Nov\u00fd film Ryana Reynoldse Free Guy nen\u00ed zrovna lehk\u00fd. Koneckonc\u016f je to film o nehr\u00e1\u010dsk\u00e9 postav\u011b ve videoh\u0159e. Prvn\u00edm a nej\u010dast\u011bj\u0161\u00edm trikem jsou v\u0161ak slune\u010dn\u00ed br\u00fdle. Ve Free City, fiktivn\u00ed st\u0159\u00edle\u010dce, kter\u00e1 je st\u0159edobodem p\u0159\u00edb\u011bhu, jsou slune\u010dn\u00ed br\u00fdle t\u00edm, co ozna\u010duje hr\u00e1\u010de: n\u011bkoho, kdo m\u016f\u017ee vyst\u0159\u00edlet banku, ukr\u00e1st auto, ude\u0159it cizince do obli\u010deje. Jsou to, jak \u0159\u00edk\u00e1 Guy (Reynolds), \"hrdinov\u00e9. \" Podobn\u011b jako br\u00fdle ve filmu Oni \u017eij\u00ed funguj\u00ed br\u00fdle hr\u00e1\u010d\u016f jako br\u00fdle s roz\u0161\u00ed\u0159enou realitou ve h\u0159e, kter\u00e9 ukazuj\u00ed sk\u00f3re, bonusy, ko\u0159ist atd. Slune\u010dn\u00ed br\u00fdle jsou \u010do\u010dkou, skrze kterou maj\u00ed hr\u00e1\u010di pro\u017e\u00edvat metaverzi Free City ' a rozlu\u0161tit jej\u00ed tajemstv\u00ed.\n<\/p>\n
(Pozor, spoiler: n\u00e1sleduj\u00ed drobn\u00e9 spoilery k filmu Free Guy.) \n<\/p>\n
Aby bylo jasno, Free City nen\u00ed technicky vzato metaversum; hr\u00e1\u010di, kte\u0159\u00ed si film pust\u00ed doma, ho nehraj\u00ed v headsetech pro virtu\u00e1ln\u00ed realitu. Kdy\u017e u\u017e, tak hra je zt\u011blesn\u011bn\u00edm toho, jak\u00e9 to je b\u00fdt Velmi online: z\u00e1bavn\u00e9, ale za ka\u017ed\u00fdm rohem \u010d\u00edh\u00e1 nebezpe\u010d\u00ed. Pro Guye, NPC, je Free City cel\u00fd sv\u011bt; jako by \u017eil v metaverzu, ale nem\u011bl \u017e\u00e1dn\u00fd offline prot\u011bj\u0161ek. Kdy\u017e dostane slune\u010dn\u00ed br\u00fdle, uv\u011bdom\u00ed si, \u017ee m\u016f\u017ee b\u00fdt sv\u011btem bez n\u00e1sil\u00ed, m\u00edstem, kde se nemotivuje mluvit sprost\u011b. (Jeden z nejpichlav\u011bj\u0161\u00edch motiv\u016f filmu: P\u016fvodn\u00ed v\u00fdvoj\u00e1\u0159i hry budovali online utopii, ale korporace, kter\u00e1 ji koupila, se domn\u00edvala, \u017ee nikdo nechce n\u011bco takov\u00e9ho hr\u00e1t, a tak se z n\u00ed stala st\u0159\u00edle\u010dka.) Senzibiln\u00ed Guy m\u00e1 za \u00fakol zastavit zlo\u010din a napravit k\u0159ivdy. Hr\u00e1\u010di, kte\u0159\u00ed jeho v\u00fdst\u0159elky streamuj\u00ed, z n\u011bj ud\u011blaj\u00ed vir\u00e1ln\u00edho spasitele a zpochyb\u0148uj\u00ed svou vlastn\u00ed digit\u00e1ln\u00ed krve\u017e\u00edznivost. Guyova vize p\u011bkn\u00e9ho m\u00edsta zaplaven\u00e9ho Mariah Carey ( ... sweet, sweet fantasy, baby\n<\/p>\n
