Kad pirm\u0101 \u012bsfilma Marcel the Shell izplat\u012bj\u0101s strauji, t\u0101 bija neliela nejau\u0161\u012bba. K\u0101 \u0161oned\u0113\u013c Setam Meijersam (Seth Meyers) Late Night raid\u012bjum\u0101 past\u0101st\u012bja filmas l\u012bdzautore Jenny Slate, vi\u0146as toreiz\u0113jais partneris Dean Fleischer Camp 2010. gad\u0101 k\u0101d\u0101 kom\u0113diju \u0161ov\u0101 par\u0101d\u012bja vi\u0146u veidoto stop-motion filmi\u0146u un p\u0113c tam p\u0113c k\u0101da aktiera l\u016bguma, kur\u0161 v\u0113l\u0113j\u0101s to par\u0101d\u012bt savai slimai mammai, izvietoja internet\u0101. T\u0101 k\u013cuva par vienu no pirmaj\u0101m YouTube sens\u0101cij\u0101m -\". Gangnam Style \" v\u0113l bija paliku\u0161i divi gadi - un tagad, vair\u0101k nek\u0101 desmit gadus v\u0113l\u0101k, t\u0101s varonim ir sava filma par interneta briesm\u0101m, kas vi\u0146u padar\u012bja slavenu. \n<\/p>\n
Divpadsmit gadi nav ilgs laiks, ta\u010du tie\u0161saistes laik\u0101 tas ir praktiski gadsimts. Tas ir ar\u012b pietiekami ilgs laiks, lai Slate un Camp var\u0113tu g\u016bt zin\u0101mu priek\u0161statu par Marsela slavas g\u0101jienu. \"Tas ir tik d\u012bvaini, jo es, protams, tam ticu simtprocent\u012bgi, bet reiz\u0113m pat es nesp\u0113ju to saprast,\" saka Slats. Vi\u0146a uzskata, ka Mars\u0113la sp\u0113ks sl\u0113pjas vi\u0146a izm\u0113ra un p\u0101rliec\u012bbas par sevi pretstat\u0101, ta\u010du atz\u012bst, ka \"cilv\u0113kiem pat\u012bk uz vi\u0146u projic\u0113t savas saj\u016btas par to, cik mazi vi\u0146i var justies. \"\n<\/p>\n
Un t\u0101 Marsels palika iem\u012b\u013cots pat tad, kad \" Gangnam Style \" n\u0101ca un g\u0101ja. Kemp st\u0101sta, ka reiz kop\u0101 ar Slatu dev\u0101s t\u0101 d\u0113v\u0113taj\u0101 \"\u016bdens pudeles t\u016br\u0113\" pa Losand\u017eelosu, apst\u0101joties vis\u0101s studij\u0101s, lai run\u0101tu par Marselu p\u0113c tam, kad vi\u0146\u0161 k\u013cuva pla\u0161i paz\u012bstams. Kemp st\u0101sta, ka taj\u0101 laik\u0101 \"bija liela interese par to, lai Marseli pieska\u0146otu paz\u012bstam\u0101kam fran\u0161\u012bzes \u0161ablonam. \" P\u0101ri, izejot no \u0161\u012bm tik\u0161an\u0101s reiz\u0113m, zin\u0101ja, ka vi\u0146i nev\u0113las, lai Marcels iet \"Stjuarta Little\" vai \"Minions\" ce\u013cu. (Tom\u0113r vi\u0146i kop\u0101 ar filmas studiju A24 veido atrib\u016btiku, lai populariz\u0113tu Marcel.) Galu gal\u0101 Kemp uzskata, ka vi\u0146u ap\u0146em\u0161an\u0101s b\u016bt neatkar\u012bgiem atmaks\u0101j\u0101s.\n<\/p>\n
\" Marsels man \u0161\u0137iet \u012bpa\u0161s ne vienm\u0113r t\u0101p\u0113c, ka vi\u0146\u0161 ir tik mazs,\" vi\u0146\u0161 skaidro. \" Tas ir fakts, ka vi\u0146am ir vienalga, cik vi\u0146\u0161 ir mazs. Vi\u0146am ir dzelzs gribassp\u0113ks un pa\u0161cie\u0146a, un vi\u0146\u0161 ir tik pa\u0161p\u0101rliecin\u0101ts. \"\n<\/p>\n
