Pie\u0146emsim - protams, tikai argumenta d\u0113\u013c - ka j\u016bs sevi ien\u012bstat. \u0145emot to v\u0113r\u0101, var pie\u0146emt, ka j\u016bsu dz\u012bvei ir tr\u012bs \u012bpatn\u012bbas. Viens no tiem ir tas, ka j\u016bs nostal\u0123iz\u0113jat k\u0101du pag\u0101tnes periodu. Vidusskola, koled\u017ea, jebkas cits - jums t\u0101 pietr\u016bkst. Otra ir t\u0101, ka, cen\u0161oties no jauna izdz\u012bvot \u0161os slavas gadus, j\u016bs bezkaun\u012bgi, ar lip\u012bgiem pirkstiem un bezkaun\u012bgi nodarbojaties ar saj\u016btu regresiju, parasti sald\u0113juma, picas un datora ekr\u0101na kombin\u0101ciju. Visbeidzot, j\u016bs vai nu neesat redz\u0113ju\u0161i, vai ar\u012b esat redz\u0113ju\u0161i un \u013coti ien\u012bstat pag\u0101ju\u0161\u0101 gada katastrof\u0101li nesaprotam\u0101ko kases bumbu Matrix Resurrections.\n<\/p>\n
\u0160\u012bs lietas ir diezgan s\u0101p\u012bgi saist\u012btas. Matrix 4 netika uzspridzin\u0101ta t\u0101p\u0113c, ka t\u0101 bija slikta. T\u0101 sabombard\u0113j\u0101s t\u0101p\u0113c, ka, b\u016bdama par naidu pret sevi, nostal\u0123iju un ekr\u0101nu tir\u0101niju, to ien\u012bda naid\u012bgi, nostal\u0123iski noska\u0146oti t\u012bkot\u0101ji. P\u0113c \u0161\u012bs lo\u0123ikas vi\u0146iem ir j\u0101b\u016bt kinote\u0101tru skat\u012bt\u0101ju pamatgrupas da\u013cai. HBO Max \u0161om\u0113nes atdz\u012bvin\u0101ja filmu Resurrections straum\u0113\u0161anai. Vai j\u016bs to zin\u0101j\u0101t? Vai pat r\u016bp\u0113j\u0101s? Noteikti n\u0113, un t\u0101 ir j\u016bsu probl\u0113ma. J\u016bs, t\u0101pat k\u0101 Neo, nesp\u0113jat aptvert to, kas jums \u0161aj\u0101 pasaul\u0113 ir visvair\u0101k vajadz\u012bgs, un t\u0101 ir tie\u0161i j\u016bsu realit\u0101te. Ja Matrice 4 kaut kas neizdodas, tad tas ir tas, ka aizmirs\u0101t, ka sevis ien\u012bd\u0113ji nekad nev\u0113las paskat\u012bties spogul\u012b.\n<\/p>\n
Lai gan tas, iesp\u0113jams, tie\u0161i to apzin\u0101s. Lana Vahovska (Lana Wachowski) filma praktiski deg ar spogu\u013ciem, ar pa\u0161p\u0101rbaudi. Jau pirmaj\u0101 kadr\u0101 redzams k\u0101ds, kas iet mums pret\u012b ar galvu. Izr\u0101d\u0101s, ka tas ir atspulgs pe\u013c\u0137\u0113. M\u0113s esam inversiju un apv\u0113rsumu priek\u0161\u0101, signaliz\u0113 Vahovskis, un ne tikai kinematogr\u0101fiski. Apm\u0113ram pirm\u0101 filmas tre\u0161da\u013ca atk\u0101rto pirm\u0101s Matricas notikumus, bet slikti, nep\u0101rliecino\u0161i. \"K\u0101p\u0113c izmantot veco kodu,\" jaut\u0101 viens no varo\u0146iem, \"lai atspogu\u013cotu kaut ko jaunu? \" Filma kritiz\u0113, pat ien\u012bst pati sevi. T\u0101 skat\u0101s spogul\u012b, un tai nepat\u012bk tas, ko t\u0101 redz.\n<\/p>\n
