T\u0113rpi, konfektes, 12 p\u0113du skeletu izlik\u0161ana pagalm\u0101 - da\u017eas Helov\u012bna trad\u012bcijas, kuras j\u016bs vienk\u0101r\u0161i nevarat neiev\u0113rot. Piem\u0113ram, novietot savu tupi uz d\u012bv\u0101na ar maisu jautra izm\u0113ra na\u0161\u0137u un visiem vilka\u010diem, vamp\u012briem un sir\u0113n\u0101m, ar ko vien varat tikt gal\u0101. \u0160eit ir 15 lab\u0101k\u0101s \u0161ausmu filmas Helov\u012bna noska\u0146ai - no sen\u0101m iecien\u012bt\u0101kaj\u0101m l\u012bdz jaun\u0101m klasikas film\u0101m, kuras visas varat straum\u0113t jau tagad.\n<\/p>\n
No vis\u0101m D\u017eordana P\u012bla sare\u017e\u0123\u012bti izcil\u0101m \u0161ausmu film\u0101m \"Nope\", iesp\u0113jams, ir vismaz\u0101k \u0161ausmu filma. Tas nav svar\u012bgi. Uz Holivudas aizkuli\u0161u fona tas ir st\u0101sts par br\u0101li un m\u0101su - OJ (Daniel Kaluuya) un Emerald (Keke Palmer), kuri cen\u0161as notur\u0113t savu \u0123imenes biznesu virs \u016bdens. Viss sagrie\u017eas k\u0101j\u0101m gais\u0101 (vai ne vienm\u0113r?), kad debes\u012bs par\u0101d\u0101s nosl\u0113pumaina kl\u0101tb\u016btne, kas liek vi\u0146iem uzs\u0101kt vilt\u012bgus mekl\u0113jumus, lai noskaidrotu, kas tie\u0161i notiek. Ja m\u0113s teiksim daudz vair\u0101k, tas var\u0113tu saboj\u0101t p\u0101r\u0101k daudz, bet ticiet mums, kad sak\u0101m, ka j\u016bs b\u016bsiet \u0161ok\u0113ti ik uz so\u013ca. \n<\/p>\n
\u0160ausmu kom\u0113diju nav viegli uztais\u012bt - \u012bpa\u0161i, ja t\u0101da filma k\u0101 D\u017eona Landisa \"Amerik\u0101\u0146u vilkacis London\u0101\" ir sal\u012bdzin\u0101jumam pieejama jau gandr\u012bz 40 gadus. Amerik\u0101\u0146u draugi Deivids (Deivids Naitons) un D\u017eeks (Grifins Dans) nedaudz apmald\u0101s, ce\u013cojot ar mugursomu pa Angliju, un galu gal\u0101 vi\u0146iem uzbr\u016bk vilkacis. D\u017eeks tiek sadrag\u0101ts gabalos, bet Deivids izdz\u012bvo, ta\u010du p\u0113c ned\u0113\u013c\u0101m pamostas Londonas slimn\u012bc\u0101, gandr\u012bz neko neatceroties par notiku\u0161o. Par laimi, vi\u0146a vecais draugs D\u017eeks, kur\u0161 izskat\u0101s daudz slikt\u0101k, ierodas, lai br\u012bdin\u0101tu Deividu, ka tuvojas pilnm\u0113ness un, ja vi\u0146\u0161 nenogalin\u0101s sevi pirms t\u0101 iest\u0101\u0161an\u0101s, ar\u012b vi\u0146\u0161 p\u0101rv\u0113rt\u012bsies par miesask\u0101ju suni. Landiss meistar\u012bgi sabalans\u0113 smiekl\u012bgu humoru ar patiesi \u0161ausmino\u0161\u0101m bail\u0113m - par liel\u0101ko da\u013cu no t\u0101m g\u0101d\u0101jis specefektu grima meistars Riks Beikers, kur\u0161 par darbu pie filmas peln\u012bti sa\u0146\u0113ma Oskaru (vilka\u010da p\u0101rtap\u0161anas aina ne velti ir ikoniska). Pievienojot slepkavniecisku ska\u0146u celi\u0146u un vienu no kinematogr\u0101fiski vispiln\u012bg\u0101kaj\u0101m beig\u0101m, j\u016bs esat ieguvu\u0161i \u0161ausmu kom\u0113diju, kas uz visiem laikiem paliks atmi\u0146\u0101.\n<\/p>\n