Marsela kinematogr\u0101fisk\u0101 pasaule ir vienlaikus maza un sal\u012bdzino\u0161i milz\u012bga. Film\u0101 vi\u0146\u0161 dz\u012bvo kop\u0101 ar savu vecm\u0101mi\u0146u Koniju (p\u0101rsteidzo\u0161\u0101 Isabella Rossellini) koloni\u0101laj\u0101 m\u0101j\u0101, kur\u0101 savulaik dz\u012bvoja ne tikai visa vi\u0146u \u0123imene un kaimi\u0146i, bet ar\u012b cilv\u0113ku laul\u0101tais p\u0101ris. Cilv\u0113ki nekad nav paman\u012bju\u0161i Marselu un vi\u0146a draugus, kuri izveidoju\u0161i plauksto\u0161u kopienu ar m\u0101jok\u013ciem, maizes dob\u0113m un malt\u012bt\u0113m, kas gatavotas no gabali\u0146iem jebk\u0101das p\u0101rtikas, ko vi\u0146i var\u0113ja izkopt. K\u0101du dienu laul\u0101tais p\u0101ris sastr\u012bd\u0113j\u0101s, un visa Mars\u0113la \u0123imene, iz\u0146emot vi\u0146a vecm\u0101mi\u0146u, aizb\u0113ga uz v\u012brie\u0161a ze\u0137u atvilktni, lai b\u016btu dro\u0161\u012bb\u0101. Lai \u0101tri pamestu m\u0101ju, vi\u0146\u0161 iemeta visu atvilkt\u0146u saturu mais\u0101 un aizb\u0113ga, lai nekad vairs neatgrieztos. Mars\u0113la \u0123imene aizg\u0101ja vi\u0146am l\u012bdzi, pazudusi Losand\u017eelosas v\u0113jos.\n<\/p>\n
Tas nenoz\u012bm\u0113, ka Marsels ir bezcer\u012bgs, jo tas t\u0101 nav. Marsela \u010daul\u0101 vi\u0146\u0161 un vi\u0146a vecm\u0101mi\u0146a audz\u0113 plauksto\u0161u d\u0101rzu, izstr\u0101d\u0101 atjaut\u012bgas p\u0101rtikas v\u0101k\u0161anas metodes un pat seko l\u012bdzi vi\u0146u iecien\u012bt\u0101kajam raid\u012bjumam \"60 min\u016btes\". Kemp st\u0101sta, ka sav\u0101 zi\u0146\u0101 vi\u0146a radinieka dzin\u0113jsp\u0113ks ir iedvesmojis pat vi\u0146u pa\u0161u. \"Kad vi\u0146am tiek uzlikts \u0161\u0137\u0113rslis, vi\u0146\u0161 neredz, ka to p\u0101rvar\u0113t ir neiesp\u0113jami,\" skaidro Kemp;\n<\/p>\n
Nav \u0161aubu, ka Kempam n\u0101c\u0101s mobiliz\u0113t da\u013cu no Marsela iek\u0161\u0113j\u0101 sp\u0113ka, kad vi\u0146\u0161 veidoja filmu, kuras tap\u0161ana ilga septi\u0146us gadus no s\u0101kuma l\u012bdz beig\u0101m. Stop-motion anim\u0101cijas process ir \u0101rk\u0101rt\u012bgi gr\u016bts, un Slats un Kemps piedz\u012bvoja personiskas gr\u016bt\u012bbas, da\u017eus gadus p\u0113c filmas uz\u0146em\u0161anas iz\u0161\u0137iroties. Tom\u0113r vi\u0146i turpin\u0101ja darbu, pateicoties cie\u0146ai pret projektu un saj\u016bt\u0101m, ko Slats d\u0113v\u0113 par \"tikpat neviltotu k\u0101 sirdsdarb\u012bba\". \"Lai gan vi\u0146a bija filmas l\u012bdzautore, producente un Marsela balss balss atveidot\u0101ja, Sl\u0113ta laiku pa laikam var\u0113ja iesaist\u012bties un izst\u0101ties no filmas ra\u017eo\u0161anas, lai \u013cautu Kempam un scen\u0101rista Nika Paleja komandai patie\u0161\u0101m iedzi\u013cin\u0101ties. Tom\u0113r vi\u0146a saka, ka ikreiz, kad vi\u0146a atgriez\u0101s pie Marsela komandas, vi\u0146a izjuta \u013coti \u012bpa\u0161u m\u012blest\u012bbu.\n<\/p>\n
\" Tas ir k\u0101: \"K\u0101p\u0113c j\u016bs atgrie\u017eaties sav\u0101 iecien\u012btaj\u0101 vasaras br\u012bvdienu viet\u0101? Ne t\u0101p\u0113c, ka t\u0101 ir relaks\u0113jo\u0161a,\" vi\u0146a saka. \" Bet t\u0101p\u0113c, ka, esot tur, j\u016bs izj\u016btat \u012bpa\u0161u m\u012blest\u012bbu pret \u0161o vietu. Tas var notikt tikai tagadn\u0113, kur\u0101 atrodaties. \"\n<\/p>\n
