To sauc par \" smil\u0161u ekr\u0101nu. Jord\u0101nijas un Apvienoto Ar\u0101bu Emir\u0101tu tuksne\u0161os, kur re\u017eisors Deniss Vilj\u0113vins (Denis Villeneuve) film\u0113ja liel\u0101ko da\u013cu filmas \"K\u0101pas\", viss ir da\u017e\u0101dos to\u0146os smil\u0161kr\u0101sas. Lai to saska\u0146otu, vizu\u0101lo efektu vad\u012bt\u0101js Pols Lamberts dar\u012bja ko t\u0101du, ko vi\u0146\u0161 nekad iepriek\u0161 nebija dar\u012bjis: p\u0101rv\u0113rta savus za\u013cos ekr\u0101nus br\u016bnus. Smil\u0161u ekr\u0101ns noz\u012bm\u0113ja, ka Villenevam bija iesp\u0113ja ieg\u016bt visus skaistuma kadrus tuksnes\u012b, un Lambertam bija iesp\u0113ja p\u0113capstr\u0101des laik\u0101 viegli pievienot visu nepiecie\u0161amo. Viss, kas vi\u0146am bija j\u0101dara, bija j\u0101nomaina smil\u0161u kr\u0101sa pret jebkuru \u0113ku, fonu vai zv\u0113ru, ko vi\u0146\u0161 v\u0113l\u0113j\u0101s. Tas \u013c\u0101va katram kadram izskat\u012bties p\u0113c iesp\u0113jas dabisk\u0101k, k\u0101 ar\u012b \u013c\u0101va rad\u012bt vienu no ikonisk\u0101kajiem zin\u0101tnisk\u0101s fantastikas rad\u012bjumiem.\n<\/p>\n
M\u0113s, protams, run\u0101jam par smil\u0161u t\u0101rpiem. K\u0101 aprakst\u012bts Frenka Herberta rom\u0101n\u0101 \"Dune\", smil\u0161u t\u0101rpi ir milz\u012bgi rad\u012bjumi, kas dz\u012bvo Arrakikas pla\u0161aj\u0101s smilt\u012bs un ra\u017eo \"gar\u0161vielas\" - visv\u0113rt\u012bg\u0101ko vielu vis\u0101 zin\u0101maj\u0101 Visum\u0101. Fremeniem, Arrakijas pamatiedz\u012bvot\u0101jiem, tie kalpo ar\u012b k\u0101 transportl\u012bdzeklis. Fremeni to zv\u012b\u0146veid\u012bgo \u0101rien\u0113 piestiprina auklas un st\u0101v to virsotn\u0113, kad tie sl\u012bd pa tuksnesi. Smil\u0161u ekr\u0101ns noz\u012bm\u0113ja, ka Lamberts var\u0113ja film\u0113t aktieri film\u0113\u0161anas laukum\u0101, \"j\u0101jot\" uz smil\u0161u t\u0101rpa - b\u016bt\u012bb\u0101 uz platformas uz kust\u012bga kard\u0101na, kas p\u0101rkl\u0101ta ar b\u0113\u017eiem, - un p\u0113c tam pievienot t\u0101rpu zem vi\u0146a ar CGI. Tas Lambertam \u013c\u0101va izveidot nevainojamu VFX kadru (film\u0101 \"Dune\" to bija vair\u0101k nek\u0101 2000), bet Villenevam - izveidot p\u0113c iesp\u0113jas dabisk\u0101ku filmu. \"Es nekad neesmu tas uzraugs, kas teiktu Denisam: \"Ja m\u0113s visu to veidosim tikai zil\u0101 ekr\u0101n\u0101...\"\". Lamberta st\u0101sta. \" Es nedarbojos \u0161\u0101d\u0101 veid\u0101. \"\n<\/p>\n
V\u0113l viens veikums bija izstr\u0101d\u0101t pa\u0161us t\u0101rpus. Villeneuve s\u0101ka str\u0101d\u0101t pie filmas Dune uzreiz p\u0113c tam, kad 2017. gad\u0101 pabeidza filmu Blade Runner 2049. \"Man vajadz\u0113ja daudz laika, un [studija] man deva laiku,\" saka Viln\u0113vs. \" Kad m\u0113s s\u0101k\u0101m sagatavo\u0161an\u0101s darbus, viss liel\u0101koties jau bija izstr\u0101d\u0101ts, m\u0101kslas koncepcijas bija gatavas. \" Str\u0101d\u0101jot kop\u0101 ar scenogr\u0101fu Patrisu Vermetu, vi\u0146\u0161 pavad\u012bja vair\u0101kus m\u0113ne\u0161us, cen\u0161oties izstr\u0101d\u0101t pareizo t\u0101rpu dizainu - to izm\u0113ru, tekst\u016bru, sp\u0113ku, kas tiem b\u016btu nepiecie\u0161ams, lai p\u0101rvietotos pa tonn\u0101m smil\u0161u.\n<\/p>\n
\" Ac\u012bmredzot Dune ir tik liela fanu b\u0101ze, ka, ja j\u016bs ieejat internet\u0101 - Google, piem\u0113ram, \"Dune sandworm\" - ir tik daudz da\u017e\u0101du versiju,\" saka Vermete. \" Un Dune ir bijusi iedvesmas avots daudziem zin\u0101tnisk\u0101s fantastikas cien\u012bt\u0101jiem un film\u0101m, kas ir tapu\u0161as. Zvaig\u017e\u0146u karos ir smil\u0161u t\u0101rps. T\u0101p\u0113c m\u0113s v\u0113l\u0113j\u0101mies rad\u012bt kaut ko diezgan ori\u0123in\u0101lu un \u0161ausmino\u0161u. \"\n<\/p>\n