\"\u017dok\u013ci\" \u0161ausmu film\u0101m ir k\u0101 \"Zvaig\u017e\u0146u kari\" zin\u0101tnisk\u0101s fantastikas film\u0101m. Gr\u016bti notic\u0113t, ka ir cilv\u0113ki, kas to nav redz\u0113ju\u0161i. Tom\u0113r neatkar\u012bgi no t\u0101, vai j\u016bs to nekad neesat redz\u0113ju\u0161i, vai esat to skat\u012bju\u0161ies vismaz 100 rei\u017eu (St\u012bvens Soderbergs apgalvo, ka \"\u017dok\u013cus\" tikai kinote\u0101tros ir skat\u012bjies 28 reizes!), st\u0101sts par sal\u0101 dz\u012bvojo\u0161u policijas priek\u0161nieku, kur\u0161 cie\u0161 no \u016bdens fobijas un dodas j\u016br\u0101, lai vaj\u0101tu milz\u012bgu balto haizivi, kas nogalina salas iedz\u012bvot\u0101jus un atbaida t\u016bristus, nekad nenogurst. T\u0101 ir ar\u012b meistarklase, k\u0101 maz\u0101k ir vair\u0101k - pat ja \u0161\u0101da pieeja ir vair\u0101k m\u016b\u017e\u012bgi saplos\u012btas ma\u0161\u012bnas haizivs, nek\u0101 k\u0101 cita iemesla d\u0113\u013c.\n<\/p>\n
Bodies Bodies Bodies Bodies ir, skarbi sakot, slasheris TikTok paaudzei. S\u0101kot ar \u013coti vecmod\u012bgu premisu - draugu grupa dodas uz noma\u013cu m\u0101ju, lai jautri pavad\u012btu laiku, - t\u0101 \u0101tri vien atkl\u0101j tie\u0161saistes \u0161ausmas: nav mobilo sakaru, toksiski draugi. Bet tikai t\u0101p\u0113c, ka film\u0101 ir daudz aktieru - P\u012bts Deividsons! Amandla Stenberga! - un \u013coti aktu\u0101liem dialogiem, nenoz\u012bm\u0113, ka tas ar\u012b tevi neizbied\u0113s l\u012bdz \u0161ausm\u0101m. Un varb\u016bt pat liks tev smieties. \n<\/p>\n
Gadu p\u0113c tam, kad Ari Asters k\u013cuva par t\u016bl\u012bt\u0113ju \u0161ausmu ikonu ar \"\u0161o ainu\" film\u0101 \"Mantojums\", vi\u0146\u0161 izmantoja savu l\u0113no pieeju, lai uz\u0146emtu \"Midsommar\" - satrauco\u0161u, divarpus stundu garu ce\u013cojumu uz (par laimi, izdom\u0101tu) tradicion\u0101lo zviedru vasaras festiv\u0101lu, kas notiek tikai reizi 90 gados. Kad amerik\u0101\u0146u koled\u017eas studentu grupa, kur\u0101 ir ar\u012b ne p\u0101r\u0101k laim\u012bgais p\u0101ris Dani (Florence Pugh) un Kristians (Jack Reynor), tiek uzaicin\u0101ti piedal\u012bties, tas, ko vi\u0146i iedom\u0101jas par tautas izklaidi, p\u0101rv\u0113r\u0161as par kaut ko daudz brut\u0101l\u0101ku un bied\u0113jo\u0161\u0101ku. Jo maz\u0101k j\u016bs zin\u0101siet, dodoties uz Midsommar, jo efekt\u012bv\u0101ka t\u0101 b\u016bs (un ar \"efekt\u012bva\" m\u0113s dom\u0101jam \"satrauco\u0161a\").\n<\/p>\n
