Kde \u017eila na\u0161e druh\u00e1 j\u00e1 p\u0159ed internetem? \"D\u0159\u00edve existovala jen jedna realita,\" \u0159\u00edk\u00e1 re\u017eis\u00e9r Mamoru Hosoda. Jeho nov\u00fd film Belle je o tom, jak internet p\u0159inesl mo\u017enost m\u00edt v\u00edce j\u00e1 v r\u016fzn\u00fdch sv\u011btech. Film Belle, kter\u00fd byl v USA uveden v p\u00e1tek, sleduje Suzu Naito, kter\u00e1 se pot\u00fdk\u00e1 s nov\u011b nabytou sl\u00e1vou popov\u00e9 hv\u011bzdy ve virtu\u00e1ln\u00edm sv\u011bt\u011b U. Online, poznamen\u00e1v\u00e1 Hosoda, \"lid\u00e9 mohou objevovat dal\u0161\u00ed mo\u017enosti. Mohou m\u00edt sv\u00e1 alter ega a \u017e\u00edt svobodn\u011bji.\" A p\u0159esn\u011b to Suzu d\u011bl\u00e1, kdy\u017e je Belle.\n<\/p>\n
V rozlehl\u00e9 digit\u00e1ln\u00ed m\u011bstsk\u00e9 krajin\u011b U je Suzu p\u0159ekvapena sv\u00fdm zjevem jako Belle, z\u00e1\u0159\u00edc\u00ed r\u016f\u017eovovlas\u00fd maj\u00e1k. Technologie U automaticky generuje avatary na z\u00e1klad\u011b biometrick\u00fdch \u00fadaj\u016f u\u017eivatel\u016f. V Suzu, kter\u00e1 po smrti sv\u00e9 matky p\u0159estala zp\u00edvat, vid\u00ed U schopnost b\u00fdt velkou. Je to l\u00e1kav\u00e1 p\u0159edstava - \u017ee tajemn\u00fd virtu\u00e1ln\u00ed sv\u011bt vytvo\u0159en\u00fd anonymn\u00edmi mudrci m\u016f\u017ee z oby\u010dejn\u00e9 d\u00edvky vytvo\u0159it idol. A funguje to jen proto, \u017ee Belle se zab\u00fdv\u00e1 sp\u00ed\u0161e emocion\u00e1ln\u00edmi ne\u017e technologick\u00fdmi pravdami.\n<\/p>\n
Hosoda, kter\u00fd re\u017e\u00edroval tak\u00e9 filmy Mirai, Wolf Children a Summer Wars, se od filmu Digiman z roku 2002 zam\u011b\u0159uje na internet: The Movie. Jeho posedlost virtu\u00e1ln\u00edm sv\u011btem jako m\u00edstem, kde se objevuje na\u0161e druh\u00e9 j\u00e1, p\u0159esn\u011b zapad\u00e1 do jednoho z nejdominantn\u011bj\u0161\u00edch modern\u00edch \u017e\u00e1nr\u016f anime: isekai. Nejl\u00e9pe ho zt\u011bles\u0148uje Sword Art Online z roku 2012, kter\u00fd popisuje p\u0159echody postav do jin\u00fdch sv\u011bt\u016f, zejm\u00e9na virtu\u00e1ln\u00edch, a jejich reinkarnace v nich, kde se seberealizuj\u00ed. \"Kdy\u017e se pod\u00edv\u00e1m na jin\u00e9 re\u017eis\u00e9ry, kte\u0159\u00ed se zab\u00fdvaj\u00ed t\u00e9matem internetu, b\u00fdv\u00e1 to sp\u00ed\u0161e negativn\u00ed, jako dystopie,\" \u0159\u00edk\u00e1 Hosoda. \" J\u00e1 se v\u0161ak na internet v\u017edy d\u00edv\u00e1m jako na n\u011bco, co m\u016f\u017ee mlad\u00e1 generace zkoumat a vytv\u00e1\u0159et v n\u011bm nov\u00e9 sv\u011bty. A dodnes m\u00e1m na internet takov\u00fd n\u00e1zor. Tak\u017ee to bylo v\u017edycky optimistick\u00e9. \"\n<\/p>\n
