{"id":34763,"date":"2022-12-29T09:22:50","date_gmt":"2022-12-29T06:22:50","guid":{"rendered":"https:\/\/demo5.teaser-cube.ru\/2022\/12\/29\/lvyahya-abdul-mateen-ii-ir-gatavs-jums-uzspridzinat-pratu\/"},"modified":"2022-12-29T09:22:50","modified_gmt":"2022-12-29T06:22:50","slug":"lvyahya-abdul-mateen-ii-ir-gatavs-jums-uzspridzinat-pratu","status":"publish","type":"post","link":"https:\/\/movieworld.blog\/lv\/2022\/12\/29\/lvyahya-abdul-mateen-ii-ir-gatavs-jums-uzspridzinat-pratu\/","title":{"rendered":"Yahya Abdul-Mateen II ir gatavs jums uzspridzin\u0101t pr\u0101tu"},"content":{"rendered":"<p>Reti sastopams r\u012btdienas redz\u0113t\u0101js. Tom\u0113r Morfejs \u0161o lomu iemieso meistar\u012bgi. Matricas film\u0101s vi\u0146\u0161 ir melnais pravietis, kas ir izsalcis p\u0113c gl\u0101b\u0161anas, Sionas br\u012bv\u012bbas mekl\u0113jumos. Cilv\u0113ces mantojuma aizst\u0101vis. Sapr\u0101t\u012bgs kapteinis ar budistu m\u016bka noska\u0146ojumu. Vi\u0146\u0161 izstaro izsmalcin\u0101tu v\u0113sumu - liel\u0101 m\u0113r\u0101 pateicoties Laurensa Fi\u0161burna faktur\u0113tajam t\u0113lam ori\u0123in\u0101laj\u0101 trilo\u0123ij\u0101. Nosaukts par grie\u0137u sap\u0146u dieva v\u0101rdu, Morfejs ir lab\u0101ku dienu, izt\u0113les piln\u0101kas n\u0101kotnes v\u0113stnesis. Bez vi\u0146a izk\u013c\u016b\u0161ana no Vahovsku kodeksu un haosa pasaules \u0161\u0137iet bezcer\u012bga. Ma\u0161\u012bnas galu gal\u0101 uzvar; Matrica p\u0101rraksta pati sevi. Ta\u010du Morfeja ac\u012bm izgl\u0101b\u0161an\u0101s ir iesp\u0113jama.\n<\/p>\n<figure><img decoding=\"async\" src=\"https:\/\/movieworld.blog\/auto_content\/local_image\/6329775005587049.webp\" \/><\/figure>\n<p>Yahya Abdul-Mateen II ir ide\u0101ls aktieris, lai p\u0101r\u0146emtu Fi\u0161berna lomu Matricas atdzim\u0161anas film\u0101: Vi\u0146\u0161 ir ainu t\u012bkot\u0101js ar neparastu talantu savi\u013c\u0146ot kaut ko dzi\u013ci skat\u012bt\u0101j\u0101. \u0145\u016borle\u0101n\u0101 dzimu\u0161ais 35 gadus vecais aktieris pameta karjeru arhitekt\u016br\u0101, lai piev\u0113rstos Holivudai, un pabeidza Jeila dr\u0101mas skolu. Kop\u0161 t\u0101 laika vi\u0146\u0161 ir sp\u0113l\u0113jis septi\u0146desmito gadu Bronksas gangsteri (The Get Down), supervaronis Melno Mantu (Aquaman), \u0123eni\u0101lo dieva b\u016btni Doktoru Manhetenu (Watchmen), par kuru 2020. gad\u0101 sa\u0146\u0113ma Emmy balvu, un meln\u0101daino revolucion\u0101ru Bobiju Silu (The Trial of the Chicago 7). \u0160\u012b gada s\u0101kum\u0101 vi\u0146\u0161 p\u0101rtapa par Kandidmenu Nijas DaKostas \u0161ausmu filmas remak\u0101, kas dubultoj\u0101s k\u0101 aspr\u0101t\u012bgs soci\u0101ls koment\u0101rs par to, k\u0101 kult\u016bras z\u0101dz\u012bba var padar\u012bt m\u016bs par briesmo\u0146iem. Abdul-Mateens katram no \u0161iem t\u0113liem, no kuriem daudzi jau bija labi iesak\u0146oju\u0161ies popkult\u016bras kanon\u0101, pie\u0161\u0137\u012bra dzi\u013cu, hipnotiz\u0113jo\u0161u dzi\u013cumu.