. Protams, veidojot ekraniz\u0101ciju, j\u016bs pie\u0146emat l\u0113mumus, bet tie tiek pie\u0146emti dzi\u013c\u0101 saist\u012bb\u0101 ar gr\u0101matu. \u0160ai idejai padar\u012bt Kinesu par sievieti ir visliel\u0101k\u0101 j\u0113ga, un t\u0101 nemaina gr\u0101matas b\u016bt\u012bbu.\n<\/p>\n
Un k\u0101 ir ar barona Harkonnena att\u0113lojumu? Man \u0161\u0137iet, ka \u0161is t\u0113ls ir sava veida karikat\u016bra. Paties\u012bb\u0101 vi\u0146am nav \u016bsu, bet gr\u0101mat\u0101 vi\u0146\u0161 ir att\u0113lots k\u0101 stereotipisks \u016bsu virpin\u0101t\u0101js.\n<\/p>\n
T\u0101 ir taisn\u012bba. Iesp\u0113jams, gr\u0101mata ir \u0161edevrs, bet tas nenoz\u012bm\u0113, ka t\u0101 ir perfekta. [Taj\u0101 ir da\u017eas v\u0101j\u0101s vietas, un t\u0101 bija vieta, ko es var\u0113ju izp\u0113t\u012bt. Barons bija viens no \u0161iem elementiem. Es grib\u0113ju p\u0101rliecin\u0101ties, ka tas nav, k\u0101 j\u016bs teic\u0101t, karikat\u016bra vai mu\u013c\u0137\u012bgs \u013caundaris. Es grib\u0113ju, lai Barons b\u016btu draud\u012bgs, inteli\u0123ents, izsmalcin\u0101ts sav\u0101 veid\u0101. Vi\u0146am ir radik\u0101li uzskati par pasauli, bet, jo vair\u0101k m\u016bs barons iespaidos un hipnotiz\u0113s, jo sp\u0113c\u012bg\u0101ks vi\u0146\u0161 b\u016bs. T\u0101p\u0113c m\u0113s \u013coti cent\u0101mies saglab\u0101t Barona b\u016bt\u012bbu, bet iedz\u012bvin\u0101t vi\u0146u 21. gadsimt\u0101. T\u0101p\u0113c es izv\u0113l\u0113jos Stellanu Skarsg\u0101rdu. Stellans Skarsg\u0101rds ir izcils cilv\u0113ks. Vi\u0146am ir inteli\u0123ence ac\u012bs, un vi\u0146am piem\u012bt dzi\u013cums. M\u0113s daudz run\u0101j\u0101m par \u0161o varoni. Bija liels prieks ar vi\u0146u str\u0101d\u0101t.\n<\/p>\n
Vai j\u016bs daudz ko main\u012bj\u0101t par Paulu Atreidu? Gr\u0101mat\u0101 vi\u0146\u0161 ir gandr\u012bz p\u0101r\u0101k perfekts.\n<\/p>\n
Pols Atreids ir izcils cilv\u0113ks. Vi\u0146\u0161 ir uzaudzis neparast\u0101 \u0123imen\u0113. Vi\u0146\u0161 ir \u012bsts varonis. Bet svar\u012bgi ir tas, ka cilv\u0113ki ar vi\u0146u identific\u0113jas, ka cilv\u0113ki vi\u0146u uztver k\u0101 \u012bstu cilv\u0113ku. Es negrib\u0113ju, lai Pols Atreids tiktu uzskat\u012bts par princi, par br\u0101\u0137i. Es grib\u0113ju, lai vi\u0146\u0161 b\u016btu \u012bsts. Film\u0101 kamera ir tie\u0161i virs Pola pleciem. M\u0113s esam vi\u0146am aiz muguras, kop\u0101 ar vi\u0146u; m\u0113s sekojam vi\u0146am \u0161aj\u0101 ce\u013cojum\u0101. Pirm\u0101 filma paties\u012bb\u0101 ir par z\u0113nu, kur\u0161 zaud\u0113 il\u016bzijas par pasauli. S\u0101kum\u0101 vi\u0146\u0161 ir tikai traum\u0113ts z\u0113ns, kuru nos\u016bta uz jaunu plan\u0113tu, kas b\u016bs ne\u017e\u0113l\u012bga, k\u0101ds, kur\u0161 cen\u0161as saprast, kas notiek ar vi\u0146a \u0123imeni, kas notiek ar vi\u0146a tautu, kas notiek pasaul\u0113, kur\u0161 atkl\u0101j, cik korump\u0113ta ir politika. Bija svar\u012bgi p\u0101rliecin\u0101ties, ka m\u0113s st\u0101st\u0101m par cilv\u0113ka, nevis supervaro\u0146a ce\u013cojumu; t\u0101 ir \u013coti svar\u012bga at\u0161\u0137ir\u012bba.\n<\/p>\n
