Frenka Herberta 1965. gad\u0101 sarakst\u012btais rom\u0101ns \"K\u0101pa\" ir viens no ietekm\u012bg\u0101kajiem zin\u0101tnisk\u0101s fantastikas tekstiem, un tas ir iedvesmojis da\u017eas no visu laiku ikonisk\u0101kaj\u0101m zin\u0101tnisk\u0101s fantastikas film\u0101m, tostarp \u0161o lielo puisi: Zvaig\u017e\u0146u kari. Ta\u010du m\u0113\u0123in\u0101jumi p\u0101rv\u0113rst pa\u0161u D\u016bnu film\u0101 ne vienm\u0113r ir norit\u0113ju\u0161i saska\u0146\u0101 ar pl\u0101nu. (Skat. dokument\u0101lo filmu \"Jodorowsky's Dune\" par re\u017eisora Alejandro Jodorowsky velt\u012bgo m\u0113\u0123in\u0101jumu adapt\u0113t Herberta tekstu). Lai gan Deivida Lin\u010da 1984. gada versija ir iemantojusi kulta popularit\u0101ti, t\u0101s izn\u0101k\u0161anas br\u012bd\u012b t\u0101 liel\u0101koties tika uzskat\u012bta par katastrofu. Ta\u010du Deniss Viln\u0113vs ir cita veida re\u017eisors, k\u0101 tas redzams film\u0101s Enemy, Arrival un Blade Runner 2049. Vi\u0146a rom\u0101nistisk\u0101 pieeja filmu veido\u0161anai ir \u013c\u0101vusi vi\u0146am g\u016bt pan\u0101kumus tur, kur citi ir cietu\u0161i neveiksmi, un p\u0101rlieku sare\u017e\u0123\u012btus st\u0101stus p\u0101rv\u0113rst viegli uztveramos un pabeigtos zin\u0101tnisk\u0101s fantastikas d\u0101rgakme\u0146os. To visu var teikt ar\u012b par vi\u0146a veidoto D\u016bnu - episku filmu, kurai izdevies b\u016bt tikpat gudrai, cik satrieco\u0161ai - un v\u0113l daudz ko citu.\n<\/p>\n
L\u012bdz\u012bgi k\u0101 2016. gada \"Oskaram\" nomin\u0113taj\u0101 film\u0101 \"D\u017eekija\", re\u017eisors Pablo Larrains ar Spenseri ir rad\u012bjis v\u0113l vienu int\u012bmu portretu par ikonisku sievieti, par kuru visi zina, bet, \u0161\u0137iet, tikai retais to saprot. Kristena Stjuarte \u0161aj\u0101 lom\u0101 ir transform\u0113jama, jo vi\u0146a cen\u0161as p\u0101rvar\u0113t robe\u017eu starp to, ko no vi\u0146as sagaida (k\u0101 prin\u010da \u010c\u0101rlza sievai un karalisk\u0101s \u0123imenes loceklei), un savas patst\u0101v\u012bbas saj\u016btas saglab\u0101\u0161anu - vienlaikus labi zinot, ka \u010c\u0101rlzam ir rom\u0101ns... un vi\u0146\u0161 pat nopircis vi\u0146ai to pa\u0161u p\u0113r\u013cu virteni, ko nopircis savai m\u012b\u013c\u0101kajai. Lai gan film\u0101 ir pie\u013cautas br\u012bv\u012bbas attiec\u012bb\u0101 uz paties\u012bbu, \u0161\u0137iet, ka visp\u0101r\u0113jais noska\u0146ojums par to, ka Di\u0101na j\u016btas iest\u0101des, kur\u0101 vi\u0146a apprec\u0113j\u0101s, iesprostota un p\u0101rsp\u0113ta, atbilst tam, ko m\u0113s zin\u0101m par vi\u0146as person\u012bgaj\u0101m c\u012b\u0146\u0101m. Filmas darb\u012bba norisin\u0101s 1991. gad\u0101, gadu pirms Di\u0101nas un \u010c\u0101rlza ofici\u0101l\u0101s \u0161\u0137ir\u0161an\u0101s un se\u0161us gadus pirms vi\u0146as p\u0101ragr\u0101s n\u0101ves.\n<\/p>\n