\n<\/p>\n<p>Ta\u010du tas nekad nav saist\u012bts tikai ar lomu, saka Abdul-Mateens. Katra loma ir iesp\u0113ja par\u0101d\u012bt bezkompromisa redz\u0113jumu. Jo neviens meln\u0101dainais aktieris nav tikai savs t\u0113ls. Kad aktieris - \u012bpa\u0161i meln\u0101dains - sp\u0113j lomai pie\u0161\u0137irt t\u0101du cilv\u0113c\u012bgumu, kas paver durvis uz dv\u0113seli, t\u0101 k\u013c\u016bst par v\u0101rtiem uz kaut ko v\u0113l neparast\u0101ku. Tas k\u013c\u016bst par v\u0101rtiem uz Holivudas n\u0101kotni, kas atspogu\u013co meln\u0101dainos st\u0101stus un meln\u0101dainos st\u0101stniekus t\u0101dus, k\u0101diem tie b\u016btu j\u0101atspogu\u013co.\n<\/p>\n<p>Galu gal\u0101 runa ir par t\u0101lredz\u012bbu. Nepiecie\u0161am\u012bba p\u0113c \"r\u012btdienas att\u0113liem\", k\u0101 to 1978. gad\u0101 formul\u0113ja zin\u0101tnisk\u0101s fantastikas autors Samuels Delani, joproj\u0101m ir \u0101rk\u0101rt\u012bgi svar\u012bga. Tolaik Delanijs aicin\u0101ja rad\u012bt meln\u0101ku n\u0101kotni fantastik\u0101. D\u012bvain\u0101ku n\u0101kotni. Viens no \u0161\u0101diem t\u0113liem par\u0101d\u012bj\u0101s 21 gadu v\u0113l\u0101k ar filmu Matrica. Tagad Abdul-Mateen\u0101 mums ir v\u0113l viens. Vi\u0146\u0161 pal\u012bdz aizs\u0101kt jaunu labkl\u0101j\u012bbas laikmetu meln\u0101dainajiem aktieriem, kas vi\u0146iem sniedz liel\u0101ku autonomiju, varu un \u012bpa\u0161umties\u012bbas Holivud\u0101. Kad m\u0113s sarun\u0101jamies - vispirms pa Zoom un p\u0113c tam, kad neizb\u0113gami p\u0101rtr\u016bkst savienojums, pa t\u0101lruni -, vi\u0146\u0161 taksometra aizmugur\u0113j\u0101 s\u0113dekl\u012b brauc pa Londonas iel\u0101m pusdienlaik\u0101. Ir agrs rudens. Vi\u0146\u0161 ir ce\u013c\u0101, steidzas no vienas vietas uz otru. Bet vi\u0146\u0161 v\u0113las run\u0101t. Vi\u0146\u0161 uzrun\u0101. Vi\u0146\u0161 piesl\u0113dzas. Yahya Abdul-Mateen II ir gatavs pied\u0101v\u0101t paties\u012bbu, neko vair\u0101k.\n<\/p>\n<figure><img decoding=\"async\" src=\"https:\/\/movieworld.blog\/auto_content\/local_image\/2136914982097760.webp\" \/><\/figure>\n<p>Jahja Abdul-Mat\u012bns II: Man var\u0113tu b\u016bt biju\u0161i 14 gadi. Atceros, k\u0101 m\u0113\u0123in\u0101ju atliecties atpaka\u013c, m\u0113\u0123in\u0101ju izpild\u012bt to kust\u012bbu, kur\u0101 es izvairos no lod\u0113m, - m\u0113\u0123in\u0101ju izaudz\u0113t simts rokas un kust\u0113ties tik \u0101tri un tik l\u0113ni, ka p\u0101rv\u0113rtos par vair\u0101kiem cilv\u0113kiem.\n<\/p>\n<p>Bullet time. Viens no for\u0161\u0101kajiem filmas momentiem.&nbsp;\n<\/p>\n<p>Man runa bija par to, kas var\u0113tu b\u016bt iesp\u0113jams man\u0101 izt\u0113l\u0113, par da\u017e\u0101diem veidiem, k\u0101 es tagad var\u0113tu iziet \u0101r\u0101 un c\u012bn\u012bties, par da\u017e\u0101d\u0101m supersp\u0113j\u0101m, ko es var\u0113tu iedom\u0101ties, ka man ir.