Pr\u00e1v\u011b zde se virtu\u00e1ln\u00ed sv\u011bt Free Guye p\u0159\u00edli\u0161 rozch\u00e1z\u00ed s t\u00edm skute\u010dn\u00fdm a jeho (chv\u00e1lyhodn\u00fd) optimismus zach\u00e1z\u00ed p\u0159\u00edli\u0161 daleko. Prost\u0159ed\u00ed videoher a kultura kolem nich (Twitch streame\u0159i, namy\u0161len\u00ed hern\u00ed \u0159editel\u00e9, p\u0159epracovan\u00ed v\u00fdvoj\u00e1\u0159i) se zdaj\u00ed b\u00fdt a\u017e bolestn\u011b re\u00e1ln\u00e9, dokonce proz\u00edrav\u00e9. Jeho hlavn\u00ed hrdina v\u0161ak nikoliv. Jako Everyman, kter\u00fd um\u00ed podat vtip, nen\u00ed nikdo lep\u0161\u00ed ne\u017e Reynolds, ale jako um\u011bl\u00e1 inteligence Guy nefunguje. Nechci b\u00fdt p\u0159\u00edli\u0161 doslovn\u00fd, ale um\u011bl\u00e1 inteligence se formuje z p\u0159ijat\u00fdch dat. Kdyby Guy skute\u010dn\u011b \u017eil a u\u010dil se ve sv\u011bt\u011b ob\u00fdvan\u00e9m n\u00e1silnick\u00fdmi trolly, pravd\u011bpodobn\u011b by vst\u0159ebal jejich zp\u016fsoby. V lep\u0161\u00edm p\u0159\u00edpad\u011b by si osvojil nevyb\u00edrav\u00e9 vtipy, v hor\u0161\u00edm p\u0159\u00edpad\u011b by skon\u010dil jako Tay, ten chatbot Microsoftu na Twitteru, kter\u00e9mu sta\u010dilo 12 hodin online, aby se prom\u011bnil v \" sprost\u00e9ho rasistu pop\u00edraj\u00edc\u00edho holocaust. \" A up\u0159\u00edmn\u011b \u0159e\u010deno, to pravd\u011bpodobn\u011b nen\u00ed to nejhor\u0161\u00ed. Free Guy tvrd\u00ed, \u017ee kdy\u017e sv\u011bt hr\u00e1\u010d\u016f a internetov\u00fdch fanou\u0161k\u016f p\u0159ehodnot\u00ed, co si mysl\u00ed o NPC, mohlo by je to p\u0159im\u011bt k p\u0159ehodnocen\u00ed toho, jak se navz\u00e1jem vn\u00edmaj\u00ed; mo\u017en\u00e1, jen mo\u017en\u00e1, by v\u0161ichni mohli vn\u00edmat lidi, kter\u00e9 potk\u00e1vaj\u00ed ve virtu\u00e1ln\u00edch sv\u011btech, jako lidi. To by mohl b\u00fdt nejlep\u0161\u00ed gag filmu. \n<\/p>\n
Internet a metaverze jsou jedno a tot\u00e9\u017e, ale jedno funguje jako pln\u011b realizovan\u00e1 sou\u010d\u00e1st ka\u017edodenn\u00edho \u017eivota a druh\u00e9, a\u010dkoli je to v sou\u010dasnosti m\u00f3dn\u00ed slovo, je st\u00e1le v plenk\u00e1ch. Na rozd\u00edl od dystopick\u00e9 vize Neala Stephensona v knize Snow Crash je dne\u0161n\u00ed pojet\u00ed metaverza - kter\u00e9 chce vybudovat Mark Zuckerberg na Facebooku - virtu\u00e1ln\u00ed a roz\u0161\u00ed\u0159enou realitou plnou lidsk\u00fdch vazeb, kde lid\u00e9 pracuj\u00ed, pracuj\u00ed, hraj\u00ed si a vyr\u00e1b\u011bj\u00ed v\u011bci. Je to m\u00edsto pro um\u011bn\u00ed NFT a koncerty Ariany Grande ve h\u0159e Fortnite, kde v\u00e1m n\u00e1hlavn\u00ed souprava \u0159\u00edk\u00e1 z\u00e1bavn\u00e1 fakta o v\u011bcech, na kter\u00e9 se d\u00edv\u00e1te. Existuj\u00ed i o\u0161kliv\u011bj\u0161\u00ed verze, ale zd\u00e1 se, \u017ee mnoho modern\u00edch nad\u011bj\u00ed na metaverzi je zapleteno do koncept\u016f podobn\u00fdch OASIS v Ready Player One Ernieho Clinea. Internet, most do