T\u0101pat k\u0101 Neo. M\u0113s redzam vi\u0146u, kas nosl\u012bkusi pie savas darbstacijas, skat\u0101s uz vecaj\u0101m za\u013c\u0101 lietus rind\u0101m un ir nelaim\u012bgs. \u0160aj\u0101 atdz\u012bvin\u0101taj\u0101 Matric\u0101 vi\u0146\u0161 ir pasaulslavens sp\u0113\u013cu dizainers, un ori\u0123in\u0101l\u0101 trilo\u0123ija bija tikai vi\u0146a pa\u0161a rad\u012bta sp\u0113le, nevis re\u0101la. Reiz, tic\u0113dams, ka t\u0101 ir, vi\u0146\u0161 m\u0113\u0123in\u0101ja izdar\u012bt pa\u0161n\u0101v\u012bbu. \" Vai es esmu traks? \" vi\u0146\u0161 jaut\u0101 savam terapeitam. \" M\u0113s \u0161eit \u0161o v\u0101rdu nelietojam,\" atbild terapeits. J\u0101, Neo tagad apmekl\u0113 terapiju.\n<\/p>\n
Tikai t\u0101 ir... slikta terapija. Tikl\u012bdz m\u0113s satiekam terapeitu ar stil\u012bg\u0101m brill\u0113m ar zil\u0101m apmal\u0113m, vi\u0146\u0161 atjauno Neo recepti zilo table\u0161u izrakst\u012b\u0161anai. Ieklausieties, k\u0101dus v\u0101rdus lieto terapeits: \" Ko j\u016bs taj\u0101 br\u012bd\u012b jut\u0101t? \" \" \u0160is uzbrukums faktiski at\u0146\u0113ma jums balsi. \" Vi\u0146a vardarb\u012bba izrais\u012bja j\u016bs. \" \" M\u0113s esam run\u0101ju\u0161i par adapt\u012bvo dusmu noz\u012bmi cilv\u0113ka traum\u0101s. \" Terapijas programmas sp\u0113j veidot lab\u0101ku dialogu, un tas ir galvenais. Dr\u012bz vien atkl\u0101jas paties\u012bba: S\u0101kotn\u0113j\u0101s Matricas neveiksm\u012bg\u0101 arhitekta viet\u0101 ir st\u0101jies \u0161is puisis. Vi\u0146u sauc par Anal\u012bti\u0137i. Citiem v\u0101rdiem sakot, b\u016btne, kas no jauna paverdzina masas, \"Matricas atdzim\u0161anas\" \u013caundaris, ir parasts terapeits.\n<\/p>\n
J\u016bs s\u0101kat saprast, k\u0101p\u0113c jums nepat\u012bk \u0161\u012b filma. Matrica 4 ne tikai liek jums saskarties ar savu postu, bet ar\u012b skaidri par\u0101da, ka vieglas izejas no t\u0101s nav. Tabletes nedarbojas, nedarbojas ar\u012b l\u0113tas terapijas runas. (Lai izk\u013c\u016btu no Matricas 2.0, jums burtiski ir uzlauzt spoguli.) V\u0113l\u0101k Anal\u012bti\u0137is izskaidro Neo, k\u0101 vi\u0146\u0161 ir ieprogramm\u0113jis jauno simul\u0101ciju. Vi\u0146\u0161 izmanto Neo un ar\u012b Tr\u012bsvien\u012bbu k\u0101 pamatu sava veida univers\u0101lai pr\u0101ta kontrolei. Vi\u0146\u0161 zina, ka vi\u0146i viens otram ir vajadz\u012bgi, t\u0101p\u0113c padara vi\u0146u attiec\u012bbas neiesp\u0113jamas, un tas ir viss, kas nepiecie\u0161ams. Vahovski iesaka, ka viss, kas nepiecie\u0161ams, lai j\u016bs kontrol\u0113tu, ir uz visiem laikiem novietot to, ko pasaul\u0113 v\u0113laties visvair\u0101k, vienk\u0101r\u0161i nepieejam\u0101 viet\u0101.\n<\/p>\n
T\u0101 ir ne maz\u0101k dzi\u013ca atzi\u0146a par ori\u0123in\u0101lo trilo\u0123iju, kuru Matrica 4 cen\u0161as attaisnot un p\u0101rveidot jaunam, sevi ien\u012bsto\u0161am, p\u0101rterapiz\u0113tam laikmetam. Vahovski apgalvo, ka tehnolo\u0123ijas var b\u016bt simul\u0101cijas pamat\u0101, ta\u010du cilv\u0113ka psiholo\u0123ija ir t\u0101, kas to pie\u013cauj un galu gal\u0101 pie\u0146em. \"Jums ir vienalga par faktiem,\" saka Anal\u012bti\u0137is. \"Viss ir fantastika. \" Vi\u0146am ir taisn\u012bba. Cilv\u0113ki izv\u0113las ien\u012bst sevi, jo alternat\u012bva - m\u012bl\u0113t sevi un atbr\u012bvoties - ir gr\u016bt\u0101ka.\n<\/p>\n