\n<\/p>\n<p>Neo to var\u0113ja dar\u012bt tikai t\u0101p\u0113c, ka vi\u0146\u0161 atrad\u0101s virtu\u0101laj\u0101 pasaul\u0113 - \"neironu interakt\u012bv\u0101 simul\u0101cij\u0101\", k\u0101 to d\u0113v\u0113 Morfejs. Vai realit\u0101te jums k\u0101dreiz \u0161\u0137iet nere\u0101la?&nbsp;\n<\/p>\n<p>[Smejas.] J\u0101, draugs. M\u0113s tikko izk\u013cuv\u0101m no \u0161\u012bs nol\u0101d\u0113t\u0101s pand\u0113mijas. Viena no liet\u0101m, kas realit\u0101ti padara mazliet d\u012bvainu - it k\u0101 Visum\u0101 notiku\u0161as p\u0101rmai\u0146as -, ir p\u0101rmai\u0146as.\n<\/p>\n<p>K\u0101ds ir piem\u0113rs?&nbsp;\n<\/p>\n<p>Viens no tiem ir m\u016bsu attiec\u012bbas ar tehnolo\u0123ij\u0101m, veids, k\u0101 m\u0113s sazin\u0101mies ar citiem cilv\u0113kiem, saj\u016bta, ka varam atrasties vair\u0101k\u0101s viet\u0101s vienlaic\u012bgi. Tas atkl\u0101ja \u0161o otru sarunu, ko cilv\u0113ki risina par to, kas ir re\u0101ls un kas nav re\u0101ls, kas ir nepiecie\u0161ams, lai piedz\u012bvotu realit\u0101ti. Jo vair\u0101k mums ir \u0161\u0101du sarunu, jo uz\u0146\u0113m\u012bg\u0101ki k\u013c\u016bstam pret iesp\u0113ju, ka tas viss var\u0113tu b\u016bt sapnis vai simul\u0101cija, vai alternat\u012bva realit\u0101te.\n<\/p>\n<p>Vai j\u016bs dom\u0101jat, ka ir iesp\u0113jams padar\u012bt lietas j\u0113gpilnas, dz\u012bvot j\u0113gpilnu dz\u012bvi, ja pasaule ne\u0161\u0137iet tik \u012bsta?&nbsp;\n<\/p>\n<p>Piln\u012bgi noteikti. Ir ne tikai iesp\u0113jams, bet ar\u012b svar\u012bgi atrast j\u0113gu vis\u0101. Ziniet, bie\u017ei vien ir nepiecie\u0161ams kaut kas, sap\u0146u pasaule vai cita veida pieredze, lai j\u016bs virz\u012btu uz priek\u0161u sav\u0101 \"re\u0101laj\u0101 pasaul\u0113\".  \" Kam\u0113r vien pr\u0101ts un sirds ir atv\u0113rta, tikm\u0113r j\u016bs atrad\u012bsiet j\u0113gu jebkur\u0101 pasaul\u0113, kur\u0101 j\u016bsu pr\u0101ts \u013cauj jums atrasties.\n<\/p>\n<p>Izklaus\u0101s, ka jums ir sare\u017e\u0123\u012bti uzskati par tehnolo\u0123ij\u0101m.&nbsp;\n<\/p>\n<p>Es esmu liekul\u012bgs. Man pat\u012bk, kad tas man pal\u012bdz, un es ien\u012bstu, kad tas nepal\u012bdz. Soci\u0101lie mediji, t\u0101 ir gal\u012bga realit\u0101te pati par sevi. Tas ir \u012bsts visums. Cilv\u0113ki tur pavada tikpat daudz laika - tas ir smiekl\u012bgi, ka es saku \"tur\", jo tas to p\u0101rv\u0113r\u0161 par re\u0101lu vietu - cik re\u0101laj\u0101 pasaul\u0113.\n<\/p>\n<p>Vai tas ir vesel\u012bgi?