V\u0161imli jste si n\u011bkdy, \u017ee domy nejbohat\u0161\u00edch lid\u00ed vypadaj\u00ed, jako by v nich nikdo nebydlel? Je v nich c\u00edtit podivn\u00e1 atmosf\u00e9ra, prav\u00fd opak dom\u00e1cnosti. Nov\u00fd film spole\u010dnosti Netflix Windfall za\u010d\u00edn\u00e1 dlouh\u00fdm, dlouhotrvaj\u00edc\u00edm z\u00e1b\u011brem na n\u00e1bytek na terase u baz\u00e9nu, kter\u00fd je jako z \u010dasopisu Architectural Digest. Pt\u00e1ci cvrlikaj\u00ed, kv\u011btiny kvetou, venkovn\u00ed konferen\u010dn\u00ed stolek je pevn\u00e1 betonov\u00e1 deska. V\u0161echno to k\u0159i\u010d\u00ed, \u017ee je to drah\u00e9. V dlouh\u00e9 sc\u00e9n\u011b beze slov sledujeme bezejmenn\u00e9ho mu\u017ee (Jason Segel, uv\u00e1d\u011bn\u00fd jako \"Nobody\"), kter\u00fd se toul\u00e1 po tomto n\u00e1dhern\u00e9m pozemku, pop\u00edj\u00ed ledovou k\u00e1vu u baz\u00e9nu a nakonec vejde do pr\u00e1zdn\u00e9ho domu. Jeho pokoje jsou stejn\u011b n\u00f3bl jako pozemek, v\u0161ude \u0161pan\u011blsk\u00e9 dla\u017edice, nedot\u010den\u00e9 om\u00edtky a abstraktn\u00ed keramika. Mu\u017e m\u00e1lem odejde, ale neud\u011bl\u00e1 to. M\u00edsto toho se vr\u00e1t\u00ed do domu a za\u010dne rabovat. Na z\u00e1p\u011bst\u00ed si p\u0159ipne rolexky, sb\u00edr\u00e1 \u0161perky, do kapes sv\u00fdch potkan\u00edch kalhot nacpe v\u0161echnu hotovost, kterou najde. Je to vloup\u00e1n\u00ed, i kdy\u017e lakonick\u00e9. Zlod\u011bj je na odchodu, kdy\u017e se objev\u00ed majitel\u00e9, kte\u0159\u00ed se na posledn\u00ed chv\u00edli chystaj\u00ed na romantick\u00fd \u00fat\u011bk. Chyt\u00ed ho d\u0159\u00edv, ne\u017e se mu poda\u0159\u00ed proklouznout ven. A p\u0159esto\u017ee je tento mu\u017e naprost\u00fd amat\u00e9r, vr\u0161\u00ed zlo\u010din na zlo\u010din a bere si dob\u0159e situovan\u00fd p\u00e1r jako rukojm\u00ed.\n<\/p>\n
Majitel\u00e9, technologick\u00fd miliard\u00e1\u0159 (Jesse Plemons) a jeho elegantn\u00ed man\u017eelka (Lily Collinsov\u00e1), se pokou\u0161ej\u00ed zlod\u011bje p\u0159emluvit a nab\u00edzej\u00ed mu v\u0161e, co m\u016f\u017ee sebrat. T\u00e9m\u011b\u0159 se jim poda\u0159\u00ed p\u0159im\u011bt ho k odchodu. Kdy\u017e v\u0161ak \" Nikdo \" pojme podez\u0159en\u00ed, \u017ee byl zachycen na nahr\u00e1vku, po\u017e\u00e1d\u00e1 o dostatek pen\u011bz na za\u010d\u00e1tek nov\u00e9ho \u017eivota, tak\u017ee trojice mus\u00ed po\u010dkat, a\u017e jim druh\u00fd den doru\u010d\u00ed p\u016fl milionu v hotovosti. Zat\u00edmco sleduj\u00ed hodiny, lupi\u010d a jeho zajatci se proch\u00e1zej\u00ed po kr\u00e1sn\u00e9m, sluncem zalit\u00e9m pozemku, proch\u00e1zej\u00ed jeho rozlehl\u00fdm pomeran\u010dov\u00fdm h\u00e1jem, sed\u00ed u p\u0159epychov\u00e9ho ohni\u0161t\u011b a u\u0161t\u011bpa\u010dn\u011b konverzuj\u00ed. Miliard\u00e1\u0159 nem\u016f\u017ee uv\u011b\u0159it, jak\u00fd je jeho v\u011bznitel trouba, a najde si jakoukoli z\u00e1minku, aby ho vyto\u010dil. Dozv\u00edd\u00e1me se, \u017ee p\u016fvodem miliard\u00e1\u0159ova jm\u011bn\u00ed