Soci\u00e1ln\u00ed thrillery jsou obt\u00ed\u017enou z\u00e1le\u017eitost\u00ed. Jejich \u00fakolem je zkoumat krutosti \u00fatlaku - a v t\u011bch nejodv\u00e1\u017en\u011bj\u0161\u00edch p\u0159\u00edpadech je odv\u00e1\u017en\u011b zpochyb\u0148ovat - optikou nap\u011bt\u00ed a hr\u016fzy. Tento \u017e\u00e1nr vy\u017eaduje, aby filma\u0159i dok\u00e1zali naj\u00edt k\u0159ehkou rovnov\u00e1hu mezi proz\u0159en\u00edm a z\u00e1bavou. V Mistrovi, stylov\u00e9m a studovan\u00e9m celove\u010dern\u00edm debutu scen\u00e1ristky a re\u017eis\u00e9rky Mariamy Diallo, na\u0161el tento \u017e\u00e1nr autentick\u00fd hlas. Film se soust\u0159ed\u00ed na psychologick\u00e9 trauma \u010dernocha na presti\u017en\u00ed vysok\u00e9 \u0161kole v Nov\u00e9 Anglii a vyjad\u0159uje s\u017e\u00edrav\u00e9 obavy, kter\u00e9 obna\u017euj\u00ed n\u011bkdy jednoduch\u00e9, n\u011bkdy slo\u017eit\u00e9, ale v\u017edy trval\u00e9 hr\u016fzy rasov\u00e9ho nesouladu v Americe. Je to tak\u00e9 v\u00edtan\u00fd pohled na hranice soci\u00e1ln\u00edho thrilleru a na to, jak\u00e9 nov\u00e9 lekce n\u00e1m tento \u017e\u00e1nr m\u016f\u017ee poskytnout, pokud v\u016fbec n\u011bjak\u00e9.\n<\/p>\n
Film \"Master\", kter\u00fd pr\u00e1v\u011b vy\u0161el na Amazon Prime, za\u010d\u00edn\u00e1 v Ancasteru, \"\u0161kole star\u00e9 t\u00e9m\u011b\u0159 jako cel\u00e1 zem\u011b\", a sleduje osudy t\u0159\u00ed \u010derno\u0161ek, kter\u00e9 b\u011bhem akademick\u00e9ho roku \u010del\u00ed mikroagresi, je\u017e je bod\u00e1, provokuje a vyvol\u00e1v\u00e1 pocity zn\u00e1m\u00e9 ka\u017ed\u00e9mu \u010dernochovi, kter\u00fd pro\u0161el ment\u00e1ln\u00ed bitvou na elitn\u00ed, p\u0159ev\u00e1\u017en\u011b b\u00edl\u00e9 vysok\u00e9 \u0161kole. Paranoia se m\u00eds\u00ed s pochybnostmi. Strach vyst\u0159\u00edd\u00e1 zmatek. T\u011b\u017ek\u00e1 bolest z emocion\u00e1ln\u00edho p\u0159et\u00ed\u017een\u00ed. Pocit, \u017ee se v\u0161echno a v\u0161ichni uzav\u00edraj\u00ed do sebe. Diallo, kter\u00fd nav\u0161t\u011bvoval Yale, proch\u00e1z\u00ed toto \u00fazem\u00ed s pe\u010dliv\u00fdm a trp\u011bliv\u00fdm v\u011bdom\u00edm, p\u0159i\u010dem\u017e se pohybuje mezi realismem a nadp\u0159irozenou hr\u016fzou, kter\u00e1 vypl\u00fdv\u00e1 z pro\u017eitk\u016f \u010dernoch\u016f, kte\u0159\u00ed se pot\u00fdkaj\u00ed s t\u00edm, co Ta-Nehisi Coates naz\u00fdv\u00e1 \"hr\u016fzou z odt\u011blesn\u011bn\u00ed\". \"\n<\/p>\n
Z\u00e1pletka se rozv\u00edj\u00ed, kdy\u017e je Gail Bishopov\u00e1 (Regina Hallov\u00e1 v nev\u00fdrazn\u00e9 roli) pov\u00fd\u0161ena na \"mistrovou\" v jednom z kolejn\u00edch dom\u016f. Je prvn\u00ed \u010derno\u0161skou \u010dlenkou fakulty, kter\u00e1 tuto pozici zast\u00e1v\u00e1, a jej\u00ed pov\u00fd\u0161en\u00ed odstartuje s\u00e9rii stup\u0148uj\u00edc\u00edch se st\u0159et\u016f mezi n\u00ed, kolegyn\u00ed profesorkou Liv Beckmanovou (Amber Gray) a Jasmine Mooreovou (Zoe Renee), dychtivou nov\u00e1\u010dkou, kter\u00e1 chce zapadnout. Pokud je Gail sv\u011bdom\u00edm Masteru - a ona j\u00edm do zna\u010dn\u00e9 m\u00edry je -, Jasmine je jeho emocion\u00e1ln\u00edm st\u0159edem, jeho chv\u011bj\u00edc\u00edm se srdcem.\n<\/p>\n
