D\u017eord\u017es Millers nekad nav bijis t\u0101ds, kas iestiepjas tikai vien\u0101 \u017eanr\u0101. Lai gan austr\u0101lie\u0161u re\u017eisors pirmo reizi izc\u0113l\u0101s k\u0101 bombastisko un dr\u016bmo Mad Max filmu scen\u0101rists un re\u017eisors, vi\u0146\u0161 ir rad\u012bjis ar\u012b abas Babe filmas par gudru run\u0101jo\u0161u c\u016bci\u0146u ar zelta sirdi. Vi\u0146\u0161 ir rad\u012bjis ar\u012b anim\u0101cijas filmu fran\u0161\u012bzi Happy Feet, par kuru sa\u0146\u0113ma savu vien\u012bgo Oskaru.\n<\/p>\n
Pats galvenais, ka Milleram vienk\u0101r\u0161i pat\u012bk st\u0101sti - gan par r\u016bd\u012btiem ce\u013ca karav\u012briem, kas dodas \u016bdens mekl\u0113jumos, gan par pingv\u012bniem, kuriem vienk\u0101r\u0161i ir j\u0101dziedas. Vi\u0146a jaun\u0101kais projekts Three Thousand Years of Longing da\u013c\u0113ji ir par \u0161o m\u012blest\u012bbu. Filma st\u0101sta par vientu\u013cu st\u0101stnieci (Tilda Svintone), kura dodas uz st\u0101stnieku konferenci Turcij\u0101, gadatirg\u016b uztriecas par pudeli un galu gal\u0101 ielai\u017e sav\u0101 viesn\u012bcas numur\u0101 d\u017einnu (Idris Elba), kas ir liel\u0101ks par vi\u0146as dz\u012bvi. Abi iesaist\u0101s gar\u0101 diskusij\u0101 par d\u017einsa gadsimtiem ilgo v\u0113sturi un apst\u0101k\u013ciem, kas lika vi\u0146u ieslodz\u012bt pudel\u0113. Film\u0101 ir gan asa si\u017eeta si\u017eeti, gan skaistas ainavas un sav\u0101di t\u0113li, ta\u010du t\u0101s pamat\u0101 \"Tr\u012bs t\u016bksto\u0161i gadu\" ir st\u0101sts par prieku, ko sniedz st\u0101sta rad\u012b\u0161ana un st\u0101st\u012b\u0161ana, k\u0101 ar\u012b par to, k\u0101 m\u0113s sevi reprezent\u0113jam citiem.\n<\/p>\n
\u0160\u012b intervija ir redi\u0123\u0113ta skaidr\u012bbas un garuma d\u0113\u013c.\n<\/p>\n
D\u017eord\u017es Millers: : Paties\u012bb\u0101 visu m\u016b\u017eu. St\u0101sti pal\u012bdz jums orient\u0113ties eksistenc\u0113 un nedaudz vair\u0101k iejusties.\n<\/p>\n
Mans dv\u012b\u0146u br\u0101lis - m\u0113s nebij\u0101m identiski dv\u012b\u0146i, bet pirmos 22 dz\u012bves gadus pavad\u012bj\u0101m kop\u0101, praktiski katru dienu. M\u0113s g\u0101j\u0101m vien\u0101 pamatskol\u0101, vien\u0101 intern\u0101tskol\u0101, vien\u0101 vidusskol\u0101, m\u0101c\u012bj\u0101mies vien\u0101 kurs\u0101 universit\u0101t\u0113. Un katru dienu m\u0113s apmain\u012bj\u0101mies pieredz\u0113 un st\u0101st\u012bj\u0101m st\u0101stus. Vi\u0146\u0161 ir br\u012bni\u0161\u0137\u012bgs st\u0101stnieks un \u013coti, \u013coti smiekl\u012bgs, t\u0101p\u0113c vi\u0146a st\u0101sti mani vienm\u0113r aizr\u0101va. Es vienm\u0113r centos padar\u012bt savas dienas versijas aizraujo\u0161as ar\u012b vi\u0146am.\n<\/p>\n