Ja D\u017eord\u017es A. Romero b\u016btu bijis tikai viens no \u0161\u012bs filmas scen\u0101rija autoriem un re\u017eisoriem - savas pilnmetr\u0101\u017eas re\u017eijas debijas -, vi\u0146\u0161 joproj\u0101m b\u016btu ierakst\u012bts v\u0113stur\u0113 k\u0101 \u0161ausmu filmu pionieris. Jo, lai gan film\u0101 \"Dz\u012bvo miru\u0161o nakts\" v\u0101rds \"zombijs\" nekad netiek izrun\u0101ts, skat\u012bt\u0101jiem ir skaidrs, ka tie\u0161i t\u0101di ir vi\u0146a pusdz\u012bvie monstri. Viss s\u0101kas, kad br\u0101\u013ci un m\u0101sas Barbra (Judith O'Dea) un D\u017eonijs (Russell Streiner) apmekl\u0113 sava t\u0113va kapus un p\u0113c tam vi\u0146iem uzbr\u016bk sve\u0161s v\u012brietis. Barbra, ieraugot net\u0101lu eso\u0161o lauku m\u0101ju, dodas uz turieni p\u0113c pal\u012bdz\u012bbas, lai atrastu m\u0101jas \u012bpa\u0161nieka l\u012b\u0137i un daudzas l\u0113ni staig\u0101jo\u0161as rad\u012bbas, kas dodas vi\u0146as virzien\u0101. Un tad talk\u0101 n\u0101k vienm\u0113r atjaut\u012bgais Bens (Duans D\u017eounss), lai pal\u012bdz\u0113tu. Lai gan daudzi t\u0101 laika kriti\u0137i m\u0113\u0123in\u0101ja pasludin\u0101t \"Dz\u012bvo miru\u0161o nakti\" par beigtu, jo t\u0101 bija \u0101rk\u0101rt\u012bgi asa, t\u0101s reput\u0101cija k\u0101 \u017eanra sp\u0113les main\u012bt\u0101ja ir devusi filmai turpm\u0101ku dz\u012bv\u012bbu, radot vair\u0101kus turpin\u0101jumus un pat p\u0101ris p\u0101rtais\u012bjumus, tostarp 1990. gada Toma Savini (Tom Savini) reduke ar Toniju Todu Bena lom\u0101.\n<\/p>\n
Run\u0101jot par St\u012bvenu Soderbergu: b\u016bdams \u0161\u0137ietami katra jauna r\u012bka agr\u012bns pielietot\u0101js, vi\u0146\u0161 atgriez\u0101s pie sav\u0101m indie sakn\u0113m film\u0101 Unsane, kuru vi\u0146\u0161 film\u0113ja ar iPhone. Tas ir solis, kas slikt\u0101ka re\u017eisora rok\u0101s var\u0113tu \u0161\u0137ist piln\u012bgi trikus, ta\u010du Soderberga kinematogr\u0101fisk\u0101 meistar\u012bba liek dom\u0101t, ka lab\u0101kas izv\u0113les nav bijis. Unsane\" tum\u0161\u0101 kompoz\u012bcija un br\u012b\u017eiem satricino\u0161ais stils lieliski papildina st\u0101stu - B tipa psiholo\u0123isko trilleri, kur\u0101 sieviete (Kl\u0113ra Foja (Claire Foy, seri\u0101la The Crown)) piespiedu k\u0101rt\u0101 tiek ievietota psihiatriskaj\u0101 iest\u0101d\u0113, lai c\u012bn\u012btos ar stalkeru. Kad vi\u0146a s\u0101k dom\u0101t, ka tie\u0161i vi\u0146as vaj\u0101\u0161anas v\u012brietis ir izdom\u0101jis vi\u0146u tur ievietot, vi\u0146a s\u0101k sabrukt, un skat\u012bt\u0101jiem ir gr\u016bti at\u0161\u0137irt, kas ir paties\u012bba un kas visp\u0101r st\u0101sta paties\u012bbu.\n<\/p>\n
Savas gandr\u012bz 60 gadus ilg\u0101s karjeras laik\u0101 Verners Hercogs ir pier\u0101d\u012bjis, ka nav nek\u0101 t\u0101da, ko vi\u0146\u0161 nevar\u0113tu vai negrib\u0113tu vismaz m\u0113\u0123in\u0101t dar\u012bt no m\u012blest\u012bbas pret kino (ar\u012b ap\u0113st savu kurpi). Gadu gait\u0101 vi\u0146\u0161 ilgi apgalvoja, ka F. V. M\u016brnau ori\u0123in\u0101lfilma Nosferatu ir izcil\u0101k\u0101 filma, k\u0101da jebkad tapusi vi\u0146a dzimtaj\u0101 V\u0101cij\u0101. T\u0101p\u0113c taj\u0101 