Jak se mikroagrese hromad\u00ed, Jasm\u00ednu pohlt\u00ed kus \u0161koln\u00edho folkl\u00f3ru. \u0158\u00edk\u00e1 se, \u017ee na \u0161kole p\u0159ed stalet\u00edmi zem\u0159ela \u017eena, kter\u00e1 byla pova\u017eov\u00e1na za \u010darod\u011bjnici a nyn\u00ed zde stra\u0161\u00ed a ka\u017ed\u00fd rok terorizuje nov\u00e9ho prv\u00e1ka. Skute\u010dnost tohoto m\u00fdtu je v\u0161ak mnohem bl\u00ed\u017ee domovu a Diallovi poskytuje dokonalou paralelu, kter\u00e1 vypr\u00e1v\u011bn\u00ed posouv\u00e1 z minulosti do fantaskna: v roce 1965 byl ve stejn\u00e9 m\u00edstnosti, kterou ob\u00fdv\u00e1 Jasm\u00edna, lyn\u010dov\u00e1n prvn\u00ed \u010derno\u0161sk\u00fd student Ancasteru. S odkazem na n\u00e1silnou historii poprav b\u00edl\u00fdch na \u010derno\u0161\u00edch, kter\u00e9 byly formou likvidace a ve\u0159ejn\u00e9 z\u00e1bavy - a jedn\u00edm z p\u016fvodn\u00edch stra\u0161idel - Diallo p\u0159etv\u00e1\u0159\u00ed sv\u016fj soci\u00e1ln\u00ed thriller v ducha\u0159sk\u00fd p\u0159\u00edb\u011bh 21. stolet\u00ed.\n<\/p>\n
Ani\u017e bych cht\u011bl prozrazovat p\u0159\u00edli\u0161, \u0159eknu jen, \u017ee lyn\u010dov\u00e1n\u00ed je ve filmu pou\u017eito jak doslovn\u011b, tak i my\u0161lenkov\u011b, p\u0159i\u010dem\u017e Diallo pou\u017e\u00edv\u00e1 r\u016fzn\u00e9 estetick\u00e9 triky, aby div\u00e1ci l\u00e9pe pochopili nar\u016fstaj\u00edc\u00ed temnotu, kter\u00e1 obklopuje Jasmine a Gail. D\u011bje se tak p\u0159edev\u0161\u00edm pomoc\u00ed barev - Diallova charakteristick\u00e1 \u010derven\u00e1 sugestivn\u011b p\u016fsob\u00ed na mysl -, st\u00edn\u016f a st\u0159\u00eddav\u00fdch z\u00e1b\u011br\u016f kamery, kter\u00e9 dr\u00e1\u017ed\u00ed rozm\u011bry a hloubku. V \u0161ir\u0161\u00edm smyslu film odhaluje zhoubnou povahu struktur\u00e1ln\u00edch syst\u00e9m\u016f, zejm\u00e9na ve vysok\u00e9m \u0161kolstv\u00ed - jak, pro\u010d a pro koho jsou udr\u017eov\u00e1ny. Vypl\u00fdv\u00e1 z toho, \u017ee ti, kdo se pokou\u0161ej\u00ed proti syst\u00e9m\u016fm moci bojovat, jsou prokleti u\u017e p\u0159i samotn\u00e9 snaze.\n<\/p>\n
Kritick\u00e1 ot\u00e1zka filmu p\u0159ich\u00e1z\u00ed v prvn\u00ed \u010dtvrtin\u011b, ale po celou dobu si dr\u017e\u00ed jiskru, aby osv\u011btlila samotnou podstatu \u017e\u00e1nru, kter\u00fd i ve sv\u00fdch nejrozt\u0159esen\u011bj\u0161\u00edch a nejdemyti\u010dt\u011bj\u0161\u00edch podob\u00e1ch z\u016fst\u00e1v\u00e1 sv\u00e1z\u00e1n specifickou zku\u0161enost\u00ed, kdy\u017e se zam\u011b\u0159uje na \u010dernochy. Kdy\u017e se Jasm\u00edna jedn\u00e9 noci vr\u00e1t\u00ed do sv\u00e9ho pokoje, je vyvedena z m\u00edry. \"Kdo jsi? \" zept\u00e1 se j\u00ed b\u00edl\u00fd mu\u017e z vy\u0161\u0161\u00edho ro\u010dn\u00edku, kdy\u017e vstoup\u00ed. T\u00e9m\u011b\u0159 okam\u017eit\u011b se ozvou dal\u0161\u00ed studenti - rovn\u011b\u017e v\u0161ichni b\u011blo\u0161i, kter\u00e9 pozval Jasminin spolubydl\u00edc\u00ed - a nep\u0159\u00edjemn\u011b vybal\u00ed odpov\u011bdi, kter\u00e9 dopadaj\u00ed jako d\u00fdky. Vyk\u0159ikuj\u00ed jm\u00e9na \u010derno\u0161ek, kter\u00e9 jsou \u010dasto pou\u017e\u00edv\u00e1ny jako kli\u0161\u00e9 pro ur\u010dit\u00fd obraz \u00fasp\u011bchu \u010dernoch\u016f: Beyonc\u00e9 \u0301 , Lizzo, \" jedna ze sester Williamsov\u00fdch. \"\n<\/p>\n