Vai tas visp\u0101r ir iesp\u0113jams? Filma, k\u0101 tas vienm\u0113r ir bijis Matric\u0101s, pied\u0101v\u0101 divas izv\u0113les iesp\u0113jas. Viena no t\u0101m ir n\u0101ve, un anal\u012bti\u0137is to veicina. Filmas \u0161ok\u0113jo\u0161\u0101kaj\u0101 epizod\u0113 vi\u0146\u0161 p\u0101rv\u0113r\u0161 parastus cilv\u0113kus robotos un pav\u0113l vi\u0146iem izmest sevi pa logu - terapeits, kas cilv\u0113kus noved pie pa\u0161n\u0101v\u012bbas. \"Rojas re\u017e\u012bms,\" vi\u0146\u0161 to sauc. Pat Neo un Tr\u012bsvien\u012bba, kad visas cer\u012bbas \u0161\u0137iet zaud\u0113tas, izv\u0113las l\u0113kt.\n<\/p>\n
Bet vi\u0146i nemirst. Vi\u0146i lido. \u0160\u0137iet, ka filma apliecina citu izv\u0113li. Kad j\u016bs nolemjat vairs sevi ien\u012bst, kad izv\u0113laties br\u012bv\u012bbu, j\u016bs izv\u0113laties dz\u012bvot un dz\u012bvot kop\u0101 ar citiem. Ne jau pag\u0101tn\u0113 vai ekr\u0101nu zem\u0101kaj\u0101s dimensij\u0101s, bet gan pasaul\u0113, kas ir re\u0101la, riskanta, apdz\u012bvota, dz\u012bva. \u0160\u012b izv\u0113le ir j\u0101izdara katru dienu, katru stundu, katru sekundi. Nav br\u012bnums, ka j\u016bs nev\u0113laties to izdar\u012bt. Nav br\u012bnums, ka j\u016bs nev\u0113laties skat\u012bties \u0161o filmu. J\u016bs lab\u0101k ien\u012bstat sevi un mirstat viens.<\/p>\n","protected":false},"excerpt":{"rendered":"
Pie\u0146emsim - protams, tikai argumenta d\u0113\u013c - ka j\u016bs sevi ien\u012bstat. \u0145emot to v\u0113r\u0101, var pie\u0146emt, ka j\u016bsu dz\u012bvei ir tr\u012bs \u012bpatn\u012bbas. Viens no tiem ir tas, ka j\u016bs nostal\u0123iz\u0113jat k\u0101du pag\u0101tnes periodu. Vidusskola, koled\u017ea, jebkas cits - jums t\u0101 pietr\u016bkst. Otra ir t\u0101, ka, cen\u0161oties no jauna izdz\u012bvot \u0161os slavas gadus, j\u016bs bezkaun\u012bgi, ar […]<\/p>\n","protected":false},"author":1,"featured_media":34726,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13],"tags":[],"class_list":["post-34711","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-angry-nerd"],"_links":{"self":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/posts\/34711","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/comments?post=34711"}],"version-history":[{"count":0,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/posts\/34711\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/media\/34726"}],"wp:attachment":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/media?parent=34711"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/categories?post=34711"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/tags?post=34711"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}