&nbsp;\n<\/p>\n<p>Jums ir j\u0101respekt\u0113 \u0161\u012b realit\u0101te. Neviens nev\u0113las atpalikt, bet ar\u012b nev\u0113las b\u016bt tik \u013coti aizr\u0101vies ar \u0161o citu pasauli, tehnolo\u0123iju pasauli, ka apst\u0101jas \u0161aj\u0101 pasaul\u0113. \u0160aj\u0101 pasaul\u0113 joproj\u0101m ir svar\u012bgi daudz kas - piesk\u0101rieni un attiec\u012bbas, \u012bstas sarunas un diskomforts. Tehnolo\u0123ijas ir izstr\u0101d\u0101tas \u0113rt\u012bb\u0101m. T\u0101 ir rad\u012bta, lai atvieglotu lietas, lai padar\u012btu dz\u012bvi nedaudz \u0113rt\u0101ku. Bet mums ir nepiecie\u0161ams diskomforts. Mums ir nepiecie\u0161ams diskomforts, lai augtu.\n<\/p>\n<p>Sav\u0101 zi\u0146\u0101 t\u0101ds ir ori\u0123in\u0101l\u0101s Matricas trilo\u0123ijas v\u0113st\u012bjums. Vachovski mums par\u0101d\u012bja pasauli, kur\u0101 p\u0101rsvar\u0101 dz\u012bvo cilv\u0113ki, kas nav balt\u0101dainie, bet, neraugoties uz to, ka ir apspiesti, c\u012bn\u0101s par lab\u0101ku r\u012btdienu. Cilv\u0113ki, kuri nev\u0113las, lai vi\u0146us defin\u0113 tas, k\u0101 vi\u0146us defin\u0113 status quo. K\u0101da ir j\u016bsu interpret\u0101cija par n\u0101kotni, ko vi\u0146i cent\u0101s iecer\u0113t?\n<\/p>\n<p>Es saprotu \u0161\u012bs alegorijas. Es redz\u0113ju v\u0113st\u012bjumus par str\u0101dnieku \u0161\u0137iras cilv\u0113kiem. Es redz\u0113ju v\u0113st\u012bjumus par cilv\u0113kiem, kuri neizmanto to autonomiju, kas vi\u0146iem dz\u012bv\u0113 ir. Cilv\u0113ki, kas neapzin\u0101ti ir iespr\u016bdu\u0161i pie konveijera, kuru dz\u012bve tiek izdz\u012bvota vi\u0146iem, nevis patiesi br\u012bvi.\n<\/p>\n<p>J\u016bs piemin\u0113j\u0101t autonomiju. Ko jums k\u0101 meln\u0101dainai m\u0101ksliniecei noz\u012bm\u0113 \u0161is v\u0101rds?&nbsp;\n<\/p>\n<p>Tas noz\u012bm\u0113, ka visa crossover ideja tiek izsl\u0113gta no aprites. Past\u0101v uzskats - un ne visi tam piekr\u012bt -, ka, lai Holivud\u0101 g\u016btu patiesus pan\u0101kumus, ir j\u0101apmierina tirgus, kas nav meln\u0101dainais. Kad j\u016bs to dar\u0101t, j\u016bs kompromit\u0113jat da\u017eas no sav\u0101m kult\u016bras trad\u012bcij\u0101m un uzskatiem. J\u016bs kompromit\u0113jat da\u013cu no sevis. Kad m\u0101kslinieks ir piln\u012bgi autonoms - kad meln\u0101dainais m\u0101kslinieks ir autonoms -, tad meln\u0101dainais m\u0101kslinieks ir br\u012bvs no \u0161\u012bs nepiecie\u0161am\u012bbas p\u0113c atz\u012b\u0161anas, un tas, ko m\u0113s sniedzam, ko m\u0113s v\u0113lamies, kas m\u0113s esam kult\u016bras zi\u0146\u0101, k\u0101 m\u0113s run\u0101jam, k\u0101du m\u016bziku m\u0113s klaus\u0101mies, k\u0101 m\u0113s \u0123\u0113rbjamies, m\u016bsu ap\u0123\u0113rbs, m\u016bsu stils, st\u0101sti, kurus m\u0113s nolemjam st\u0101st\u012bt t\u0101d\u0101 veid\u0101, k\u0101d\u0101 m\u0113s nolemjam tos st\u0101st\u012bt - tie autom\u0101tiski k\u013c\u016bst par normu. Tie autom\u0101tiski tiek pie\u0146emti. Runa ir tikai par kvalit\u0101ti. Runa nav par to, lai atrastu lielu auditoriju, ar kuru t\u0101 b\u016btu saist\u012bta. Runa nav par to, lai cilv\u0113kiem b\u016btu \u0113rti. Runa nav par to, lai cilv\u0113ki s\u0113d\u0113tu kast\u0113. Nav runa par pieska\u0146o\u0161anos. T\u0101 izskat\u0101s autonomija.