Manupr\u0101t, tas ir ar\u012b t\u0101p\u0113c, ka es k\u0101 b\u0113rns 50. gados Austr\u0101lijas laukos uzaugu relat\u012bv\u0101 izol\u0101cij\u0101. Nebija telev\u012bzijas. Ta\u010du bija sestdienas r\u012bta c\u0113liens viet\u0113j\u0101 kinote\u0101tr\u012b, kur m\u0113s visi pulc\u0113j\u0101mies. Tur ierad\u0101s b\u0113rni no visas lauku teritorijas. Bija radio, bija komiksi un gr\u0101matas. P\u0101r\u0113jo laiku pavad\u012bj\u0101m rota\u013c\u0101s. Un ar to visu, manupr\u0101t, man bija sava veida neapzin\u0101ta m\u0101cekl\u012bba, lai k\u013c\u016btu par kinore\u017eisoru, ko es daru v\u0113l visus \u0161os gadus v\u0113l\u0101k, paties\u012bb\u0101.\n<\/p>\n
Tikai p\u0113c tam, kad man patie\u0161\u0101m n\u0101c\u0101s veidot savu pirmo filmu un m\u0113s film\u0113j\u0101m un griez\u0101m, es p\u0113k\u0161\u0146i sapratu, ka filma ir galvenok\u0101rt st\u0101st\u012bjums. Un es joproj\u0101m m\u0113\u0123inu saprast ne tikai to, k\u0101 st\u0101st\u012bt st\u0101stus film\u0101, bet ar\u012b to, ko tas noz\u012bm\u0113, ka m\u0113s esam kaut k\u0101d\u0101 veid\u0101 iedz\u012bti st\u0101st\u012b\u0161anai. Vis\u0101 laik\u0101 un telp\u0101, lai kas m\u0113s b\u016btu, vis\u0101s kult\u016br\u0101s m\u0113s paties\u012bb\u0101 izprotam pasauli ar st\u0101stu pal\u012bdz\u012bbu, vai tie b\u016btu mazi person\u012bgi st\u0101sti, vai kopienas st\u0101sti, vai lielie mitolo\u0123iskie st\u0101sti, kas galu gal\u0101 k\u013c\u016bst par lieliem reli\u0123iskiem tic\u0113jumiem... tie visi ir da\u013ca no viena un t\u0101 pa\u0161a kontinuuma.\n<\/p>\n
Tas ir liels nosl\u0113pums, un, ja jums ir paveicies b\u016bt st\u0101stniekam, laiku pa laikam - vismaz sev pa\u0161am - j\u016bs varat izgaismot \u0161o procesu un nepiecie\u0161am\u012bbu rad\u012bt st\u0101stu.\n<\/p>\n
Film\u0101 Tildas Svintones (Tilda Swinton) varone Alithea \u0161\u0137iet p\u0101rliecin\u0101ta, ka visus v\u0113sturiskos m\u012btus un st\u0101stus var izskaidrot ar lo\u0123ikas un zin\u0101tnes pal\u012bdz\u012bbu, ta\u010du tas main\u0101s l\u012bdz ar d\u017einnu par\u0101d\u012b\u0161anos. Vai j\u016bs dom\u0101jat, ka past\u0101v sp\u0113ki vai b\u016btnes, kas ir \u0101rpus t\u0101, ko m\u0113s var\u0113tu sp\u0113t izskaidrot?\n<\/p>\n
N\u0113, es nedom\u0101ju, ka tur ir rad\u012bbas. Ta\u010du tur noteikti ir notikumi un par\u0101d\u012bbas, ko m\u0113s nesp\u0113jam izskaidrot. T\u0101 tas ir bijis vienm\u0113r, k\u0101 saka pati Alithea. Vi\u0146a saka: \" M\u012bts ir tas, ko m\u0113s zin\u0101j\u0101m tolaik, un zin\u0101tne ir tas, ko m\u0113s zin\u0101m l\u012bdz \u0161im. \" T\u0101ds ir cilv\u0113ku st\u0101st\u012bjums par to, k\u0101 m\u0113s kolekt\u012bvi apg\u016bstam zin\u0101\u0161anas. Tas ir non\u0101cis l\u012bdz stadijai, kad daudzas no \u0161\u012bm zin\u0101\u0161an\u0101m ir sagroz\u012btas, atkar\u012bb\u0101 no t\u0101, k\u0101dam burbulim vai k\u0101dai kopienai j\u016bs v\u0113laties pievienoties, bet neatkar\u012bgi no visas \u0161\u012bs pret zin\u0101tni v\u0113rst\u0101s retorikas, m\u0113s ar jums run\u0101jam t\u016bksto\u0161iem j\u016bd\u017eu att\u0101lum\u0101 tikai t\u0101p\u0113c, ka ir rad\u012bti t\u0101di cilv\u0113ki k\u0101 \u0145\u016btons un Maksvels.\n<\/p>\n
