2012. gad\u0101 le\u0123end\u0101rais tvitera konts @horse_ebooks tv\u012btoja: \"Viss notiek tik daudz.\" Lai gan \u0161\u012b zi\u0146a robe\u017eoj\u0101s ar bezj\u0113dz\u012bbu, t\u0101 viennoz\u012bm\u012bgi atspogu\u013coja noguruma saj\u016btu, kas rodas, cen\u0161oties sekot l\u012bdzi ien\u0101ko\u0161o datu pl\u016bsmai, kas ik dienu pieprasa uzman\u012bbu. Tie\u0161i \u0161aj\u0101 haotisk\u0101s rezign\u0101cijas viet\u0101 iest\u0101jas \"Viss visur un uzreiz\", lai sniegtu skaidr\u012bbu.\n<\/p>\n
Filmas \"Viss un visur\" (Everything Everywhere) re\u017eisoru dueta Daniels (Swiss Army Man) jaun\u0101kais darbs ir velt\u012bts Evel\u012bnai (Mi\u0161ela J\u016b (Michelle Yeoh)), sievietei, kura tikai cen\u0161as nomaks\u0101t nodok\u013cus, lai saglab\u0101tu ve\u013cas mazg\u0101tavu, kas vi\u0146ai pieder kop\u0101 ar v\u012bru Vaimonu (Ke Huy Quan), darbojo\u0161os. Vi\u0146as meita Joy (Stephanie Hsu) v\u0113las atvest savu draudzeni uz Evelyn vec\u0101 t\u0113va (James Hong) dzim\u0161anas dienas svin\u012bb\u0101m, kur\u0161 ir vecmod\u012bgs un vi\u0146u attiec\u012bbas neatbalsta. Visu \u0161o laiku Vaimonds cen\u0161as atrast sev\u012b vietu, lai pateiktu Evel\u012bnai, ka v\u0113las \u0161\u0137irties. Filma ir fr\u0113niski izst\u0101st\u012bta, bet vienlaikus izv\u0113r\u0161as k\u0101 lieliski saisto\u0161s st\u0101sts par dz\u012bves haosu un saj\u016btu, ka tevi vilina t\u016bksto\u0161iem virzienu vienlaikus. Un tad atveras multiverss.\n<\/p>\n
Popul\u0101raj\u0101 kult\u016br\u0101 ir neskait\u0101mi st\u0101sti par multiversiem. Lai to pier\u0101d\u012btu, pietiek ar Marvel kinematogr\u0101fisko visumu. (Ironisk\u0101 k\u0101rt\u0101 Daniels - Daniels Kvans un Daniels \u0160einerts - atteic\u0101s no iesp\u0113jas str\u0101d\u0101t pie filmas Loki, kur\u0101 bija daudz multivers\u0101lu iesp\u0113ju.) Ta\u010du reti kad t\u0101s tiek p\u0113t\u012btas tik padzi\u013cin\u0101ti un j\u0113gpilni k\u0101 film\u0101 Viss un visur. Evel\u012bnas ieie\u0161ana sav\u0101 multivers\u0101 sniedz vi\u0146ai perspekt\u012bvu, iesp\u0113ju samierin\u0101t savu garlaic\u012bgo darbu, \u012bgno v\u012bru un probl\u0113mu pilno meitu ar dz\u012bves versij\u0101m, kur\u0101s vi\u0146a ir hiba\u010di pav\u0101re, kinozvaigzne un - pav\u0113rsien\u0101 - burtiski akmens. Kvanas un \u0160einerta filma, kas ir vien\u0101d\u0101s da\u013c\u0101s dv\u0113seles mekl\u0113jumi un zin\u0101tnisk\u0101 fantastika, to visu noved l\u012bdz emocion\u0101lai un lo\u0123iskai gal\u0113j\u012bbai. Ta\u010du t\u0101 viet\u0101, lai non\u0101ktu pie k\u0101da nihilistiska secin\u0101juma, t\u0101 izvirza optimistisk\u0101ku jaut\u0101jumu: Ja nav noteikumu, nav seku, tad k\u0101p\u0113c tad neaizrauties?\n<\/p>\n
Absurds caurvij katru ainu. Navig\u0101cija multivers\u0101l\u0101 ietver mu\u013c\u0137\u012bgu, nejau\u0161u darb\u012bbu veik\u0161anu, piem\u0113ram, l\u016bpu balzama \u0113\u0161anu vai balvas pie\u0146em\u0161anu, un katru reizi, kad Evel\u012bna vai k\u0101ds no vi\u0146as \u0123imenes locek\u013ciem pie\u0146em k\u0101du l\u0113mumu, atzarojas cita laika l\u012bnija. Runa ir par to, ka \u0161\u0137ietami mazi vai nenoz\u012bm\u012bgi l\u0113mumi var novest pie radik\u0101li at\u0161\u0137ir\u012bgiem izn\u0101kumiem. Visur un visur varo\u0146i veic smiekl\u012bgas darb\u012bbas, lai ieg\u016btu jaunas sp\u0113jas, ta\u010du galu gal\u0101 tie\u0161i niec\u012bgie un maz ticamie l\u0113mumi galu gal\u0101 izmaina Evel\u012bnas t\u0113vam r\u012bkot\u0101s ball\u012btes gaitu. \n<\/p>\n