A proto\u017ee je tato doba tak\u00e9 pro\u0161pikovan\u00e1 digit\u00e1ln\u00edmi apar\u00e1ty (z nich\u017e mnoh\u00e9 pou\u017e\u00edv\u00e1me denn\u011b, od Instagramu po YouTube), kter\u00e9 n\u00e1m \u0159\u00edkaj\u00ed, jak m\u00e1me \u017e\u00edt, k\u00fdm m\u00e1me b\u00fdt a o co bychom m\u011bli a nem\u011bli usilovat v zemi, kter\u00e1 z velk\u00e9 \u010d\u00e1sti setrv\u00e1v\u00e1 na l\u017ei, chamtivosti a paradoxech, m\u016f\u017ee b\u00fdt n\u011bkdy obt\u00ed\u017en\u00e9 rozpoznat sv\u016fj obraz v zrcadle. Poznat, kdo skute\u010dn\u011b jste. N\u00e1\u0161 n\u00e1rod je sv\u00e1z\u00e1n s rozpory. Co tedy m\u016f\u017ee b\u00fdt sp\u00e1sou? R\u00e1d si mysl\u00edm, \u017ee je to p\u0159esv\u011bd\u010den\u00ed o sob\u011b sam\u00e9m, kter\u00e9 je skute\u010dn\u00fdm stabiliz\u00e1torem, kdy\u017e \u010del\u00edme n\u00e1hl\u00e9 hr\u016fze. Div\u00e1ci sleduj\u00ed, jak se Jasm\u00edna sna\u017e\u00ed udr\u017eet na nohou, ale tato zku\u0161enost ji vyvede z rovnov\u00e1hy, a pr\u00e1v\u011b tato nerovnov\u00e1ha - ot\u00e1zka, k\u00fdm je a zda n\u011bkam pat\u0159\u00ed - ji pohlt\u00ed, kdy\u017e se film zvrtne do p\u0159ekvapiv\u00e9ho konce.\n<\/p>\n
Mistr je soci\u00e1ln\u00ed thriller, ale proto\u017ee je to z\u00e1rove\u0148 hororov\u00e9 d\u00edlo, nach\u00e1z\u00ed skute\u010dnou tematickou podstatu ve v\u00fdslechu sebe sama. V mez\u00edch b\u011blo\u0161stv\u00ed je p\u0159\u00edb\u011bh \u010dernoch\u016f v Americe v podstat\u011b p\u0159\u00edb\u011bhem hr\u016fzy. Jak by ne? Proto je \u010derno\u0161sk\u00fd horor p\u0159\u00edmo o hranic\u00edch lidsk\u00e9ho vysvobozen\u00ed - nejedn\u00e1 se ani tak o kone\u010dn\u00fd c\u00edl, jako sp\u00ed\u0161e o jeho n\u00e1ro\u010dnou da\u0148. \n<\/p>\n
Ob\u010das si v\u0161ak \u0159\u00edk\u00e1m, jestli se \u017e\u00e1nr soci\u00e1ln\u00edho thrilleru ve sv\u00e9m recyklovan\u00e9m podvracen\u00ed t\u0159\u00eddn\u00edho neklidu, rasov\u00e9 disharmonie a emocion\u00e1ln\u00edho teroru p\u0159\u00edli\u0161 neuvolnil. \u017d\u00e1nr, kter\u00fd o\u017eivil Jordan Peele sv\u00fdm trh\u00e1kem Get Out (2017), roz\u0161\u00ed\u0159il toto t\u00e1z\u00e1n\u00ed prost\u0159ednictv\u00edm film\u016f jako Tyrel (2018) a Jeho d\u016fm (2020), kter\u00e9 p\u0159evracej\u00ed v\u0161edn\u00ed z\u00e1\u017eitky do podoby groteskn\u011bj\u0161\u00ed, d\u011bsiv\u011bji re\u00e1ln\u00e9. Jeho t\u00e9mata jsou nad\u010dasov\u011b aktu\u00e1ln\u00ed, a proto\u017ee definuj\u00ed velkou \u010d\u00e1st toho, jak ch\u00e1peme soci\u00e1ln\u00ed thrillery - \u017e\u00e1nr, kter\u00fd mus\u00ed p\u0159ijmout realismus, i kdy\u017e s n\u00edm experimentuje -, z\u00e1rove\u0148 omezuj\u00ed mo\u017enosti (vyprav\u011b\u010dsk\u00e9, nikoli vizu\u00e1ln\u00ed).\n<\/p>\n