\n<\/p>\n<p>Vai tas jums ir gal\u012bgais m\u0113r\u0137is?&nbsp;\n<\/p>\n<p>Jau no savas karjeras s\u0101kuma esmu koncentr\u0113jies uz br\u012bv\u012bbu - v\u0101rda br\u012bv\u012bbu un m\u0101ksliniecisko br\u012bv\u012bbu. Tas prasa drosmi. Tam nepiecie\u0161ams dumpiniecisks gars. Tas prasa zin\u0101mu drosmi, bet ir nepiecie\u0161ams ar\u012b apk\u0101rt\u0113jo cilv\u0113ku atbalsts, lai uztur\u0113tu un uztic\u0113tos \u0161ai v\u012bzijai.\n<\/p>\n<p>J\u016bsu liel\u0101k\u0101s lomas ir biju\u0161as \u017eanra film\u0101s - Meln\u0101 Manta, Doktors Manhetenas, Kandids. Tie ir varo\u0146i, kurus m\u0113s paz\u012bstam, varo\u0146i ar v\u0113sturi un pag\u0101tni. K\u0101 jums izdev\u0101s tos padar\u012bt par sav\u0113jiem?&nbsp;\n<\/p>\n<p>Jums ir j\u0101izveido j\u0113gpilna saikne ar varoni. Jums ir j\u0101b\u016bt iemeslam, lai piekristu doties \u0161aj\u0101 ce\u013cojum\u0101, kas ir dzi\u013c\u0101ks par varo\u0146a popularit\u0101ti. J\u016bs nevarat to dar\u012bt tikai t\u0101p\u0113c, ka tas ir Morfejs, vai t\u0101p\u0113c, ka tas ir Doktors Manhetens vai Meln\u0101 Manta. Tas nenon\u0101ks pietiekami t\u0101lu. Tu atrodi savu ce\u013cu, un tu to padar\u012bsi par savu, jo tev b\u016bs sava perspekt\u012bva.\n<\/p>\n<p>K\u0101 tad j\u016bs nov\u0113rt\u0113jat, cik veiksm\u012bga ir j\u016bsu loma?&nbsp;\n<\/p>\n<p>L\u012bdz br\u012bdim, kad es kaut ko redzu vai dzirdu, es jau zinu, ko j\u016btu par savu darbu. Ar to man ir vair\u0101k nek\u0101 pietiekami.\n<\/p>\n<figure><img decoding=\"async\" src=\"https:\/\/movieworld.blog\/auto_content\/local_image\/4011231710870073.webp\" \/><\/figure>\n<p>Vai j\u016bs k\u0101 meln\u0101dains aktieris j\u016btaties atbild\u012bgs?&nbsp;\n<\/p>\n<p>Mana atbild\u012bba ir pret sevi. Viena no man\u0101m pa\u0161reiz\u0113j\u0101m situ\u0101cij\u0101m ir t\u0101da, ka es v\u0113los b\u016bt br\u012bvs dar\u012bt to, ko v\u0113los, un t\u0101d\u0101 veid\u0101, k\u0101 v\u0113los to dar\u012bt. Tas ir interesanti, ziniet, ideja par to, k\u0101 str\u0101d\u0101 Lana [Vahovski]. Tas patie\u0161\u0101m ir sapnis - str\u0101d\u0101t t\u0101, k\u0101 vi\u0146a str\u0101d\u0101.\n<\/p>\n<p>Past\u0101sti man par sadarb\u012bbu ar Lanu jaunaj\u0101 film\u0101.&nbsp;\n<\/p>\n<p>Lana's dope. Vi\u0146a ir \u013coti orient\u0113ta uz \u0123imeni. Iesp\u0113jams, filmas laik\u0101 es \u0161o v\u0101rdu dzird\u0113ju vair\u0101k nek\u0101 jebko citu.\n<\/p>\n<p>Ko vi\u0146a ar to dom\u0101ja?