je algoritmus pro propou\u0161t\u011bn\u00ed a \u017ee se nec\u00edt\u00ed \u0161patn\u011b, \u017ee ho vytvo\u0159il; neztr\u00e1c\u00ed \u010das t\u00edm, \u017ee se zlod\u011bje zept\u00e1, jestli byl jedn\u00edm z t\u011bch ne\u0161\u0165astn\u00edk\u016f, kte\u0159\u00ed kv\u016fli jeho pr\u00e1ci p\u0159i\u0161li o pr\u00e1ci. A zlod\u011bj je trouba; t\u011b\u017eko odep\u00edn\u00e1 man\u017eel\u010dinu kabelku, neudr\u017e\u00ed si zav\u00e1zan\u00e9 boty a m\u00e1 z\u00e1chvaty vzteku poka\u017ed\u00e9, kdy\u017e se mu n\u011bco nepovede, co\u017e je \u010dasto. Mezit\u00edm, co si man\u017eelka hraje na m\u00edrotvorce mezi ob\u011bma mu\u017ei, za\u010d\u00edn\u00e1 se tr\u00e1pit stavem sv\u00e9ho man\u017eelstv\u00ed.\n<\/p>\n
Re\u017eis\u00e9r Charlie McDowell se vyznamenal v tom, \u017ee b\u011bhem r\u00e1doby odlou\u010den\u00e9ho pobytu v \u00fastran\u00ed postavil ne\u0161\u0165astn\u00e9 p\u00e1ry p\u0159ed hotovou v\u011bc. V jeho filmu Miluji t\u011b z roku 2014 se dal\u0161\u00ed man\u017eel\u00e9 setk\u00e1vaj\u00ed s ne\u010dekan\u00fdmi cizinci ve vysn\u011bn\u00e9m pr\u00e1zdninov\u00e9m dom\u011b, kdy\u017e se sna\u017e\u00ed o\u017eivit sv\u016fj vztah. Ale zat\u00edmco film Ten, koho miluji m\u011bl v\u011bdeckofantastick\u00fd n\u00e1dech, Windfall je poh\u00e1n\u011bn kriz\u00ed skute\u010dn\u00e9ho \u017eivota: propast\u00ed mezi neuv\u011b\u0159iteln\u011b bohat\u00fdmi a n\u00e1mi ostatn\u00edmi a nemo\u017enost\u00ed ji bez \u00fahony p\u0159ekonat. Navzdory sv\u00e9mu z\u00e1\u0159iv\u00e9mu prost\u0159ed\u00ed m\u00e1 Windfall t\u00f3n noiru, jeho p\u0159\u00edb\u011bh je prosycen\u00fd cynismem, kter\u00fd je stejn\u011b rozs\u00e1hl\u00fd jako v\u00fdhledy na jeho s\u00eddlo.\n<\/p>\n
P\u0159i sledov\u00e1n\u00ed Segelova lupi\u010de, kter\u00fd se dost\u00e1v\u00e1 do st\u00e1le chmurn\u011bj\u0161\u00edch situac\u00ed, jsem si vzpomn\u011bl na n\u011bmecko-rakousk\u00e9 krimin\u00e1ln\u00ed drama Eduk\u00e1to\u0159i z roku 2004 o trojici mlad\u00fdch radik\u00e1l\u016f, kte\u0159\u00ed se rozhodnou d\u00e1t bohat\u00fdm lidem za vyu\u010denou t\u00edm, \u017ee se vloupaj\u00ed do jejich dom\u016f, aby je zneklidnili. Ale zat\u00edmco Eduk\u00e1to\u0159i maj\u00ed soucit se spodinou, Windfall je nel\u00edtostn\u00fd. Pro tento film by bylo snadn\u00e9 sklouznout k moralit\u011b - chud\u00fd \u0161lendri\u00e1n okr\u00e1d\u00e1 bohat\u00e9 kret\u00e9ny, hur\u00e1! - ale nen\u00ed to \u017e\u00e1dn\u00fd triumf prolet\u00e1\u0159\u016f. Kdy\u017e u\u017e, tak je to sv\u011bdectv\u00ed o amor\u00e1lnosti vesm\u00edru, Fargo bez Marge Gundersonov\u00e9 v dohledu. Segel\u016fv lupi\u010d nen\u00ed modern\u00ed Robin Hood; je to jen hlup\u00e1k, kter\u00fd sebral dost odvahy, aby sp\u00e1chal loupe\u017e, a dost hlouposti, aby byl chamtiv\u00fd a cht\u011bl v\u00edc. A\u010dkoli jsou jeho postavy prezentov\u00e1ny jako archetypy, nen\u00ed zde \u017e\u00e1dn\u00fd hrdina.\n<\/p>\n