metaverza, je mezit\u00edm st\u0159e\u017een trolly a pln\u00fd dezinformac\u00ed, nen\u00e1visti a misogynie. Ve sv\u00e9 nejhor\u0161\u00ed podob\u011b je to m\u00edsto, kde se m\u016f\u017ee voln\u011b pohybovat a pusto\u0161it temn\u00e1 str\u00e1nka ka\u017ed\u00e9ho \u010dlov\u011bka. Internet a metaverze sice existuj\u00ed na stejn\u00e9 s\u00edti, ale \u010dasto ve velmi odli\u0161n\u00fdch rovin\u00e1ch. Zd\u00e1 se, \u017ee Free Guy chce tvrdit, \u017ee z prvotn\u00ed b\u0159e\u010dky internetu by mohl vzniknout lep\u0161\u00ed virtu\u00e1ln\u00ed sv\u011bt, a to s pomoc\u00ed um\u011bl\u00e9 inteligence vytvo\u0159en\u00e9 v bahn\u011b. \n<\/p>\n
Up\u0159\u00edmn\u011b \u0159e\u010deno, tohle ani nen\u00ed vada Free Guy, nebo n\u011bco, co je chyba Reynoldse nebo re\u017eis\u00e9ra Shawna Levyho. Optimismus pot\u0159ebuje sv\u00e9 zast\u00e1nce a popul\u00e1rn\u00ed um\u011bn\u00ed, kter\u00e9 ho oslavuje, nem\u016f\u017ee b\u00fdt na \u0161kodu. Optimismus je v\u0161ak \u010dasto p\u0159\u00edznakem privilegi\u00ed. Zuckerberg si m\u016f\u017ee b\u00fdt jist\u00fd silou algoritm\u016f; algoritmy mu byly dobr\u00e9, m\u00e9n\u011b u\u017e lidem, kter\u00e9 syst\u00e9my rozpozn\u00e1v\u00e1n\u00ed obli\u010deje nepr\u00e1vem poslaly do v\u011bzen\u00ed nebo kter\u00fdm um\u011bl\u00e1 inteligence stanovila \u0161patnou diagn\u00f3zu. Je ironi\u00ed, nebo mo\u017en\u00e1 prost\u011b ne\u0161\u0165astn\u00e9, \u017ee ve h\u0159e Free Guy vystupuje jak v\u00fdvoj\u00e1\u0159ka bojuj\u00edc\u00ed za znovuz\u00edsk\u00e1n\u00ed sv\u00e9ho k\u00f3du, tak st\u00e1vka hern\u00edch pracovn\u00edk\u016f, kdy\u017e pr\u00e1v\u011b minul\u00fd m\u011bs\u00edc zam\u011bstnanci spole\u010dnosti Activision Blizzard uspo\u0159\u00e1dali st\u00e1vku kv\u016fli obvin\u011bn\u00edm z buj\u00edc\u00edho sexismu. Free Guy a Free City jsou zrcadlov\u00e9 sv\u011bty - pohled na to, co se pokazilo na internetu a v hern\u00ed kultu\u0159e, o\u010dima lid\u00ed, kte\u0159\u00ed to cht\u011bj\u00ed napravit.\n<\/p>\n
Na konci filmu Free Guy se div\u00e1ci dozv\u00eddaj\u00ed jeho skute\u010dn\u00fd p\u016fvod. Nebudeme zde spoilerovat, ale stoj\u00ed za zm\u00ednku, \u017ee byl stvo\u0159en n\u011bk\u00fdm se zd\u00e1nliv\u011b nejlep\u0161\u00edmi \u00famysly. Reynolds \u0159\u00edk\u00e1, \u017ee a\u010dkoli film zkoum\u00e1, jak nedokonal\u00e1 je hern\u00ed kultura, nem\u00e1 b\u00fdt jej\u00edm zkoum\u00e1n\u00edm, a to p\u016fsob\u00ed v\u00e1\u017en\u011b. Ale mnoho nejv\u011bt\u0161\u00edch a nejlep\u0161\u00edch v\u00fdtvor\u016f techniky bylo vytvo\u0159eno s dobr\u00fdmi \u00famysly. Bez ohledu na to, jak moc Silicon Valley usiluje o vytvo\u0159en\u00ed rovnost\u00e1\u0159sk\u00fdch platforem, jsou st\u00e1le