S\u0101kum\u0101 ir viegli saprast, k\u0101p\u0113c Evel\u012bna ir neapmierin\u0101ta ar darbu, v\u012bru un meitu. Ta\u010du, ieraugot daudzos veidus, k\u0101 var\u0113ja izv\u0113rsties vi\u0146u dz\u012bve, neskait\u0101m\u0101s iesp\u0113jas, par ko vi\u0146i var\u0113ja k\u013c\u016bt, atkl\u0101jas dzi\u013c\u0101ka paties\u012bba. Ja nekam nav noz\u012bmes, tad vien\u012bgais, kam var b\u016bt noz\u012bme, ir tas, ko tu izv\u0113lies. Multivers\u0101 var b\u016bt bezgal\u012bgi daudz s\u0101pju un salauztu sir\u017eu, bet taj\u0101 ir ar\u012b bezgal\u012bgi daudz rado\u0161uma, kaisles, skaistuma un saiknes. \n<\/p>\n
Caur \u0161o prizmu cinisms pats par sevi k\u013c\u016bst par v\u0113l vienu izv\u0113li. Nav naivi vai nezino\u0161i izv\u0113l\u0113ties nov\u0113rt\u0113t mazus mirk\u013cus, mazas laipn\u012bbas izpausmes. Pasaul\u0113, kur\u0101 tik daudz kas var \u0161\u0137ist nenoz\u012bm\u012bgs, ne\u017e\u0113l\u012bbas vai bezcer\u012bbas izv\u0113le nav v\u0113rt\u012bg\u0101ka par labest\u012bbas un emp\u0101tijas izv\u0113li. Ja nu kas, tad izv\u0113le izn\u012bcin\u0101t tikai pa\u0101trina entropiju.\n<\/p>\n
\"Viss un visur\" ne tikai noraida cinismu, bet ar\u012b apg\u0101\u017e to. Un, iesp\u0113jams, t\u0101 ir t\u0101s visnoz\u012bm\u012bg\u0101k\u0101 v\u0113rt\u012bba. Film\u0101 tiek apl\u016bkots bezgal\u012bg\u0101 multiversa j\u0113dziens - un l\u012bdz ar to ar\u012b m\u016bsu pa\u0161u pieredzes milz\u012bgums un p\u0101rbag\u0101t\u012bba - un tas tiek kritiski un l\u012bdzj\u016bt\u012bgi analiz\u0113ts. Filma br\u012b\u017eiem burtiski raug\u0101s tuk\u0161um\u0101 un nemirk\u0161\u0137ina, kad tuk\u0161ums raug\u0101s atpaka\u013c.<\/p>\n","protected":false},"excerpt":{"rendered":"
2012. gad\u0101 le\u0123end\u0101rais tvitera konts @horse_ebooks tv\u012btoja: \"Viss notiek tik daudz.\" Lai gan \u0161\u012b zi\u0146a robe\u017eoj\u0101s ar bezj\u0113dz\u012bbu, t\u0101 viennoz\u012bm\u012bgi atspogu\u013coja noguruma saj\u016btu, kas rodas, cen\u0161oties sekot l\u012bdzi ien\u0101ko\u0161o datu pl\u016bsmai, kas ik dienu pieprasa uzman\u012bbu. Tie\u0161i \u0161aj\u0101 haotisk\u0101s rezign\u0101cijas viet\u0101 iest\u0101jas \"Viss visur un uzreiz\", lai sniegtu skaidr\u012bbu. Filmas \"Viss un visur\" (Everything Everywhere) […]<\/p>\n","protected":false},"author":1,"featured_media":34180,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21],"tags":[],"class_list":["post-34165","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-meaning-of-life"],"_links":{"self":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/posts\/34165","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/comments?post=34165"}],"version-history":[{"count":0,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/posts\/34165\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/media\/34180"}],"wp:attachment":[{"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/media?parent=34165"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/categories?post=34165"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/movieworld.blog\/lv\/wp-json\/wp\/v2\/tags?post=34165"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}