Kas jums pat\u012bk P\u0101vels?\n<\/p>\n
Viena lieta, kas man pat\u012bk Polij\u0101 Atreid\u0101, viena lieta, kas man \u013coti pat\u012bk, ir t\u0101, ka vi\u0146\u0161 ir cilv\u0113ks, kur\u0161 ar zi\u0146k\u0101ri izj\u016bt interesi par cit\u0101m kult\u016br\u0101m, ir cilv\u0113ks, kuram ir pien\u0101kums un kur\u0161 v\u0113las saprast, k\u0101 dz\u012bvo citi cilv\u0113ki. \u0160\u012bs \u012bpa\u0161\u012bbas ir \u013coti svar\u012bgas, jo v\u0113l\u0101k t\u0101s vi\u0146am pal\u012bdz\u0113s piel\u0101goties jaunajai realit\u0101tei. Pol\u0101 Atreid\u0101 ir skaista cilv\u0113c\u012bba, ko es m\u0113\u0123inu att\u012bst\u012bt filmas gait\u0101 un kas, manupr\u0101t, ir \u013coti svar\u012bga n\u0101kotnei.\n<\/p>\n
Viena no gr\u0101matas kritikas piez\u012bm\u0113m ir t\u0101, ka vi\u0146\u0161 ir t\u0101ds k\u0101 gl\u0101b\u0113ja t\u0113ls, kur\u0161 n\u0101k no citas pasaules un saka: \"Es esmu \u0161eit, lai j\u016bs gl\u0101btu! \"\n<\/p>\n
Vi\u0146\u0161 to nel\u016bdza. Vi\u0146\u0161 to nev\u0113las, vi\u0146\u0161 ir spiests to dar\u012bt. Vi\u0146\u0161 ir ierauts likten\u012b, kuru vi\u0146\u0161 nav izv\u0113l\u0113jies, un tas izraisa sava veida identit\u0101tes kr\u012bzi. Vi\u0146\u0161 nebija izv\u0113l\u0113jies k\u013c\u016bt par to, par ko vi\u0146\u0161 k\u013c\u016bs. Vi\u0146am ir j\u0101c\u012bn\u0101s, vi\u0146am ir j\u0101pal\u012bdz. Tas ir patie\u0161\u0101m cilv\u0113ciski.\n<\/p>\n
Tik daudz no D\u016bnas pasaules veido\u0161anas ir tik ikoniski - klusie t\u0113rpi, smil\u0161u t\u0101rpi. Past\u0101stiet mazliet par savu redz\u0113jumu, gatavojoties \u0161im projektam.\n<\/p>\n
Pirmk\u0101rt, es l\u016bdzu laiku. Laiku, lai sap\u0146otu un kop\u0101 ar \u013coti tuviem partneriem, kurus izv\u0113l\u0113jos s\u0101kum\u0101, izstr\u0101d\u0101tu katru \u0161\u012bs filmas elementu. Es izveidoju \u013coti mazu vien\u012bbu no cilv\u0113kiem, ar kuriem man \u013coti pat\u012bk str\u0101d\u0101t. Viens no vi\u0146iem ir mans vecais draugs Patr\u012bss Vermets, kur\u0161 gadiem ilgi bija mans scenogr\u0101fs. Es v\u0113l\u0113jos, lai filmas dizains zin\u0101m\u0101 m\u0113r\u0101 b\u016btu p\u0113c iesp\u0113jas tuv\u0101ks realit\u0101tei. M\u0113s esam t\u0101lu n\u0101kotn\u0113, bet es v\u0113l\u0113jos kaut ko \u013coti piezem\u0113tu, kaut ko, kas \u0161\u0137iet re\u0101ls, kaut ko, ar ko cilv\u0113ki b\u016bs saist\u012bti no zemapzi\u0146as viedok\u013ca, kas vi\u0146iem \u0161\u0137iet paz\u012bstams. \n<\/p>\n
Un j\u016bs film\u0113j\u0101t to \u012bstos tuksne\u0161os.\n<\/p>\n