&nbsp;\n<\/p>\n<p>Vi\u0146a run\u0101 par \u0123imeni, kas ietver aktierus, komandu, visus no aug\u0161as uz leju. Vi\u0146ai patie\u0161\u0101m bija svar\u012bgi, lai \u0161\u012b b\u016btu \u0123imenes pieredze. Turkl\u0101t vi\u0146ai ir sp\u0113c\u012bga v\u012bzijas izj\u016bta. Vi\u0146a ir vien\u012bg\u0101 re\u017eisore, ar kuru man ir n\u0101cies str\u0101d\u0101t, kas pa\u0146em kameru no DP vai operatora un pati kaut ko film\u0113. Vi\u0146a bija turpat kl\u0101t, gandr\u012bz filmas iek\u0161pus\u0113. Vi\u0146a patie\u0161\u0101m ieguld\u012bja taj\u0101 savus musku\u013cus un sviedrus. Un run\u0101jam par cilv\u0113ku, kur\u0161 ir vienk\u0101r\u0161i gudrs. Sp\u0113ja rad\u012bt Matricas pasauli, bet p\u0113c 20 gadiem atgriezties un padar\u012bt to atbilsto\u0161u vi\u0146as person\u012bgajam st\u0101stam un ce\u013cojumam, k\u0101 ar\u012b \u013caut tam k\u013c\u016bt univers\u0101lam, ir kaut kas t\u0101ds, ko es nov\u0113rt\u0113ju. Man \u0161\u0137iet, ka vi\u0146a savu m\u0101kslu rada vienai auditorijai, kas ir vi\u0146a pati, un tad pa\u013caujas, ka tai b\u016bs apet\u012bte.\n<\/p>\n<p>Tas \u0161\u0137iet vis\u012bst\u0101k\u0101 rado\u0161\u0101s izpausmes forma.&nbsp;\n<\/p>\n<p>Vi\u0146a nav konformiste. \u012apa\u0161i liel\u0101s studijas film\u0101s bie\u017ei vien ir daudz l\u016bgumu un vietu, kur mekl\u0113t kompromisus. Bet vi\u0146as pieeja bija \u013coti, \u013coti iedvesmojo\u0161a, redzot m\u0101kslinieku, kas, t\u0101 sakot, \u0146em savu likteni sav\u0101s rok\u0101s.\n<\/p>\n<figure><img decoding=\"async\" src=\"https:\/\/movieworld.blog\/auto_content\/local_image\/4277566487473120.webp\" \/><\/figure>\n<figure><img decoding=\"async\" src=\"https:\/\/movieworld.blog\/auto_content\/local_image\/7483181983108485.webp\" \/><\/figure>\n<p>Vai j\u016bs ticat, ka m\u0113s esam atbild\u012bgi par savu likteni? Sav\u0101 zi\u0146\u0101 visa Matrices premisa liecina par pret\u0113jo.&nbsp;\n<\/p>\n<p>Mums ir j\u0101b\u016bt. Ta\u010du taj\u0101 pa\u0161\u0101 laik\u0101 ir svar\u012bgi zin\u0101t, ka visu nevar kontrol\u0113t. Mans aktiermeistar\u012bbas skolot\u0101js Evans Jionoulis teica: \"Turieties cie\u0161i, atlaidiet viegli.  \" Tas ir l\u012bdzsvars starp to, ko tu vari kontrol\u0113t, un to, ko tu vari kontrol\u0113t, un to, k\u0101 \u013caut Visumam dar\u012bt savu darbu. Tas prasa mazliet pa\u0161refleksijas, izgl\u012bto\u0161an\u0101s un tic\u012bbas sev. Tas ir mazliet tas, kur es esmu - iesp\u0113jams, ka \u0161obr\u012bd \u013coti stingri turos pie vad\u012bbas st\u016bres. Ne visai uzticos \"atlai\u0161anas\" da\u013cai. [Bet es dom\u0101ju, ka t\u0101 ir jaun\u012bba un st\u016brgalv\u012bba. Es ticu, ka esmu ce\u013c\u0101.\n<\/p>\n<p>V\u0113l viena atzi\u0146a no Matricas fran\u0161\u012bzes ir t\u0101da, ka visas pasaules nav tik nemain\u012bgas, k\u0101 mums \u0161\u0137iet. K\u0101 var\u0113tu izskat\u012bties ide\u0101l\u0101ka pasaule meln\u0101dainajiem aktieriem?