Oskars Aizeks (nek\u0101ds p\u0101rsteigums) sp\u012bd Viljama Tella, kara veter\u0101na ar tra\u0123isku pag\u0101tni, kuru vi\u0146\u0161 cen\u0161as aizmirst, iegremd\u0113joties azartsp\u0113\u013cu pasaul\u0113 un ce\u013cojot pa visu valsti, lai piedal\u012btos n\u016bju un pokera turn\u012bros, lom\u0101. Pa ce\u013cam vi\u0146\u0161 satiek un sadraudz\u0113jas ar jaunu v\u012brieti v\u0101rd\u0101 Cirk (Tye Sheridan), kur\u0161 l\u016bdz Viljama pal\u012bdz\u012bbu, lai atriebtos armijas pulkvedim (Willem Dafoe). Cirk st\u0101sta Viljamam vair\u0101k par saviem apst\u0101k\u013ciem un pl\u0101niem, un Viljams nesp\u0113j nedom\u0101t, ka attiec\u012bbas ar Cirk var\u0113tu b\u016bt vi\u0146a izgl\u0101b\u0161anas iesp\u0113ja. Filmas scen\u0101rija autors un re\u017eisors ir Pols \u0160reders (Paul Schrader), un t\u0101 liel\u0101 m\u0113r\u0101 ir veidota p\u0113c t\u0101 pa\u0161a gr\u0113ka un izpirk\u0161anas scen\u0101rija, ar kuru sask\u0101ru\u0161ies daudzi \u0160redera varo\u0146i. Lai gan K\u0101r\u0161u skait\u012bt\u0101js \u0161\u0137iet viena no retaj\u0101m reiz\u0113m, kad \u0160r\u0101dera varonis patiesi \u0161\u0137iet ieinteres\u0113ts izpirk\u0161an\u0101.\n<\/p>\n
Pirmk\u0101rt, j\u0101, filma \"Brauciet ar manu auto\" ir tr\u012bs stundas gara, bet uzticieties mums. Filmas scen\u0101rija autors un re\u017eisors ir Rjusuke Hamagu\u010di (Ryusuke Hamaguchi), un t\u0101 st\u0101sta par Jusuki Kafuku (Yusuke Kafuku), atraitni, te\u0101tra re\u017eisoru (Hidetoshi Nishijima), kur\u0161 divus gadus p\u0113c sievas n\u0101ves piekr\u012bt divu m\u0113ne\u0161u ilgai rezidencei Hirosim\u0101, lai iestud\u0113tu lugu. Katru dienu vi\u0146u stundu ved uz te\u0101tri un atpaka\u013c, un vi\u0146\u0161 pamaz\u0101m s\u0101k veidot draudz\u012bbu ar jaunu sievieti (Toko Miura), kurai vi\u0146\u0161 uzticas par probl\u0113m\u0101m, kas vi\u0146am rodas ar aktieriem un komandu, un par sievas nodev\u012bbu, kas vi\u0146u joproj\u0101m vaj\u0101. Galu gal\u0101 \"Brauciet ar manu ma\u0161\u012bnu\" ir ce\u013ca filma - tikai t\u0101da, kurai nav iebildumu izv\u0113l\u0113ties ainavisk\u0101ko mar\u0161rutu. T\u0101 v\u0113l nav pieejama tie\u0161saist\u0113.\n<\/p>\n
Rebeka Hola (Godzilla vs. Kong) debit\u0113 k\u0101 re\u017eisore ar 1929. gad\u0101 sarakst\u012bt\u0101 Harlemas renesanses rakstnieces Nellas Larsenas rom\u0101na adapt\u0101ciju par div\u0101m b\u0113rn\u012bbas draudzen\u0113m R\u012bniju (Tesa Tompsone) un Kl\u0101ru (R\u016bta Negga), kuras zaud\u0113 saikni, bet pieaugu\u0161\u0101s atkal satiekas. R\u012bna, kura ir prec\u0113jusies ar \u0101rstu (Andr\u0113 Holands), kop\u0101 ar \u0123imeni dz\u012bvo grezn\u0101 m\u0101j\u0101 H\u0101rlem\u0101. Savuk\u0101rt Kl\u0113ras v\u012brs ir uz\u0146\u0113m\u0113js (Aleksandrs Skarsg\u0101rds) un rasists, kur\u0161 vi\u0146as gai\u0161\u0101s \u0101das d\u0113\u013c nesaprot, ka vi\u0146a sieva ir meln\u0101daina. Filma ir kr\u0101\u0161\u0146i izdom\u0101ta, lieliski nosp\u0113l\u0113ta, un taj\u0101 ir sp\u0113c\u012bgs pazi\u0146ojums par rasi, kas joproj\u0101m ir aktu\u0101ls ar\u012b m\u016bsdien\u0101s.\n<\/p>\n
