Od sv\u00e9ho vzniku slou\u017e\u00ed science fiction jako prizma, skrze kter\u00e9 lze nahl\u00ed\u017eet na technologick\u00e9 obavy: Godzilla a Superman vyr\u016fstaj\u00edc\u00ed z atomov\u00e9ho prachu, milenci robot\u016f, kte\u0159\u00ed nut\u00ed div\u00e1ky pochybovat o jedine\u010dnosti lidsk\u00e9ho \u017eivota, vzru\u0161uj\u00edc\u00ed a zvr\u00e1cen\u00e9 ta\u017een\u00ed t\u011b\u017ea\u0159\u016f za hranice slune\u010dn\u00ed soustavy. Nejorigin\u00e1ln\u011bj\u0161\u00ed vypr\u00e1v\u011bn\u00ed tohoto \u017e\u00e1nru tyto obavy vym\u00edtaj\u00ed prost\u0159ednictv\u00edm katarze. Lidstvo p\u0159elst\u00ed kaiju, v\u011bda l\u00e9\u010d\u00ed n\u00e1kazu na \u00fat\u011bku. Ze v\u0161ech modern\u00edch obav je odlou\u010den\u00ed na\u0161eho internetov\u00e9ho j\u00e1 od skute\u010dn\u00e9ho \u017eivota mo\u017en\u00e1 tou nejsliz\u0161t\u011bj\u0161\u00ed v\u011bc\u00ed, kterou se zat\u00edm poda\u0159ilo do dramatick\u00fdch oblouk\u016f science fiction zakomponovat. P\u0159esto n\u011bjak\u00fdm zp\u016fsobem v posledn\u00edm p\u016flroce v kinech explodoval typ filmu, kter\u00fd by mohl b\u00fdt nejvhodn\u011bj\u0161\u00ed pro zvl\u00e1dnut\u00ed jeho t\u011b\u017ekop\u00e1dn\u00fdch obrys\u016f: multivers\u00e1ln\u00ed film.\n<\/p>\n
Je pon\u011bkud p\u0159ekvapiv\u00e9, \u017ee se tak v\u00fdsti\u017en\u00fd projev internetu vyv\u00edjel tak dlouho. Jist\u011b, byly tu i jin\u00e9 pokusy; filmy od Trona p\u0159es Hackery a\u017e po Ralph Breaks the Internet se pokou\u0161ely vizualizovat vstup do kybernetick\u00fdch sv\u011bt\u016f, kde koule dat cestuj\u00ed v cukrkandlov\u00fdch s\u00edt\u00edch. Tyto filmy v\u0161ak ilustruj\u00ed touhu po metaverzu, nikoliv na\u0161i skute\u010dnou zku\u0161enost s t\u00edm, jak\u00e9 to je \u017e\u00edt \u017eivot roz\u0161\u00ed\u0159en\u00fd o internet.\n<\/p>\n
Z vyprav\u011b\u010dsk\u00e9ho hlediska je probl\u00e9m v tom, \u017ee jakmile odstran\u00edte fantazijn\u00ed prvek proch\u00e1zen\u00ed zrcadlem.\n<\/p>\n
Multivesm\u00edr, stejn\u011b jako internet, nen\u00ed pohlcuj\u00edc\u00ed, ale rozs\u00e1hl\u00fd. Teorie multiverza p\u0159edpokl\u00e1d\u00e1, \u017ee existuje nekone\u010dn\u00e9 mno\u017estv\u00ed vesm\u00edr\u016f, v nich\u017e se odehr\u00e1vaj\u00ed v\u0161echny a libovoln\u00e9 kombinace mo\u017enost\u00ed. Ve filmech jako V\u0161echno a v\u0161ude najednou, Spider-Man: Bez cesty dom\u016f a minul\u00fd t\u00fdden ' Doctor Strange v Multivesm\u00edru \u0161\u00edlenstv\u00ed je multivesm\u00edr m\u00e9n\u011b pohledem do neomezen\u00fdch ka\u0161\u00ed n\u00e1hody a v\u00edce o rozt\u0159\u00ed\u0161t\u011bnosti a potenci\u00e1lu sebe sama a spole\u010dnosti.\n<\/p>\n
T\u0159eba Evelyn, hlavn\u00ed hrdinka knihy Everything Everywhere. Je zaho\u0159kl\u00e1, roztr\u017eit\u00e1 a nedok\u00e1\u017ee se radovat z rodiny ani ze \u017eivota, proto\u017ee vynakl\u00e1d\u00e1 ve\u0161kerou RAM ve sv\u00e9m mozku na to, aby udr\u017eela sv\u016fj podnik v chodu a z\u00e1rove\u0148 se vypo\u0159\u00e1dala s da\u0148ovou kontrolou. Kdy\u017e j\u00ed v\u0161ak do \u017eivota vtrhne Alfa Waymond, jej\u00ed man\u017eel z jin\u00e9ho vesm\u00edru, p\u0159edstav\u00ed se j\u00ed v\u0161ichni lid\u00e9, kter\u00fdmi mohla b\u00fdt, kdyby se rozhodla jinak. Kdyby z\u016fstala doma v \u010c\u00edn\u011b, m\u00edsto aby s man\u017eelem emigrovala do Ameriky, mohla se st\u00e1t mistryn\u00ed kung-fu a filmovou hv\u011bzdou. V jin\u00e9m \u017eivot\u011b by se stala \u0161\u00e9fkucha\u0159kou. V jin\u00e9m \u017eivot\u011b by byla \u017eenou s p\u00e1rky v rohl\u00edku m\u00edsto prst\u016f a u\u017e\u00edvala si bou\u0159liv\u00fd lesbick\u00fd vztah. Potvrd\u00ed se jej\u00ed hluboce zako\u0159en\u011bn\u00fd strach. \"Jsi ta nejnudn\u011bj\u0161\u00ed Evelyn,\" vysv\u011btluje Alpha Waymond.\n<\/p>\n