P\u0159i sledov\u00e1n\u00ed Belle je snadn\u00e9 nechat se t\u00edmto optimismem pohltit. Vizu\u00e1ln\u011b je film ohromuj\u00edc\u00ed, jak venkovskou krajinou, tak digit\u00e1ln\u00edm megalopolem s dechberouc\u00edm po\u010dtem pixel\u016f. Ob\u010das je Hosada\u016fv film dokonce trochu ohromuj\u00edc\u00ed. Belle se p\u0159i sv\u00e9m debutu jako diva proj\u00ed\u017ed\u00ed na obrovsk\u00e9 l\u00e9taj\u00edc\u00ed velryb\u011b a oblohu zapl\u0148uj\u00ed okv\u011btn\u00ed l\u00edstky a konfety. Na sv\u00e9m prvn\u00edm koncert\u011b se objev\u00ed jako krk na patrov\u00e9m k\u0159i\u0161\u0165\u00e1lov\u00e9m lustru, kter\u00fd exploduje do t\u0159pytiv\u00e9ho podvodn\u00edho souhv\u011bzd\u00ed. Na n\u011bkolika m\u00edstech filmu Hosoda vykouzl\u00ed z\u00e1kladn\u00ed d\u011bn\u00ed do animac\u00ed s vy\u0161\u0161\u00edmi n\u00e1roky, kter\u00e9 zobrazuj\u00ed jejich skute\u010dn\u00fd emocion\u00e1ln\u00ed dopad - jako kdy\u017e se v\u00e1lka drben prom\u011bn\u00ed ve vysoce n\u00e1ro\u010dnou strategickou deskovou hru. Hosoda tyto p\u0159ehnan\u011b p\u016fsobiv\u00e9 sc\u00e9ny dob\u0159e rozvrhuje a prokl\u00e1d\u00e1 je p\u0159\u00edjemn\u00fdmi lo-fi momentkami z venkovsk\u00e9ho \u017eivota Suzu.\n<\/p>\n
Nejp\u016fvabn\u011bj\u0161\u00ed momenty Belle se odehr\u00e1vaj\u00ed v analogov\u00e9m sv\u011bt\u011b (v\u010detn\u011b snad nejlep\u0161\u00ed sc\u00e9ny milostn\u00e9ho vyzn\u00e1n\u00ed v anime v\u016fbec). Suzu ' s treky do \u0161koly a ze \u0161koly, p\u0159es stejn\u00fd most a stejn\u00fdm vlakem, jsou m\u00edstem, kde se dozv\u00edd\u00e1me v\u00edce o tom, kdo je sama, ne v U. Je to, kdy\u017e poprv\u00e9 sly\u0161\u00edme jej\u00ed napjat\u00fd hlas zp\u00edvat, vid\u011bt ji st\u00fdskat si po kamar\u00e1dce z d\u011btstv\u00ed. Velk\u00e1 \u010d\u00e1st v\u00fdvoje jej\u00edho charakteru ve virtu\u00e1ln\u00edm sv\u011bt\u011b p\u016fsob\u00ed odd\u011blen\u011b od v\u00fdvoje jej\u00edho charakteru v IRL. Suzu se sama izoluje od rodiny, komunity, potenci\u00e1ln\u00edch p\u0159\u00e1tel a milostn\u00fdch z\u00e1jm\u016f, dokud se v\u0161ichni nespoj\u00ed prost\u0159ednictv\u00edm Belle, metafory Suzu, kterou u\u017e v\u0161ichni zbo\u017e\u0148ovali - nen\u00ed to diva, jen venkovsk\u00e1 d\u00edvka, kter\u00e1 r\u00e1da zp\u00edv\u00e1.\n<\/p>\n
Naproti tomu Suzu v U se okam\u017eit\u011b c\u00edt\u00ed ve sv\u00e9 nov\u00e9 roli mezin\u00e1rodn\u00ed popov\u00e9 senzace naprosto pohodln\u011b. Zp\u00edv\u00e1, tan\u010d\u00ed, st\u0159\u00edd\u00e1 outfity s nadhledem Ariany Grande. A rozhodne se, \u017ee je jedine\u010dn\u011b vybavena k tomu, aby vyl\u00e1kala \" Bestii\", dal\u0161\u00edho hr\u00e1\u010de pova\u017eovan\u00e9ho za bezbo\u017en\u011b d\u011bsiv\u00e9ho. Kde je tato nov\u00e1 odv\u00e1\u017en\u00e1 Suzu ve skute\u010dn\u00e9m sv\u011bt\u011b?\n<\/p>\n