Gan Slate, gan Camp saikne ar Marsela \u010daul\u0101 ir dzi\u013ci, dzi\u013ci personiska. Kemp st\u0101sta, ka Marsels vi\u0146am atg\u0101dina b\u0113rn\u012bb\u0101 iem\u012b\u013cot\u0101s gr\u0101matas, piem\u0113ram, The Borrowers, un laikus pie vecm\u0101mi\u0146as, kad vi\u0146a vi\u0146am un vi\u0146a br\u0101\u013ciem un m\u0101s\u0101m lika iet \"sp\u0113l\u0113ties pasaku zem\u0113\", kas, k\u0101 vi\u0146\u0161 saprata tikai p\u0113c gadiem, paties\u012bb\u0101 bija \u0113r\u010du p\u0101r\u0146emta telpa zem vi\u0146as kl\u0101ja. \u0160latei tagad ir pa\u0161ai sava meita Ida, kurai ir apm\u0113ram 18 m\u0113ne\u0161i. Pateicoties Mars\u0113lam, vi\u0146a ir iem\u0101c\u012bjusies pie\u0146emt t\u0101das lietas k\u0101 \u010daul\u012btes neatlaid\u012bba, ka vi\u0146ai ir laba dz\u012bve.\n<\/p>\n
\" Visam ir pie\u0161\u0137irta v\u0113rt\u012bba,\" vi\u0146a saka. \" Es v\u0113los, lai mana meita saprastu, ka vasaras r\u012bt\u0101 automa\u0161\u012bn\u0101 ir br\u012bdis, kad var nolaist logu un sajust gaisa smar\u017eu, un tas ir \u013coti v\u0113rt\u012bgs br\u012bdis. \u0160\u0101d\u0101 veid\u0101 tu vari p\u0101rv\u0113rst dienu par skaistu, skaistu mirk\u013cu virkni, un es grib\u0113tu, lai vi\u0146a pati izjustu \u0161o pieejam\u012bbu. \" Vi\u0146a piemin ainu filmas beig\u0101s, kad Marsels run\u0101 par vajadz\u012bbu justies k\u0101 da\u013cai no viena liela instrumenta, k\u0101 kaut ko, kam vi\u0146a j\u016btas \u012bpa\u0161i piesaist\u012bta un ko grib\u0113tu nodot t\u0101l\u0101k. \"Es v\u0113los, lai [mana meita] saprastu, ka vi\u0146a ir saist\u012bta ar visiem un ka ir veids, k\u0101 p\u0101rdom\u0101ti nost\u0101d\u012bt sevi t\u0101, lai j\u016bs patie\u0161\u0101m b\u016btu saska\u0146oti. Da\u017ereiz starp mums ir att\u0101lumi, bet m\u0113s visi esam kop\u0101. \"\n<\/p>\n
\u0160ajos r\u0101mjos Marsela \u010daul\u0101 k\u013c\u016bst par filmu, kas p\u0113ta kopienas un vientul\u012bbas krustpunktu. Marsels zaud\u0113 savu kopienu, t\u0101p\u0113c vi\u0146\u0161 j\u016btas vientu\u013c\u0161. Kad vi\u0146\u0161 satiek Kempsa varoni - dokument\u0101listu, kuru ar\u012b sauc D\u012bns, - vi\u0146\u0161 atkal s\u0101k atv\u0113rties, kaut vai tikai t\u0101p\u0113c, lai b\u016btu ar ko parun\u0101t. Kad D\u012bns uz\u0146em (\u013coti met\u0101lisku) \u012bsfilmu par Marselu, lai to public\u0113tu internet\u0101, t\u0101 k\u013c\u016bst izplat\u012bta, liekot Marselsonam aizdom\u0101ties, vai vi\u0146\u0161 var izmantot savus jaunieg\u016btos cien\u012bt\u0101jus, lai atrastu savu \u0123imeni. Tas nedarbojas t\u0101, k\u0101 vi\u0146\u0161 v\u0113las. T\u0101 viet\u0101 vi\u0146a mazais nami\u0146\u0161 k\u013c\u016bst par karsto punktu TikTokeriem, kas vair\u0101k mekl\u0113 ietekmi nek\u0101 saikni, un Marsels atkal ir spiests p\u0101rdom\u0101t, ko noz\u012bm\u0113 vieta, kurai vi\u0146\u0161 pieder.\n<\/p>\n