&nbsp;\n<\/p>\n<p>Pamatdarbs ir paveikts. Tas ir likts daudzus gadus, un tagad tas tiek finansi\u0101li atalgots. Mums tikai j\u0101turpina to dar\u012bt. J\u0101turpina veidot \u0161\u012bs telpas. Un tad tas izplet\u012bsies \u0101rpus aktierm\u0101kslas, un j\u016bs redz\u0113siet iesp\u0113jas rakstniec\u012bb\u0101 un re\u017eij\u0101. J\u016bs s\u0101ksiet to redz\u0113t garderobes noda\u013c\u0101, friz\u016bru un grima noda\u013c\u0101. Pieejam\u012bba vairs neb\u016bs probl\u0113ma. Lielos projektos vairs neb\u016bs tik liela probl\u0113ma. Mums vajag, lai vair\u0101k cilv\u0113ku turpin\u0101tu b\u016bt drosm\u012bgi un tur\u0113tos pie sava m\u0113r\u0137a.\n<\/p>\n<p>K\u0101da, j\u016bsupr\u0101t, ir j\u016bsu loma \u0161aj\u0101 p\u0101rveid\u0113?&nbsp;\n<\/p>\n<p>Viss ir saist\u012bts ar god\u012bgumu. Tas ir tas, p\u0113c k\u0101 es \u0161obr\u012bd tiecos: rad\u012bt god\u012bgus mirk\u013cus, god\u012bgu st\u0101st\u012bjumu. Es daudz nedom\u0101ju par mantojumu. Es dom\u0101ju, es dom\u0101ju. Protams, es dom\u0101ju. Bet tas, kas mani aizved\u012bs l\u012bdz vietai, kur es b\u016b\u0161u apmierin\u0101ts ar savu mantojumu - ar to, ko mans mantojums saka, - ir tas, vai es palik\u0161u uztic\u012bgs sev. Ja es str\u0101d\u0101ju ar cilv\u0113kiem, ar kuriem v\u0113los iet un iedzert. Ja es st\u0101st\u012b\u0161u st\u0101stus par cilv\u0113kiem, kas izskat\u0101s man l\u012bdz\u012bgi, st\u0101stus par cilv\u0113kiem, kuri, iesp\u0113jams, bija iegriezu\u0161ies man\u0101 m\u0101j\u0101, kad es uzaugu. Ja es sav\u0101 darb\u0101 par\u0101d\u012b\u0161u sevi piln\u012bb\u0101, tad, manupr\u0101t, mans darbs run\u0101s pats par sevi.\n<\/p>\n<p>J\u016bs jau iepriek\u0161 piemin\u0113j\u0101t \u017e\u0113last\u012bbu. Vai j\u016bs dom\u0101jat, ka veids, k\u0101 j\u016bs pietuvojaties savam amatam, ir jaut\u0101jums par izpratni par to, kur at\u013cauties \u017e\u0113last\u012bbu?&nbsp;\n<\/p>\n<p>Jums ir. Pret\u0113j\u0101 gad\u012bjum\u0101 tu pats sevi padar\u012bsi traku. M\u0101ksliniekam ir j\u0101m\u0101c\u0101s b\u016bt gan brut\u0101lam, gan laipnam. Brutalit\u0101te ir t\u0101, kas ne\u013caus jums nakt\u012bs gul\u0113t un kas j\u016bs iepaz\u012bstin\u0101s ar god\u012bgu pa\u0161kritiku. \u017d\u0113lsird\u012bba tev pateiks: \" Labi, tu labi paveici darbu, ir pien\u0101cis laiks atp\u016bsties.  \" Jums ir nepiecie\u0161ams gan viens, gan otrs. Un, ja j\u016bs v\u0113laties dar\u012bt kaut ko t\u0101du, kas ir skat\u012b\u0161an\u0101s v\u0113rts, - ja j\u016bs v\u0113laties, lai j\u016bsu darb\u0101 b\u016btu kaut nedaudz patiesas cilv\u0113c\u012bbas, - tad jums ir vajadz\u012bga \u017e\u0113last\u012bba. Ne vienm\u0113r man b\u016bs pien\u0101kums sp\u0113l\u0113t k\u0101du, kur\u0161 bijis laipns un dz\u012bv\u0113 paveicis lielas lietas. Da\u017ereiz uz ekr\u0101na ir j\u0101dara lietas, ko tu nedar\u012btu sav\u0101 dz\u012bv\u0113. Lai to izdar\u012btu labi, ir j\u0101b\u016bt \u017e\u0113last\u012bbas izj\u016btai pret \u0161o varoni, izpratnei un idejai, ka, cerams, - ja lappuse vai scen\u0101rijs sliecas uz to pusi - tu nesp\u0113l\u0113 tikai t\u012bru \u013caunumu.