Visos v\u0113st\u012bjumos un st\u0101stos ir st\u0101st\u012bt\u0101js un sa\u0146\u0113m\u0113js. Tas, k\u0101 j\u016bs uztverat Pelnru\u0161\u0137\u012bti k\u0101 pusm\u016b\u017ea v\u012brietis, var neb\u016bt tas pats, k\u0101 to uztver asto\u0146us gadus veca meitene. Vai, veidojot filmu, j\u016bs m\u0113\u0123in\u0101t veidot to, ko v\u0113laties, lai cilv\u0113ki uztver, vai ar\u012b j\u016bs vair\u0101k interes\u0113, ko vi\u0146i uztver un kur vi\u0146i to aizved?\n<\/p>\n
Tas ir patie\u0161\u0101m interesanti. Tas ir gan viens, gan otrs, un tas, kur j\u016bs atrodat l\u012bdzsvaru, ir tas, k\u0101 filma ieg\u016bst noz\u012bmi vai k\u0101 t\u0101 iesaista auditoriju vien\u0101 vai otr\u0101 veid\u0101. Es to varu teikt ar t\u0101da cilv\u0113ka autorit\u0101ti, kur\u0161 ir piedz\u012bvojis tie\u0161i to, par ko j\u016bs run\u0101jat.\n<\/p>\n
Pirmk\u0101rt, visi st\u0101sti, kas ir v\u0113rt\u012bgi, ir vien\u0101 vai otr\u0101 veid\u0101 alegoriski. Citiem v\u0101rdiem sakot, tajos ir kas vair\u0101k, nek\u0101 \u0161\u0137iet. Tie ir ar\u012b \u013coti po\u0113tiski, kas noz\u012bm\u0113, ka tie ir skat\u012bt\u0101ja ac\u012bs. Neatkar\u012bgi no t\u0101, vai t\u0101s ir pasakas, dokument\u0101l\u0101s filmas, \u013coti anal\u012btiskas gr\u0101matas vai av\u012b\u017eu st\u0101sti, jebkuram st\u0101stam ir j\u0101b\u016bt ar \u0161o \u012bpa\u0161\u012bbu, lai tam b\u016btu k\u0101da rezonanse.\n<\/p>\n
Par Pelnru\u0161\u0137\u012bti vienm\u0113r saka, ka katram t\u0101 noz\u012bm\u0113 kaut ko citu, bet tai vienk\u0101r\u0161i ir j\u0101b\u016bt pietiekami lielai auditorijai, lai par to run\u0101tu. Visspilgt\u0101kais piem\u0113rs man bija Babe. Atceros, ka biju Dienvid\u0101frik\u0101, un k\u0101ds man \u013coti uzst\u0101j\u012bgi teica, ka \u0161\u012b filma ir tie\u0161i par aparte\u012bdu. Filmas s\u0101kum\u0101 tiek pazi\u0146ots, ka t\u0101 ir par nepieradin\u0101tu sirdi un par to, k\u0101 t\u0101 uz visiem laikiem main\u012bja m\u016bsu ieleju, vai kaut kas taml\u012bdz\u012bgs. Tas ir teikts st\u0101st\u012bjum\u0101. Bet \u0161is v\u012brietis teica: \"N\u0113, n\u0113, t\u0101 ir tie\u0161i par aparte\u012bdu,\" un es teicu: \"Ko j\u016bs ar to dom\u0101jat? \"\n<\/p>\n
Vi\u0146\u0161 nor\u0101d\u012bja, ka ir br\u012bdis, kad lauksaimnieks skat\u0101s pa logu. C\u016bka nolemj iem\u0101c\u012bties b\u016bt aitu c\u016bka un gan\u012bt da\u017e\u0101dus dz\u012bvniekus, un vi\u0146\u0161 ir atdal\u012bjis br\u016bn\u0101s vistas no baltaj\u0101m vist\u0101m. Tas bija t\u012bri nejau\u0161i, jo m\u0113s cent\u0101mies par\u0101d\u012bt, ka vi\u0146\u0161 var organiz\u0113ties, laipni l\u016bdzot da\u017e\u0101dus fermas dz\u012bvniekus, bet tas vi\u0146am bija r\u0101d\u012bt\u0101js, ka runa ir tie\u0161i par aparte\u012bdu. Man tas nekad nebija ien\u0101cis pr\u0101t\u0101.\n<\/p>\n