\u0160\u012b c\u012b\u0146a starp ietekmi un saikni ir viens no iemesliem, k\u0101d\u0113\u013c Slaida apgalvo, ka vi\u0146a liel\u0101koties ir pametusi soci\u0101los medijus, lai gan laiku pa laikam joproj\u0101m public\u0113 zi\u0146as sav\u0101 Instagram. (\u012apa\u0161i tad, ja vi\u0146a, piem\u0113ram, reklam\u0113 k\u0101du jaunu filmu, piem\u0113ram, \"Marsela \u010daul\u0101\".) Vi\u0146a saka, ka nav ieinteres\u0113ta iesaist\u012bties \"bezj\u0113dz\u012bg\u0101 un viegli uzliesmojo\u0161\u0101\" pirkstu vicin\u0101\u0161an\u0101 par to, vai cilv\u0113ki pareizi izmanto internetu, bet vi\u0146as pa\u0161as pag\u0101tne, kad vi\u0146a pa\u013c\u0101v\u0101s uz soci\u0101lajiem medijiem, iem\u0101c\u012bja vi\u0146ai, ka \"pan\u0101kumi vien\u0101 vai otr\u0101 veid\u0101 paties\u012bb\u0101 neatrisin\u0101s tavu vientul\u012bbu. Tas neatrisin\u0101s to, vai j\u016bs esat ietekm\u012bgs cilv\u0113ks vai ne, vai esat v\u0113rt\u012bgs cilv\u0113ks. Atbildes nav atrodamas. \"\n<\/p>\n
Iesp\u0113jams, da\u013ca no Marsela \u010daulas, varo\u0146a un filmas skaistuma ir t\u0101, ka mums nav visu atbil\u017eu un m\u0113s \u012bsti nezin\u0101m, k\u0101 t\u0101s ieg\u016bt. \u0145emiet v\u0113r\u0101 pa\u0161u \u010daulu, kas sav\u0101 zi\u0146\u0101 ir sava veida br\u012bnums. Glieme\u017ev\u0101ki ir utilit\u0101ri, tie ir tikai gliemju aizsargs, bet tie ir ar\u012b skaisti. T\u0101s ir \"ekstra\", saka Slats. \" T\u0101m nav j\u0101b\u016bt tik skaist\u0101m. \" T\u0101pat k\u0101 Marsels, gliemene ir vienk\u0101r\u0161a, bet perfekta, un labs piem\u0113rs tam, ka, k\u0101 saka Slate, \"Zeme neveido lietas tikai izklaidei. \" Vi\u0146a skaidro, ka visam ir sava funkcija, atsaucoties uz Robina Vala Kimmerera (Robin Wall Kimmerer) darbu par to, k\u0101 zeltl\u0113pes un asteres vienm\u0113r zied kop\u0101. Visam dab\u0101 ir savs m\u0113r\u0137is, bet vienlaikus viss ir, k\u0101 vi\u0146a to d\u0113v\u0113, \"skaists nosl\u0113pums\". \" Dz\u012bvot k\u0101 Marsels Mu\u0161elis - un, \u0161aj\u0101 gad\u012bjum\u0101, nov\u0113rt\u0113t Marselu Mu\u0161eli - noz\u012bm\u0113 aps\u0113sties, atv\u0113rt acis un sirdi un vienk\u0101r\u0161i \u013caut pasaulei iepl\u016bst.<\/p>\n","protected":false},"excerpt":{"rendered":"
Kad pirm\u0101 \u012bsfilma Marcel the Shell izplat\u012bj\u0101s strauji, t\u0101 bija neliela nejau\u0161\u012bba. K\u0101 \u0161oned\u0113\u013c Setam Meijersam (Seth Meyers) Late Night raid\u012bjum\u0101 past\u0101st\u012bja filmas l\u012bdzautore Jenny Slate, vi\u0146as toreiz\u0113jais partneris Dean Fleischer Camp 2010. gad\u0101 k\u0101d\u0101 kom\u0113diju \u0161ov\u0101 par\u0101d\u012bja vi\u0146u veidoto stop-motion filmi\u0146u un p\u0113c tam p\u0113c k\u0101da aktiera l\u016bguma, kur\u0161 v\u0113l\u0113j\u0101s to par\u0101d\u012bt savai slimai mammai, izvietoja […]<\/p>\n","protected":false},"author":1,"featured_media":35115,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-35078","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-film"],"_links":{"self":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/posts\/35078","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/comments?post=35078"}],"version-history":[{"count":0,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/posts\/35078\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/media\/35115"}],"wp:attachment":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/media?parent=35078"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/categories?post=35078"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/tags?post=35078"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}