Viena no liet\u0101m, kas man bija \u013coti, \u013coti svar\u012bga, bija tie\u0161a plan\u0113tas vides fotograf\u0113\u0161ana. \u0160\u012b plan\u0113ta ir plan\u0113ta, un \u0161\u012b plan\u0113ta ir t\u0113ls. T\u0101 ir filmas galvenais varonis, \u0161\u012b plan\u0113ta, \u0161ie fantastiskie tuksne\u0161i. Man bija \u013coti svar\u012bgi tur nok\u013c\u016bt pa \u012bstam, apskriet dabu, apskriet dabas sp\u0113ku. Tas ir kaut kas \u013coti neaizmirstams un vienlaikus sp\u0113c\u012bgs. Es grib\u0113ju to iem\u016b\u017ein\u0101t kamer\u0101 dz\u012bvaj\u0101. T\u0101p\u0113c es uzst\u0101ju, un studija tam piekrita, ka m\u0113s dodamies uz re\u0101lu vidi. Liel\u0101k\u0101 da\u013ca no t\u0101, ko redzat film\u0101, ir re\u0101la, jo es grib\u0113ju to sajust, \u0161o plan\u0113tu, kas nav Zeme, bet ir Arrakis. Skat\u012bt\u0101ji sajut\u012bs gaismu, v\u0113ju, ska\u0146u.\n<\/p>\n
Cik ilgi j\u016bs film\u0113j\u0101ties?\n<\/p>\n
T\u0101 bija l\u012bdz \u0161im gar\u0101k\u0101 film\u0113\u0161ana, ko jebkad esmu veicis. Es pazaud\u0113ju laika atskaiti, bet tie bija pieci vai se\u0161i m\u0113ne\u0161i, kaut kas taml\u012bdz\u012bgs. Ilgs ce\u013cojums. Liel\u0101k\u0101 da\u013ca interjeru un p\u0113c tam ar\u012b eksterjeru tika uz\u0146emti Jord\u0101nij\u0101. Jord\u0101nija ir valsts, kur\u0101 esmu bijis vair\u0101kas reizes sav\u0101 dz\u012bv\u0113. Man tur ir draugi. Es tur film\u0113ju sp\u0113lfilmu Incendies. Es braucu visur, un es redz\u0113ju ainavas, kas nebija noder\u012bgas filmai, kuru es tobr\u012bd tais\u012bju, bet es atceros, ka teicu sev: \"Ja k\u0101dreiz uz\u0146em\u0161u filmu \"Dune\", es atgriez\u012b\u0161os \u0161eit, jo \u0161\u012bs vietas ir glu\u017ei k\u0101 miru\u0161\u0101s\". \"\n<\/p>\n
J\u016bs esat nol\u0113mis sadal\u012bt D\u016bnas rom\u0101nu div\u0101s film\u0101s. Vai esat k\u0101dreiz dom\u0101jis par to, ka var\u0113tu film\u0113t abas vienlaikus?\n<\/p>\n
L\u0113mums, ko es pie\u0146\u0113mu jau pa\u0161\u0101 s\u0101kum\u0101, un visi tam piekrita, bija t\u0101ds, ka gr\u0101mata ir - taj\u0101 ir tik daudz ko st\u0101st\u012bt. Tas bija p\u0101r\u0101k daudz vienai filmai. Vai ar\u012b j\u016bs uz\u0146emat piecu stundu garu filmu, un visi j\u016bs ien\u012bst, jo t\u0101 ir p\u0101r\u0101k gara. T\u0101p\u0113c m\u0113s nol\u0113m\u0101m to veidot div\u0101s da\u013c\u0101s. Pirm\u0101s filmas st\u0101sts ir pats par sevi. Kad j\u016bs to skat\u0101ties, es dom\u0101ju, ka tas ir apmierino\u0161s. Bet, lai pabeigtu st\u0101stu, ir vajadz\u012bga otr\u0101 filma.\" \n<\/p>\n
Vai j\u016bs rakst\u012bj\u0101t scen\u0101riju otrajai da\u013cai?\n<\/p>\n