Prvn\u00ed hodinu se Windfall tv\u00e1\u0159\u00ed jako \u010dern\u00e1 komedie. Zlod\u011bjova neschopnost podporuje n\u011bkter\u00e9 vtipn\u00e9 momenty, nap\u0159\u00edklad kdy\u017e se do\u017eaduje dal\u0161\u00edch pen\u011bz a \u017e\u00e1d\u00e1 150 000 dolar\u016f v hotovosti. Bohat\u00ed lid\u00e9, kter\u00e9 vyd\u00edr\u00e1, mu \u0159eknou, \u017ee bude pot\u0159ebovat v\u00edc, pokud si chce vytvo\u0159it zcela novou identitu. Nikdo z trojice nep\u016fsob\u00ed n\u00e1siln\u011b a v\u0161ichni jsou sp\u00ed\u0161 otr\u00e1ven\u00ed ne\u017e vystra\u0161en\u00ed. Collinsova \u017eena nen\u00ed ani tak nevinn\u011b polapen\u00e1, jako sp\u00ed\u0161 \u010dlov\u011bk, kter\u00fd si pomalu uv\u011bdomuje, \u017ee podm\u00ednky jej\u00ed dohody s \u010f\u00e1blem nebyly ve skute\u010dnosti tak v\u00fdhodn\u00e9. Plemons\u016fv miliard\u00e1\u0159, nafoukan\u00fd a pohrdav\u00fd, je technicky vzato ob\u011bt\u00ed, ale je tak vnit\u0159n\u011b nep\u0159\u00edjemn\u00fd, \u017ee je t\u011b\u017ek\u00e9 vzbudit soucit, kdy\u017e je sv\u00e1z\u00e1n a okraden.\n<\/p>\n
Situace s rukojm\u00edmi v\u0161ak m\u00e1lokdy kon\u010d\u00ed t\u00edm, \u017ee v\u0161ichni odejdou bez \u00fahony. Nebudu \u0159\u00edkat v\u00edc o tom, co se odehr\u00e1v\u00e1, krom\u011b toho, \u017ee asi v 70. minut\u011b je sc\u00e9na, kter\u00e1 m\u011b \u0161okovala natolik, \u017ee jsem vysko\u010dil z gau\u010de. (Gore-averse, be forewarned!) Vtipy stranou, to je pikantn\u00ed, nep\u0159\u00edjemn\u00fd mal\u00fd thriller. I p\u0159es sv\u016fj skromn\u00fd rozsah zanech\u00e1v\u00e1 siln\u011b trpkou pachu\u0165.<\/p>\n","protected":false},"excerpt":{"rendered":"
V\u0161imli jste si n\u011bkdy, \u017ee domy nejbohat\u0161\u00edch lid\u00ed vypadaj\u00ed, jako by v nich nikdo nebydlel? Je v nich c\u00edtit podivn\u00e1 atmosf\u00e9ra, prav\u00fd opak dom\u00e1cnosti. Nov\u00fd film spole\u010dnosti Netflix Windfall za\u010d\u00edn\u00e1 dlouh\u00fdm, dlouhotrvaj\u00edc\u00edm z\u00e1b\u011brem na n\u00e1bytek na terase u baz\u00e9nu, kter\u00fd je jako z \u010dasopisu Architectural Digest. Pt\u00e1ci cvrlikaj\u00ed, kv\u011btiny kvetou, venkovn\u00ed konferen\u010dn\u00ed stolek je pevn\u00e1 […]<\/p>\n","protected":false},"author":1,"featured_media":35714,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-35710","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-movies"],"_links":{"self":[{"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/posts\/35710","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/comments?post=35710"}],"version-history":[{"count":0,"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/posts\/35710\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/media\/35714"}],"wp:attachment":[{"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/media?parent=35710"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/categories?post=35710"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/tags?post=35710"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}