\n<\/p>\n<p>Vai, sp\u0113l\u0113jot Morfeju, j\u016bs k\u0101 aktieris vai k\u0101 meln\u0101dains v\u012brietis atkl\u0101j\u0101t ko t\u0101du, kas j\u016bs p\u0101rsteidza?&nbsp;\n<\/p>\n<p>N\u0113.\n<\/p>\n<p>K\u0101p\u0113c t\u0101?&nbsp;\n<\/p>\n<p>Es pat nev\u0113los j\u016bs mu\u013c\u0137ot. T\u0101 bija laba pieredze - iet un sp\u0113l\u0113t \u0161o t\u0113lu, iedvest vi\u0146am dz\u012bv\u012bbu. Pa\u0146emt gro\u017eus un iejusties kaut kur, kas tiek uzskat\u012bts par ikonu. Bet, run\u0101jot par manu k\u0101 meln\u0101dain\u0101 v\u012brie\u0161a identit\u0101ti, t\u0101 ir sak\u0146ota cit\u0101s liet\u0101s. Un tas \u012bsti nebija viens no veidiem, kas mani iedvesmoja \u0161im projektam. Tom\u0113r tas bija for\u0161i k\u0101 fuck.\n<\/p>\n<p>Stiliz\u0101cija - Jan-Michael Quammie. Stila veido\u0161anas asistents - Kevin Lanoy. Giselle Ali, izmantojot Pat McGrath. Thom Browne (aug\u0161\u0113jais portrets) un Vetements (tuvpl\u0101na portrets) ap\u0123\u0113rbs; Alexander McQueen z\u0101baki; Prada saulesbrilles.&nbsp;\n<\/p>\n<p>\u0160is raksts public\u0113ts 2021. gada decembra\n<\/p>\n<p>Dariet mums zin\u0101mu, ko dom\u0101jat par \u0161o rakstu. Nos\u016btiet v\u0113stuli redaktoram uz mail@wired.com.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Reti sastopams r\u012btdienas redz\u0113t\u0101js. Tom\u0113r Morfejs \u0161o lomu iemieso meistar\u012bgi. Matricas film\u0101s vi\u0146\u0161 ir melnais pravietis, kas ir izsalcis p\u0113c gl\u0101b\u0161anas, Sionas br\u012bv\u012bbas mekl\u0113jumos. Cilv\u0113ces mantojuma aizst\u0101vis. Sapr\u0101t\u012bgs kapteinis ar budistu m\u016bka noska\u0146ojumu. Vi\u0146\u0161 izstaro izsmalcin\u0101tu v\u0113sumu - liel\u0101 m\u0113r\u0101 pateicoties Laurensa Fi\u0161burna faktur\u0113tajam t\u0113lam ori\u0123in\u0101laj\u0101 trilo\u0123ij\u0101. Nosaukts par grie\u0137u sap\u0146u dieva v\u0101rdu, Morfejs ir [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":34778,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28],"tags":[],"class_list":["post-34763","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-future-of-reality"],"_links":{"self":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/posts\/34763","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/comments?post=34763"}],"version-history":[{"count":0,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/posts\/34763\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/media\/34778"}],"wp:attachment":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/media?parent=34763"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/categories?post=34763"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/tags?post=34763"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}