p\u0159izp\u016fsobeny sv\u00fdm tv\u016frc\u016fm. Pokud tito zakladatel\u00e9 nejsou zvykl\u00ed na obt\u011b\u017eov\u00e1n\u00ed, zneu\u017e\u00edv\u00e1n\u00ed, n\u00e1sil\u00ed a politick\u00e9 v\u00fdlevy od d\u00e1vno zapomenut\u00fdch p\u0159\u00edbuzn\u00fdch, jejich n\u00e1stroje budou tyto n\u00e1kazy \u0159e\u0161it pomalu. Stroje se v\u017edy budou u\u010dit nejnechutn\u011bj\u0161\u00ed touhy lidstva spolu s t\u011bmi u\u0161lechtilej\u0161\u00edmi. Metaverzum sk\u00fdt\u00e1 mnoho nad\u011bj\u00ed, ale snadno se m\u016f\u017ee st\u00e1t, \u017ee ho p\u0159ev\u00e1lcuj\u00ed i probl\u00e9my. (Mo\u017en\u00e1 proto pr\u00e1v\u011b tento t\u00fdden John Hanke, zakladatel spole\u010dnosti Niantic, kter\u00e1 stoj\u00ed za hrou Pok\u00e9mon Go, napsal na sv\u016fj blog p\u0159\u00edsp\u011bvek, v n\u011bm\u017e v\u0161em p\u0159ipomn\u011bl, \u017ee metaverze je \" dystopick\u00e1 no\u010dn\u00ed m\u016fra. \" ) Je toho hodn\u011b, co lze kl\u00e1st k noh\u00e1m filmu Free Guy, kter\u00fd je nakonec z\u00e1bavn\u00fdm filmem, jen\u017e by - kdy\u017e u\u017e nic jin\u00e9ho - mohl slou\u017eit jako n\u00e1vod, co by se m\u011blo st\u00e1t, a ne co by se klidn\u011b st\u00e1t mohlo. Reynolds\u016fv film je sice bl\u00e1zniv\u00fd, ale je to tak\u00e9 jen sladk\u00e1, sladk\u00e1 fantazie, zlato.<\/p>\n","protected":false},"excerpt":{"rendered":"
Nov\u00fd film Ryana Reynoldse Free Guy nen\u00ed zrovna lehk\u00fd. Koneckonc\u016f je to film o nehr\u00e1\u010dsk\u00e9 postav\u011b ve videoh\u0159e. Prvn\u00edm a nej\u010dast\u011bj\u0161\u00edm trikem jsou v\u0161ak slune\u010dn\u00ed br\u00fdle. Ve Free City, fiktivn\u00ed st\u0159\u00edle\u010dce, kter\u00e1 je st\u0159edobodem p\u0159\u00edb\u011bhu, jsou slune\u010dn\u00ed br\u00fdle t\u00edm, co ozna\u010duje hr\u00e1\u010de: n\u011bkoho, kdo m\u016f\u017ee vyst\u0159\u00edlet banku, ukr\u00e1st auto, ude\u0159it cizince do obli\u010deje. Jsou to, […]<\/p>\n","protected":false},"author":1,"featured_media":35948,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-35944","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-movies"],"_links":{"self":[{"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/posts\/35944","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/comments?post=35944"}],"version-history":[{"count":0,"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/posts\/35944\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/media\/35948"}],"wp:attachment":[{"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/media?parent=35944"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/categories?post=35944"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/tags?post=35944"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}