Ch\u00e1pu, \u017ee um\u011bn\u00ed umo\u017e\u0148uje ostatn\u00edm l\u00e9pe pochopit dopady rasov\u00e9ho, t\u0159\u00eddn\u00edho a genderov\u00e9ho \u00fatlaku. Ch\u00e1pu, \u017ee t\u011bm z n\u00e1s, kte\u0159\u00ed se s n\u00edm denn\u011b pot\u00fdkaj\u00ed, umo\u017e\u0148uje poc\u00edtit n\u00e1znak uzn\u00e1n\u00ed. C\u00edtit se vid\u011bni. To v\u0161echno je d\u016fle\u017eit\u00e9. Ale faktem je, \u017ee pro \u010dernochy, trans d\u011bti, \u017eeny, queer lidi, posti\u017een\u00e9, pro v\u0161echny, kte\u0159\u00ed jsou neust\u00e1le znev\u00fdhod\u0148ov\u00e1ni a je jim \u0159\u00edk\u00e1no, \u017ee oni jsou ten probl\u00e9m - \u017eit\u00e1 realita bude v\u017edy p\u0159evy\u0161ovat interpretaci. \u017d\u00e1nr m\u00e1 omezen\u00fd dosah, proto\u017ee n\u00e1m m\u016f\u017ee \u0159\u00edct jen to, co u\u017e v\u00edme.\n<\/p>\n
Soci\u00e1ln\u00ed thrillery se uk\u00e1zaly jako nezbytn\u00e1 protiv\u00e1ha pokroku, kter\u00fd Amerika fale\u0161n\u011b obhajuje, a prost\u0159ednictv\u00edm alegorie odhaluj\u00ed skute\u010dnou povahu n\u00e1roda. Hr\u016fzy \u017eij\u00ed mezi n\u00e1mi. Vid\u00edme je ve zpr\u00e1v\u00e1ch a setk\u00e1v\u00e1me se s nimi na TikToku. \u010cern\u00e1 bolest je nyn\u00ed optimalizov\u00e1na tak, aby se stala vir\u00e1ln\u00ed ka\u017edou hodinu, ka\u017edou hodinu. Jak se Jasm\u00edna dozv\u011bd\u011bla, tyto konfrontace nen\u00ed snadn\u00e9 zma\u0159it. A i kdy\u017e \u010dlov\u011bk soumrak p\u0159e\u017eije - tedy pokud m\u00e1 to \u0161t\u011bst\u00ed, \u017ee se mu to poda\u0159\u00ed - fyzick\u00e9 a psychick\u00e9 n\u00e1sledky p\u0159etrv\u00e1vaj\u00ed. Jak\u00e1 byla cena za pr\u016fchod? To je posledn\u00ed ot\u00e1zka, se kterou mus\u00ed Gail sama po\u010d\u00edtat.<\/p>\n","protected":false},"excerpt":{"rendered":"
Soci\u00e1ln\u00ed thrillery jsou obt\u00ed\u017enou z\u00e1le\u017eitost\u00ed. Jejich \u00fakolem je zkoumat krutosti \u00fatlaku - a v t\u011bch nejodv\u00e1\u017en\u011bj\u0161\u00edch p\u0159\u00edpadech je odv\u00e1\u017en\u011b zpochyb\u0148ovat - optikou nap\u011bt\u00ed a hr\u016fzy. Tento \u017e\u00e1nr vy\u017eaduje, aby filma\u0159i dok\u00e1zali naj\u00edt k\u0159ehkou rovnov\u00e1hu mezi proz\u0159en\u00edm a z\u00e1bavou. V Mistrovi, stylov\u00e9m a studovan\u00e9m celove\u010dern\u00edm debutu scen\u00e1ristky a re\u017eis\u00e9rky Mariamy Diallo, na\u0161el tento \u017e\u00e1nr autentick\u00fd hlas. […]<\/p>\n","protected":false},"author":1,"featured_media":35688,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-35684","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-movies"],"_links":{"self":[{"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/posts\/35684","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/comments?post=35684"}],"version-history":[{"count":0,"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/posts\/35684\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/media\/35688"}],"wp:attachment":[{"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/media?parent=35684"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/categories?post=35684"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/tags?post=35684"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}