M\u0113s to dar\u012bj\u0101m t\u0101, ka uzrakst\u012bj\u0101m pirmo scen\u0101riju un uzrakst\u012bj\u0101m ce\u013cvedi otrajam scen\u0101rijam. Es koncentr\u0113jos uz pirmo filmu, jo \u0161\u012bs filmas, protams, ir d\u0101rgi zv\u0113ri, monstri. M\u0113s uzskat\u012bj\u0101m, ka vislab\u0101k, pamat\u012bg\u0101k b\u016btu uzbrukt vienai filmai, atdot tai visu, uzkurin\u0101t visas kaisl\u012bbas un tad paskat\u012bties, k\u0101 cilv\u0113ki rea\u0123\u0113s. Ja t\u0101 b\u016bs veiksm\u012bga, protams, b\u016bs otr\u0101 filma. Es ceru. T\u0101da ir \u0161o lielo filmu lo\u0123ika.\n<\/p>\n
Atgriez\u012bsimies pie jums 13., 14. punkt\u0101. Kad j\u016bs pirmo reizi las\u012bj\u0101t D\u016bnu, kas bija t\u0101s lietas, kas patie\u0161\u0101m aizr\u0101va j\u016bsu smadzenes, kas aizr\u0101va j\u016bsu sirdi?\n<\/p>\n
Tas, kas mani tolaik \u013coti aizr\u0101va, bija cilv\u0113ku attiec\u012bbas ar tuksnesi, vidi. Fremeni izstr\u0101d\u0101ja dz\u012bvesveidu, tehnolo\u0123iju, lai sp\u0113tu izdz\u012bvot tuksne\u0161a apst\u0101k\u013cos. Frenku Herbertu fascin\u0113ja daba un augi. Taj\u0101 laik\u0101 es stud\u0113ju dabaszin\u0101tnes, un man \u0161\u012b m\u012blest\u012bba pret dz\u012bvi noz\u012bm\u0113ja visu. Bija kaut kas prec\u012bzs un dzejisks, k\u0101 vi\u0146\u0161 aprakst\u012bja ekosist\u0113mas un to lo\u0123iku, sare\u017e\u0123\u012bt\u012bbu un skaistumu. Man Dune ir sava veida velt\u012bjums ekosist\u0113m\u0101m un dz\u012bv\u012bbai, k\u0101 ar\u012b velt\u012bjums ekolo\u0123ijai. T\u0101 ir skaista po\u0113ma par dz\u012bv\u012bbas form\u0101m, un tolaik t\u0101 mani dzi\u013ci aizkustin\u0101ja.<\/p>\n","protected":false},"excerpt":{"rendered":"
Denisam Vilj\u0113nam nekad nav tr\u016bcis amb\u012bciju. Vi\u0146a film\u0101m ir tendence b\u016bt liel\u0101m, s\u0101kot ar narkotiku kara risin\u0101\u0161anu uz ASV un Meksikas robe\u017eas film\u0101 \"Sicario\" un beidzot ar Amy Adamsas komunik\u0101ciju ar nerun\u0101jo\u0161iem citplan\u0113tie\u0161iem film\u0101 \"Ien\u0101k\u0161ana\". Kad \u0161\u0137ita, ka vi\u0146a p\u0113d\u0113j\u0101 filma - Blade Runner 2049, Ridlija Skota iem\u012b\u013cot\u0101 \u0161edevra turpin\u0101jums - b\u016bs vi\u0146a l\u012bdz \u0161im […]<\/p>\n","protected":false},"author":1,"featured_media":35246,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[32],"tags":[],"class_list":["post-35231","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-spice-world"],"_links":{"self":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/posts\/35231","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/comments?post=35231"}],"version-history":[{"count":0,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/posts\/35231\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/media\/35246"}],"wp:attachment":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/media?parent=35231"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/categories?post=35231"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/tags?post=35231"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}