Devs Patels ar scen\u0101rista un re\u017eisora Deivida Loverija (Miss Juneteenth) starpniec\u012bbu mums pied\u0101v\u0101 jauna veida Arturija le\u0123endu. P\u0101tels sp\u0113l\u0113 s\u0113ra Gaveina, nesamierin\u0101m\u0101 kara\u013ca Art\u016bra br\u0101\u013cad\u0113la lomu, kur\u0161 risk\u0113 ar savu dz\u012bv\u012bbu, br\u012bvpr\u0101t\u012bgi dodoties ce\u013c\u0101, lai st\u0101tos pret\u012b Za\u013cajam bru\u0146iniekam. Tas ir b\u012bstams uzdevums, ta\u010du privili\u0123\u0113tais Gawain ir ap\u0146\u0113m\u012bbas pilns sevi apliecin\u0101t k\u0101 bezbail\u012bgu c\u012bn\u012bt\u0101ju. Lai gan filma (liel\u0101koties) iev\u0113ro Art\u016bra le\u0123endas scen\u0101riju, Loverijs nebaid\u0101s izmantot mazliet vieglpr\u0101t\u012bbas un apv\u0113rst \"atgriezu\u0161\u0101 varo\u0146a\" tropu uz galvas.\n<\/p>\n
Oskara nomin\u0101cijai nomin\u0113t\u0101 Megija Gilenh\u0101la ir v\u0113l viena aktrise, kura 2021. gad\u0101 debit\u0113ja ar satrieco\u0161u re\u017eijas debiju - Elenas Ferrantes rom\u0101na \"Pazudus\u012b meita\" ekraniz\u0101ciju, ko Gilenh\u0101la ar\u012b sarakst\u012bja. Liela da\u013ca filmas spo\u017euma sl\u0113pjas nemit\u012bgaj\u0101 satraukuma saj\u016bt\u0101, kad literat\u016bras profesore Leda (Olivia Colman), kura atp\u016b\u0161as Grie\u0137ij\u0101, sadraudz\u0113jas ar Ninu (Dakota Johnson), jaunu m\u0101ti, kura atz\u012bst, ka reiz\u0113m j\u016btas p\u0101r\u0146emta ar vec\u0101ku pien\u0101kumiem. Neatkl\u0101jot p\u0101r\u0101k daudz no savas pag\u0101tnes, Leda st\u0101sta Ninai, ka vi\u0146a to saprot. Ta\u010du, lai gan sievietes s\u0113\u017e Grie\u0137ijas pludmal\u0113, nemit\u012bgi rodas saj\u016bta, ka sienas aizveras un ka jebkur\u0101 br\u012bd\u012b var notikt kaut kas briesm\u012bgs. Filma ir apliecin\u0101jums D\u017eilenh\u0101la izpratnei par to, k\u0101 iek\u013c\u016bt skat\u012bt\u0101ju pr\u0101t\u0101 un tur palikt.\n<\/p>\n
Pola Tomasa Andersona (Paul Thomas Anderson) filmogr\u0101fija, iesp\u0113jams, ir viseklektisk\u0101k\u0101 no visiem m\u016bsdien\u0101s str\u0101d\u0101jo\u0161ajiem re\u017eisoriem. Kop\u0161 pirms ceturtda\u013cgadsimta, 1996. gad\u0101, kad uz skatuves par\u0101d\u012bj\u0101s filma \"Gr\u016btais asto\u0146nieks\", vi\u0146\u0161 ir veidojis filmas par pornobiznesa plusiem un m\u012bnusiem (\"Bugi naktis\"), par dz\u012bves div\u0113j\u0101d\u012bbu, kas bie\u017ei vien ir redzama starp b\u0113rn\u012bbas sol\u012bjumiem un pieaugu\u0161o realit\u0101ti (\"Magnolija\"); par ne\u017e\u0113l\u012bgu atrad\u0113ju, kuram nauda ir svar\u012bg\u0101ka par visu p\u0101r\u0113jo (There Will Be Blood); par kulta l\u012bderi (The Master); par augst\u0101s modes dizaineri ar lielisku ze\u0137u gaumi, kuru sieva ar prieku noved l\u012bdz n\u0101ves robe\u017eai (Phantom Thread). \n<\/p>\n
Lai gan Andersona darbi ir br\u012bni\u0161\u0137\u012bgi neprognoz\u0113jami un nav iesp\u0113jams paredz\u0113t, k\u0101da t\u0113ma vi\u0146u ieinteres\u0113s n\u0101kamreiz, parasti var der\u0113t par div\u0101m liet\u0101m: (1) filma b\u016bs gar\u0101ka par div\u0101m stund\u0101m un (2) t\u0101 tiks iek\u013cauta vairuma cilv\u0113ku gada lab\u0101ko filmu sarakst\u0101. Daudz\u0113j\u0101d\u0101 zi\u0146\u0101 filma \"Lakricas pica\" ir atgrie\u0161an\u0101s pie Andersona sakn\u0113m, jo t\u0101 ir Kalifornijas saules pielieta oda b\u0113rn\u012bbai un pirmaj\u0101m m\u012blest\u012bb\u0101m, uzaugot 70. gados San Fernando ielej\u0101. (K\u016bpera Hofmana, m\u016b\u017e\u012bb\u0101 aizg\u0101ju\u0161\u0101 Filipa Seim\u016bra Hofmana d\u0113la, lomas atv\u0113l\u0113\u0161ana bija aizkustino\u0161s \u0123eni\u0101ls pav\u0113rsiens.\n<\/p>\n