pa\u0161\u0101 dien\u0101, kad Br\u0101ma Stokera \"Drakula\" k\u013cuva publiski pieejama, Hercogs \u0137\u0113r\u0101s pie savas filmas versijas veido\u0161anas - t\u0101das, kur\u0101 at\u0161\u0137ir\u012bb\u0101 no 1922. gada ori\u0123in\u0101la var\u0113ja likum\u012bgi izmantot da\u013cu no filmas \"Drakula\" bez juridisk\u0101m galvass\u0101p\u0113m. Tom\u0113r Hercogs rad\u012bja vienu no viscilv\u0113c\u012bg\u0101kaj\u0101m le\u0123end\u0101r\u0101 asinss\u016bc\u0113ja versij\u0101m, k\u0101du jebkad esam redz\u0113ju\u0161i, un to atveidoja Klauss Kinskis. Hercoga skat\u012bjum\u0101 Drakulas nemirst\u012bba un vamp\u012brisms ir slogs, kas padara vi\u0146u par simp\u0101tisk\u0101ku person\u0101\u017eu. \"Vi\u0146\u0161 nevar izv\u0113l\u0113ties, un vi\u0146\u0161 nevar p\u0101rtraukt b\u016bt,\" 1978. gad\u0101 Hercogs teica laikrakstam The New York Times. Ja v\u0113laties papla\u0161in\u0101t savu izpratni par Drakulas kinematogr\u0101fisko loku, noskatieties \u0161o filmu kop\u0101 ar Murnau ori\u0123in\u0101lfilmas Nosferatu seansu. Tad speriet v\u0113l vienu soli t\u0101l\u0101k, papildinot to ar 1999. gada dokument\u0101lo filmu \"Mans lab\u0101kais draugs\" (My Best Fiend) par Hercoga v\u0113trainaj\u0101m attiec\u012bb\u0101m ar Kinski.\n<\/p>\n
L\u012bdz\u012bgi k\u0101 pirms tam film\u0101 Scream, ar\u012b Drew Goddard ' s The Cabin in the Woods izmanto meta pieeju savam materi\u0101lam, p\u0101rv\u0113r\u0161ot to, kas cit\u0101di var\u0113tu b\u016bt tikai gar\u0101mejo\u0161a \u0161ausmu filma, par \u0101rk\u0101rt\u012bgi gudru \"pievilc\u012bgu divdesmitgadnieku grupa non\u0101k kab\u012bn\u0113 nekurienes vid\u016b, ko ieskauj \u013caunpr\u0101t\u012bgi sp\u0113ki\" apak\u0161\u017eanra filmu. Visi standarta tropi ir ierasti - d\u012bvains vecais pils\u0113tnieks, kur\u0161 cen\u0161as b\u0113rnus br\u012bdin\u0101t, briesm\u012bgs vecs pagrabs, pilns ar d\u012bvainiem un draud\u012bgiem piederumiem utt. -, lai gan varb\u016bt tie ir ierasti p\u0101r\u0101k perfekti. The Cabin in the Woods ir m\u012bl\u012bgs pamirk\u0161\u0137in\u0101jums nopietniem \u0161ausmu filmu cien\u012bt\u0101jiem un dodas p\u0101rsteidzo\u0161os virzienos, kurus j\u016bs nekad nepaman\u012bsiet.\n<\/p>\n
Gadu gait\u0101 esam piedz\u012bvoju\u0161i pietiekami daudz vamp\u012bru trakuma filmu, un ir reizes, kad da\u017ei kino skat\u012bt\u0101ji labpr\u0101t piekristu nekad m\u016b\u017e\u0101 neredz\u0113t nevienu citu asinsk\u0101ru. Tad vi\u0146i atceras \"Bai\u013cu nakti\". Toms Holands (Tom Holland) \u0161ogad atz\u012bm\u0113 35. gadadienu, kop\u0161 tapusi ikonisk\u0101 m\u012blest\u012bbas v\u0113stule \u0161ausmu filmu zelta laikmetam un nakts telev\u012bzijas \u0161l\u0101geriem, kas m\u016bs izklaid\u0113ja ar st\u0101stiem par asin\u012bm un iek\u0161\u0101m. Ta\u010du, t\u0101pat k\u0101 