Lamberta pied\u0101v\u0101tais smil\u0161u t\u0101rpu dizains bija \"aizv\u0113sturisks\". \"T\u0101 ir r\u016bsgan\u0101 un zv\u012b\u0146\u0101m kl\u0101t\u0101 un, \u0161\u0137iet, simtiem p\u0113du gara. Viens no lab\u0101kajiem \u0161abloniem bija valis. Smil\u0161u t\u0101rpa liel\u0101, plakan\u0101 purna, ar kuru Pols Atreids (Timotejs \u0160alam\u0113) sastopas ar galvu, ir pilna ar va\u013cu s\u0113kl\u0101m; t\u0101 kust\u012bb\u0101m zem virsmas bija j\u0101b\u016bt \u013coti va\u013cveid\u012bg\u0101m. Lamberta komanda izmantoja visas \u0161\u012bs idejas, veidojot t\u0101rpus digit\u0101li, atveidojot to tekst\u016bru Clarisse, anim\u0113jot tos ar Maya un p\u0113c tam katru kadru kompozicion\u0113jot ar Nuke.\n<\/p>\n
V\u0113l bija jaut\u0101jums par t\u0101rpa v\u0101rdabr\u0101li - smilt\u012bm. Pa\u0161i rad\u012bjumi film\u0101 \"K\u0101pas\" ir redzami tikai da\u017eos kadros, bet daudz laika tie ir paman\u0101mi, pateicoties to kust\u012bbai pazem\u0113. Ar\u012b \u0161\u012bs vi\u013c\u0146o\u0161an\u0101s uz k\u0101pu virsmas, ko Herberts nosauca par \"t\u0101rpu z\u012bmi\", bija j\u0101veido digit\u0101li. Kad vi\u0146\u0161 atrad\u0101s film\u0113\u0161anas laukum\u0101 tuksnes\u012b, Lamberts v\u0113l\u0113j\u0101s g\u016bt priek\u0161statu par to, k\u0101 vizualiz\u0113t milz\u012bgo smil\u0161u p\u0101rvieto\u0161anos, ko rad\u012btu t\u0101rpi, ievietojot spr\u0101gstvielas pazem\u0113, \" bet Tuvajos Austrumos tas, iesp\u0113jams, nav lab\u0101kais veids, k\u0101 to dar\u012bt. \" T\u0101 viet\u0101 vi\u0146\u0161, izmantojot Houdini programmat\u016bru, izveidoja smil\u0161u p\u0101rvieto\u0161an\u0101s simul\u0101ciju, kas liel\u0101 m\u0113r\u0101 balst\u012bj\u0101s uz \u016bdens kust\u012bbu.\n<\/p>\n
Tas m\u016bs noved pie v\u0113l kaut k\u0101 unik\u0101la smil\u0161u t\u0101rpiem - to ska\u0146as efekta. Papildus zemes drebin\u0101\u0161anai fremeniem Arrakijas tuksnes\u012b - un skat\u012bt\u0101jiem kinote\u0101tr\u012b - vajadz\u0113tu sp\u0113t sadzird\u0113t t\u0101rpu kust\u012bbu. Smil\u0161u t\u0101rpi seko ar\u012b pazemes ska\u0146\u0101m, gandr\u012bz k\u0101 son\u0101rs (atkal: va\u013ci), t\u0101p\u0113c freme\u0146i nov\u0113r\u0161 rad\u012bbas uzman\u012bbu, izmantojot \"dun\u010dus\", kas nep\u0101rtraukti sit zemes virsmu. Tas noz\u012bm\u0113ja, ka D\u016bnas zv\u0113riem bija vajadz\u012bgi savi trok\u0161\u0146i - \u0161is darbs tika uztic\u0113ts ska\u0146u komandai, ko veidoja Marks Mangini un Teo Gr\u012bns. P\u0101ri bija str\u0101d\u0101ju\u0161i kop\u0101 ar Villeneuve pie filmas Blade Runner 2049 un \u0161aj\u0101 proces\u0101 izstr\u0101d\u0101ja filozofiju, kas tika p\u0101rnesta ar\u012b uz Dune: \"Mangini saka: \"Vis\u0101m \u0161\u012bm ska\u0146\u0101m ir j\u0101j\u016btas t\u0101, it k\u0101 t\u0101s dz\u012bvotu visum\u0101, ko m\u0113s atpaz\u012bstam. Villeneuve \" \u013coti v\u0113l\u0113j\u0101s, lai viss, ko m\u0113s dzird\u0113j\u0101m, b\u016btu organisks vai akustisks. \"\n<\/p>\n