Tagad es saprotu, ka \u0161\u0101das lietas ir katr\u0101 st\u0101st\u0101, ja tam ir \u0161\u012b po\u0113tisk\u0101 dimensija. Pat sporta st\u0101sts vai kas cits. Tas nav nejau\u0161\u012bba, jo tie ir apzin\u0101ti po\u0113tiski. T\u0101p\u0113c m\u0113s bie\u017ei st\u0101st\u0101m st\u0101stus, izmantojot k\u0101du avat\u0101ru, kas var b\u016bt dz\u012bvnieks, supervaronis vai k\u0101da cita fig\u016bra.\n<\/p>\n
Uz j\u016bsu jaut\u0101jumu vislab\u0101k atbild\u0113ja Fredijs Merk\u016brijs. K\u0101ds pie vi\u0146a pien\u0101ca un teica: \"Man \u0161\u0137iet, ka es saprotu, par ko ir \"Boh\u0113misk\u0101 rapsodija\",\" un turpin\u0101ja st\u0101st\u012bt to un to. Fredijs Merk\u016brijs atbild\u0113ja: \"Ja tu to redzi, m\u012b\u013cais, tad tas ir tur. \"\n<\/p>\n
T\u0101p\u0113c mani \u0161ie st\u0101sti piesaista. Trako Maksa pasaule ir alegoriska pasaule. B\u0113b\u012btes un Laim\u012bg\u0101s p\u0113di\u0146as - t\u0101s ir alegoriskas pasaules.\n<\/p>\n
\u0160\u012b filma ac\u012bmredzami ir, jo t\u0101 ir pasaka. Paradokss ir tas, ka bie\u017ei vien pasak\u0101s ir \u013coti dzi\u013cas paties\u012bbas, kas atbalsojas pasak\u0101s. Tie\u0161i t\u0101p\u0113c da\u017eas no \u0161\u012bm deta\u013c\u0101m ir palieko\u0161as.<\/p>\n","protected":false},"excerpt":{"rendered":"
D\u017eord\u017es Millers nekad nav bijis t\u0101ds, kas iestiepjas tikai vien\u0101 \u017eanr\u0101. Lai gan austr\u0101lie\u0161u re\u017eisors pirmo reizi izc\u0113l\u0101s k\u0101 bombastisko un dr\u016bmo Mad Max filmu scen\u0101rists un re\u017eisors, vi\u0146\u0161 ir rad\u012bjis ar\u012b abas Babe filmas par gudru run\u0101jo\u0161u c\u016bci\u0146u ar zelta sirdi. Vi\u0146\u0161 ir rad\u012bjis ar\u012b anim\u0101cijas filmu fran\u0161\u012bzi Happy Feet, par kuru sa\u0146\u0113ma savu […]<\/p>\n","protected":false},"author":1,"featured_media":35116,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[62],"tags":[],"class_list":["post-35091","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-other"],"_links":{"self":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/posts\/35091","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/comments?post=35091"}],"version-history":[{"count":0,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/posts\/35091\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/media\/35116"}],"wp:attachment":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/media?parent=35091"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/categories?post=35091"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/tags?post=35091"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}