P\u0113c 12 gadu ilgas promb\u016btnes aiz pilnmetr\u0101\u017eas filmas kameras D\u017eeina Kempiona atgriez\u0101s ar atrieb\u012bbu film\u0101 \"Su\u0146a sp\u0113ks\". Benedikts Kamberba\u010ds neap\u0161aub\u0101mi b\u016bs viens no galvenajiem favor\u012btiem, kas sp\u0113l\u0113s pret tipu k\u0101 \u013caundaris Fils Burbanks, bag\u0101ts ran\u010ders, kuram pat\u012bk sasm\u0113r\u0113t rokas ar saviem kol\u0113\u0123iem govju biedriem, pat ja tas noz\u012bm\u0113 govs kastr\u0113\u0161anu. Vi\u0146\u0161 ir draud\u012bgs t\u0113ls, kas ir kras\u0101 kontrast\u0101 ar vi\u0146a br\u0101li D\u017eord\u017eu (D\u017eesijs Plemonss), kur\u0161 bie\u017ei vien \u0161\u0137iet, ka atvainojas par Filu sava br\u0101\u013ca pavad\u012bb\u0101. Kad D\u017eord\u017es apprecas ar str\u0101dnieku \u0161\u0137iras atraitni Rozi (Kirstena Dunsta) un atved vi\u0146u uz m\u0101j\u0101m, lai dz\u012bvotu kop\u0101 ar vi\u0146iem, Fils, \u0161\u0137iet, ar prieku vi\u0146u moc\u012btu ik uz so\u013ca. Ta\u010du, kad vi\u0146as d\u0113ls P\u012bters (Kodi Smit-McPhee) ierodas pie vi\u0146iem pavad\u012bt vasaru, \u0161\u0137iet, ka Fils pamaz\u0101m \u0146em jaunieti sav\u0101 pasp\u0101rn\u0113. \u0145emot v\u0113r\u0101 filmas dzi\u013ci daudzsl\u0101\u0146ain\u0101s si\u017eeta l\u012bnijas, ir neiesp\u0113jami \u012bsi un izsme\u013co\u0161i rezum\u0113t filmu, ta\u010du pietiek pateikt, ka, neraugoties uz vis\u0101m Fila draud\u012bgaj\u0101m \u012bpa\u0161\u012bb\u0101m, vi\u0146a st\u0101stam ir ar\u012b otra - sl\u0113pt\u0101, bet daudz ievainojam\u0101k\u0101 - puse.<\/p>\n","protected":false},"excerpt":{"rendered":"
K\u0101pas Frenka Herberta 1965. gad\u0101 sarakst\u012btais rom\u0101ns \"K\u0101pa\" ir viens no ietekm\u012bg\u0101kajiem zin\u0101tnisk\u0101s fantastikas tekstiem, un tas ir iedvesmojis da\u017eas no visu laiku ikonisk\u0101kaj\u0101m zin\u0101tnisk\u0101s fantastikas film\u0101m, tostarp \u0161o lielo puisi: Zvaig\u017e\u0146u kari. Ta\u010du m\u0113\u0123in\u0101jumi p\u0101rv\u0113rst pa\u0161u D\u016bnu film\u0101 ne vienm\u0113r ir norit\u0113ju\u0161i saska\u0146\u0101 ar pl\u0101nu. (Skat. dokument\u0101lo filmu \"Jodorowsky's Dune\" par re\u017eisora Alejandro Jodorowsky […]<\/p>\n","protected":false},"author":1,"featured_media":34830,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-34815","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-year-in-review"],"_links":{"self":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/posts\/34815","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/comments?post=34815"}],"version-history":[{"count":0,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/posts\/34815\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/media\/34830"}],"wp:attachment":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/media?parent=34815"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/categories?post=34815"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/tags?post=34815"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}