D\u017eerijs Dandrigs (Kriss Sarandons) - sp\u012bdo\u0161s vamp\u012brs ar mirdzo\u0161\u0101m ac\u012bm, kuram nopietni nepiecie\u0161ams manik\u012brs un kur\u0161 dz\u012bvo blakus pusaudzim \u010c\u0101rlijam Br\u016bsteram (Viljams Ragsdeils) - \"Bai\u013cu nakts\", \u0161\u0137iet, nemaz nenoveco. T\u0101 joproj\u0101m izce\u013cas k\u0101 perfekti smalka \u0161ausmu kom\u0113dija, kurai piem\u012bt pareizais abu \u017eanru l\u012bdzsvars, lai padar\u012btu to tikpat vilino\u0161u k\u0101 Vamp\u012brs D\u017eerijs uz deju gr\u012bdas.\n<\/p>\n
2002. gad\u0101 Eli Roths ar filmu \"Cabin Fever\" atgrieza \u0161ausmu \u017eanru t\u0101 80. gadu uzplaukuma laikos. Ti Vestam desmitgades beig\u0101s izdev\u0101s veiksm\u012bgi atg\u016bt \u0161o pa\u0161u garu ar filmu \"Velna nams\", kur\u0101 koled\u017eas studente (Jocelin Donahue), kurai tr\u016bkst naudas, lai samaks\u0101tu \u012bri, negrib\u012bgi piekr\u012bt uz da\u017e\u0101m stund\u0101m \"pieskat\u012bt\" it k\u0101 trauslu vecu d\u0101mu. J\u016bs zin\u0101t, ka kaut kas notiks, bet neesat \u012bsti p\u0101rliecin\u0101ts, kas tie\u0161i: vai m\u0101j\u0101 ir spokas? Vai k\u0101ds \u0101r\u0101 vaj\u0101 aukl\u012bti? Vai tas viss ir j\u016bsu galv\u0101? Vai tas ir viss iepriek\u0161 min\u0113tais? Kam\u0113r j\u016bs gaid\u0101t, kad neizb\u0113gami krit\u012bs otrs kurpes kurp\u012btis, Vests izmanto \u013coti skaidru laika periodu - s\u0101tanisma un panikas p\u0101r\u0146emtos 80. gadus -, lai par\u0101d\u012btu pag\u0101tnes \u0161ausmino\u0161u kult\u016bras relikviju d\u0101rgumu, tostarp vienu \u012bpa\u0161i augstu jostasvietu d\u017einsu p\u0101ri.\n<\/p>\n
Dienvidkorejie\u0161u autors Bongs D\u017eu\u0146ho (Bong Joon-ho) pag\u0101ju\u0161aj\u0101 gad\u0101, kad ar filmu Paraz\u012bts (Parasite) iekaroja \"Oskara\" balvas, k\u013cuva pla\u0161i paz\u012bstams un ar vi\u0146u bija j\u0101r\u0113\u0137in\u0101s. Ja t\u0101 bija j\u016bsu pirm\u0101 iepaz\u012b\u0161an\u0101s ar vi\u0146a dai\u013cradi, jums nekav\u0113joties j\u0101mekl\u0113 visas vi\u0146a iepriek\u0161\u0113j\u0101s filmas, tostarp The Host. T\u0101pat k\u0101 Paraz\u012bts, t\u0101 ir \u0161ausmu filma ar soci\u0101lu v\u0113st\u012bjumu. \u0160aj\u0101 gad\u012bjum\u0101 vair\u0101k ar ekolo\u0123isku v\u0113st\u012bjumu, jo Seulas Hanas upes pies\u0101r\u0146ojums noved pie t\u0101, ka rodas milz\u012bgs j\u016bras briesmonis, kam gar\u0161o cilv\u0113ki.\n<\/p>\n