Lai \u012bstenotu \u0161o filozofiju, vi\u0146i n\u0101ca klaj\u0101 ar v\u0113l vienu jaunu koncepciju - viltus dokument\u0101lo re\u0101lismu jeb sa\u012bsin\u0101jum\u0101 FDR. Ideja bija t\u0101da, ka Dune j\u0101izklaus\u0101s k\u0101 dokument\u0101la filma, ko veidojusi uz Arrakiju nos\u016bt\u012bta film\u0113\u0161anas grupa. Ne p\u0101r\u0101k \"ska\u0146u dizaina stil\u0101\", saka Gr\u012bns. T\u0101p\u0113c smil\u0161u t\u0101rpiem p\u0101ris nepak\u013c\u0101v\u0101s briesmo\u0146u filmu kli\u0161ej\u0101m un rad\u012bja \"plando\u0161as\" ska\u0146as t\u0101rpu sign\u0101lam - kaut ko, kas noz\u012bm\u0113 briesmas no att\u0101luma. Vi\u0146i dev\u0101s uz N\u0101ves ieleju ar hidrofoniem - zem\u016bdens mikrofoniem - un ierakst\u012bja smil\u0161u kust\u012bbas ska\u0146u. T\u0101rpa mutes atv\u0113r\u0161an\u0101s ska\u0146ai vi\u0146i rad\u012bja \"gunk-gunk-gunk-gunk\" ska\u0146u, sl\u0101\u0146ojot apstr\u0101d\u0101tu cilv\u0113ku un dz\u012bvnieku trok\u0161\u0146u kopumu. (P\u0101ris nev\u0113las min\u0113t piem\u0113rus. \"Es nedom\u0101ju, ka tur bija kaut kas \u012bpa\u0161i eksotisks,\" saka Mangini.) Sandworm movement izmanto ar\u012b koku mizas \u010d\u012bkst\u0113\u0161anas un v\u012bnogul\u0101ju v\u012b\u0161anas ska\u0146as. Troksnis, ko tas izdod, kad tas norij gar\u0161vielu nov\u0101k\u0161anas ma\u0161\u012bnu? Tas ir Mangini ar mikrofonu mut\u0113, kas s\u016bc lielu v\u0113ju.\n<\/p>\n
Rezult\u0101ts ir kaut kas bied\u0113jo\u0161i mazs, glu\u017ei k\u0101 pati Arrakis. Tas ar\u012b \u013coti at\u0161\u0137iras no liel\u0101k\u0101s da\u013cas zin\u0101tnisk\u0101s fantastikas filmu v\u0113rien\u012bguma. \"Esmu paman\u012bjis, ka Deniss ne reizi nav man k\u0101 atsauci devis kaut ko no citas filmas,\" saka Gr\u012bns. \"Vi\u0146\u0161 izmanto citas filmas k\u0101 piem\u0113rus, ko nevajadz\u0113tu dar\u012bt,\" piebilst Mangini. Smil\u0161u t\u0101rpi nav l\u012bdz\u012bgi nevienam no \u0161aj\u0101s film\u0101s redzamajiem briesmo\u0146iem. Villeneuve vair\u0101k nek\u0101 bailes v\u0113l\u0113j\u0101s, lai cilv\u0113ki izjustu cie\u0146u pret t\u0101rpiem, kad tie par\u0101d\u0101s uz ekr\u0101na, sakot Mangini: \"Tas ir vair\u0101k dievs nek\u0101 Godzilla. \"<\/p>\n","protected":false},"excerpt":{"rendered":"
To sauc par \" smil\u0161u ekr\u0101nu. Jord\u0101nijas un Apvienoto Ar\u0101bu Emir\u0101tu tuksne\u0161os, kur re\u017eisors Deniss Vilj\u0113vins (Denis Villeneuve) film\u0113ja liel\u0101ko da\u013cu filmas \"K\u0101pas\", viss ir da\u017e\u0101dos to\u0146os smil\u0161kr\u0101sas. Lai to saska\u0146otu, vizu\u0101lo efektu vad\u012bt\u0101js Pols Lamberts dar\u012bja ko t\u0101du, ko vi\u0146\u0161 nekad iepriek\u0161 nebija dar\u012bjis: p\u0101rv\u0113rta savus za\u013cos ekr\u0101nus br\u016bnus. Smil\u0161u ekr\u0101ns noz\u012bm\u0113ja, ka Villenevam […]<\/p>\n","protected":false},"author":1,"featured_media":34336,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[32],"tags":[],"class_list":["post-34321","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-spice-world"],"_links":{"self":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/posts\/34321","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/comments?post=34321"}],"version-history":[{"count":0,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/posts\/34321\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/media\/34336"}],"wp:attachment":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/media?parent=34321"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/categories?post=34321"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/tags?post=34321"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}