Belle sk\u00e1\u010de mezi IRL a U, ka\u017ed\u00fd s jinou z\u00e1pletkou a milostn\u00fdmi z\u00e1jmy, je jako dva nebo t\u0159i r\u016fzn\u00e9 filmy. Z nich je jeho virtu\u00e1ln\u00ed sv\u011bt nejslab\u0161\u00ed. Belle se sna\u017e\u00ed obs\u00e1hnout tolik t\u00e9mat, m\u00edst a v\u011bc\u00ed, \u017ee se jen dotkne povrchu sv\u00fdch nejz\u00e1va\u017en\u011bj\u0161\u00edch my\u0161lenek - zejm\u00e9na poselstv\u00ed o potenci\u00e1lu empatie a lidsk\u00e9ho spojen\u00ed online.\n<\/p>\n
To, \u017ee se U nepodob\u00e1 \u017e\u00e1dn\u00e9 z dne\u0161n\u00edch MMORPG nebo kyberprostor\u016f, by nevadilo, kdyby Belle byl fantasy film a ne koment\u00e1\u0159 k s\u00edle technologie. Struktura d\u00e1v\u00e1 technologii smysl. Diktuje, jak se technologie pou\u017e\u00edv\u00e1 a jak\u00fd m\u00e1 dopad na u\u017eivatele. Tv\u016frci her v\u011bd\u00ed l\u00e9pe ne\u017e kdokoli jin\u00fd, \u017ee schopnost hr\u00e1\u010d\u016f se v jejich hr\u00e1ch seberealizovat je v\u00fdsledkem hlubok\u00fdch odborn\u00fdch znalost\u00ed a pozornosti v\u011bnovan\u00e9 detail\u016fm; od procesu tvorby postavy a\u017e po limity bojov\u00e9 s\u00edly. Je to tak, jak se \u0159\u00edk\u00e1: Omezen\u00ed je matkou vyn\u00e1lezu.\n<\/p>\n
Nestrukturovanost je tedy nejslab\u0161\u00ed str\u00e1nkou filmu, kter\u00e1 z Belle d\u011bl\u00e1 m\u00e9n\u011b film o vlivu technologie na \u010dlov\u011bka a v\u00edce film o \u00fat\u011bku. A eskapismus je v z\u00e1kladu v\u017edy o m\u00edst\u011b, odkud ut\u00edk\u00e1te. Proto se nejlep\u0161\u00ed momenty filmu Belle odehr\u00e1vaj\u00ed v prefektu\u0159e K\u014d chi, a ne v neomezen\u00e9m a nezn\u00e1m\u00e9m sv\u011bt\u011b U. Internet v Belle z\u016fst\u00e1v\u00e1 n\u00e1strojem.<\/p>\n","protected":false},"excerpt":{"rendered":"
Kde \u017eila na\u0161e druh\u00e1 j\u00e1 p\u0159ed internetem? \"D\u0159\u00edve existovala jen jedna realita,\" \u0159\u00edk\u00e1 re\u017eis\u00e9r Mamoru Hosoda. Jeho nov\u00fd film Belle je o tom, jak internet p\u0159inesl mo\u017enost m\u00edt v\u00edce j\u00e1 v r\u016fzn\u00fdch sv\u011btech. Film Belle, kter\u00fd byl v USA uveden v p\u00e1tek, sleduje Suzu Naito, kter\u00e1 se pot\u00fdk\u00e1 s nov\u011b nabytou sl\u00e1vou popov\u00e9 hv\u011bzdy ve […]<\/p>\n","protected":false},"author":1,"featured_media":35844,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-35840","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-movies"],"_links":{"self":[{"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/posts\/35840","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/comments?post=35840"}],"version-history":[{"count":0,"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/posts\/35840\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/media\/35844"}],"wp:attachment":[{"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/media?parent=35840"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/categories?post=35840"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/tags?post=35840"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}