Vamp\u012brs k\u0101 lab\u0101kais draugs var\u0113tu b\u016bt visliel\u0101k\u0101 lieta, ko var v\u0113l\u0113ties no iebied\u0113t\u0101 b\u0113rna. Ta\u010du attiec\u012bbas, ko ieciet\u012bgais pusaudzis Oskars (K\u00e5re Hedebrant) nodibina ar savu kaimi\u0146ieni Eli (Lina Leandersson), kura, k\u0101 izr\u0101d\u0101s, alkst cilv\u0113ku asi\u0146u, \u0161aj\u0101 zviedru l\u0113naj\u0101 film\u0101 ir daudz dzi\u013c\u0101kas par vienk\u0101r\u0161u atrieb\u012bbas fant\u0101ziju. Paties\u012bb\u0101 tas, ka Eli ir vamp\u012bre, st\u0101stam ir otr\u0161\u0137ir\u012bgs faktors. L\u012bdz\u012bgi k\u0101 Verners Hercogs (Werner Herzog) ar Nosferatu, Tomass Alfredsons uz pirmo vietu izvirza varo\u0146a t\u0113la veido\u0161anu un glezno Eli ar sava veida skumj\u0101m, kas vi\u0146u saista ar Oskaru. Protams, tas ir asi\u0146ains, bet ar\u012b m\u012bl\u012bgs.\n<\/p>\n
The Invisible Man pal\u012bdz\u0113ja nostiprin\u0101t H. G. Velsa k\u0101 zin\u0101tnisk\u0101s fantastikas t\u0113va reput\u0101ciju, kad 1897. gad\u0101 pirmo reizi tika public\u0113ta \u0161\u012b gr\u0101mata. Un, lai gan kop\u0161 t\u0101 laika vair\u0101k nek\u0101 120 gadu laik\u0101 tas ir adapt\u0113ts vair\u0101kk\u0101rt, Leigs Vanels (Leigh Whannell) (cilv\u0113ks, kas veidojis Saw un Insidious filmas) ieviesa vienk\u0101r\u0161u, bet izcils pav\u0113rsiens - feministisku asumu. T\u0101 viet\u0101, lai liel\u0101ko da\u013cu \"Neredzam\u0101 cilv\u0113ka\" ekr\u0101na laika velt\u012btu titul\u0113tajam lielajam \u013caundarim, par varoni k\u013c\u016bst vi\u0146a atsve\u0161in\u0101t\u0101 sieva (Elizabete Mosa), kura p\u0101r\u0101k ilgi ir cietusi no sava zin\u0101tnieka v\u012bra vardarb\u012bbas. Mosa, k\u0101 ierasts, sp\u0113l\u0113 lieliski, un iespaid\u012bgie efekti tikai papildina \u0161o cien\u012bgo un v\u0113rt\u012bgo atjaunin\u0101jumu.<\/p>\n","protected":false},"excerpt":{"rendered":"
T\u0113rpi, konfektes, 12 p\u0113du skeletu izlik\u0161ana pagalm\u0101 - da\u017eas Helov\u012bna trad\u012bcijas, kuras j\u016bs vienk\u0101r\u0161i nevarat neiev\u0113rot. Piem\u0113ram, novietot savu tupi uz d\u012bv\u0101na ar maisu jautra izm\u0113ra na\u0161\u0137u un visiem vilka\u010diem, vamp\u012briem un sir\u0113n\u0101m, ar ko vien varat tikt gal\u0101. \u0160eit ir 15 lab\u0101k\u0101s \u0161ausmu filmas Helov\u012bna noska\u0146ai - no sen\u0101m iecien\u012bt\u0101kaj\u0101m l\u012bdz jaun\u0101m klasikas film\u0101m, […]<\/p>\n","protected":false},"author":1,"featured_media":34908,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-34893","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-movies"],"_links":{"self":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/posts\/34893","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/comments?post=34893"}],"version-history":[{"count":0,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/posts\/34893\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/media\/34908"}],"wp:attachment":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/media?parent=34893"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/categories?post=34893"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/tags?post=34893"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}