Je v tomto smrteln\u00e9m \u017eivot\u011b n\u011bco srdcervouc\u00edho ne\u017e v\u011bdom\u00ed nebo podez\u0159en\u00ed, \u017ee v\u00e1s od lep\u0161\u00edho, bohat\u0161\u00edho, schopn\u011bj\u0161\u00edho, milovan\u011bj\u0161\u00edho, m\u00e9n\u011b osam\u011bl\u00e9ho \u017eivota d\u011blilo jen jedno n\u00e1hodn\u00e9 setk\u00e1n\u00ed, jedno odv\u00e1\u017en\u00e9 rozhodnut\u00ed? Mo\u017en\u00e1 kdybyste se v d\u011btstv\u00ed nepra\u0161tili do hlavy pr\u00e1v\u011b t\u00edmhle zp\u016fsobem, byli byste z\u00e1zra\u010dn\u00e9 d\u00edt\u011b. Dlouh\u00e9 d\u011btstv\u00ed str\u00e1v\u00edme p\u0159em\u00fd\u0161len\u00edm, jestli budeme hezc\u00ed, chyt\u0159\u00ed nebo obl\u00edben\u00ed. Pak jsou tu ta l\u00e9ta, kdy je to ve va\u0161ich rukou, ale u\u017e se zd\u00e1, \u017ee je o mnoh\u00e9m rozhodnuto; okno se zav\u00edr\u00e1 - rychle, a pak bude po v\u0161em. A pak bude opravdu konec.\n<\/p>\n
Stejn\u011b jako za\u0159\u00edzen\u00ed na p\u0159eskakov\u00e1n\u00ed ver\u0161\u016f, kter\u00e9 Evelyn pou\u017e\u00edv\u00e1 k pronik\u00e1n\u00ed do sv\u00fdch druh\u00fdch j\u00e1, je i internet sv\u00e9ho druhu v\u011bdma. V \u017eivotech druh\u00fdch, tak zv\u011bt\u0161en\u00fdch, zmen\u0161en\u00fdch a zm\u011b\u0159en\u00fdch, vid\u00edme cesty, kter\u00e9 jsme nepro\u0161li, z\u00e1\u017eitky, kter\u00e9 jsme nepro\u017eili. Ale internet je v\u00edc ne\u017e jen depresivn\u00ed videokan\u00e1l ciz\u00edch ve\u010d\u00edrk\u016f. D\u00edky zv\u011bdavosti a po\u017eehn\u00e1n\u00ed anonymity, alternativn\u00edm \u00fa\u010dt\u016fm nebo jen naprost\u00e9 absenci norem je internet tak\u00e9 m\u00edstem, kde lze vyu\u017e\u00edt nejr\u016fzn\u011bj\u0161\u00ed mo\u017enosti, formovat se nad r\u00e1mec sv\u00fdch sou\u010dasn\u00fdch, fyzick\u00fdch podm\u00ednek - co\u017e je lekce, kterou Evelyn z\u00edsk\u00e1v\u00e1, kdy\u017e vyu\u017e\u00edv\u00e1 dovednosti sv\u00fdch druh\u00fdch j\u00e1, aby se ubr\u00e1nila padouch\u016fm se z\u00e1tkami a no\u017eem Benihana.\n<\/p>\n
Ale to jsou jen v\u00fdhody zkoum\u00e1n\u00ed vlastn\u00ed identity online. V\u0161echna ta anonymita m\u016f\u017ee tak\u00e9 prom\u011bnit hrdiny v monstra. Peter Parker se o tom p\u0159esv\u011bd\u010d\u00ed v prvn\u00edch \u010dty\u0159ech minut\u00e1ch filmu Spider-Man: Bez cesty dom\u016f, kdy\u017e je obvin\u011bn z vra\u017edy v zav\u00e1d\u011bj\u00edc\u00edm videu, kter\u00e9 zve\u0159ejn\u00ed odborn\u00edk s velkou platformou. (Nep\u0159ekvapiv\u011b se uk\u00e1\u017ee, \u017ee je to jen n\u011bjak\u00fd chl\u00e1pek s kruhov\u00fdm sv\u011btlem a zelenou obrazovkou.) Peter je zru\u0161en, co\u017e je osud hor\u0161\u00ed ne\u017e smrt, proto\u017ee te\u010f se on a jeho p\u0159\u00e1tel\u00e9 nemohou dostat na vysokou \u0161kolu. I kdy\u017e jeho p\u0159\u00edtelkyn\u011b MJ \u0159\u00edk\u00e1, \u017ee toho nelituje, Peter se \" sna\u017e\u00ed \u017e\u00edt dva r\u016fzn\u00e9 \u017eivoty\", jak mu to vysv\u011btluje jeho teta, a nezvl\u00e1d\u00e1 to. Rozd\u00edl mezi skute\u010dn\u00fdm Peterem a t\u00edm, kter\u00e9ho zn\u00e1 internet, je p\u0159\u00edli\u0161 velk\u00fd.\n<\/p>\n
Kdy\u017e se hranice mezi ve\u0159ejn\u00fdm a soukrom\u00fdm st\u00edr\u00e1 nebo p\u0159\u00edmo ru\u0161\u00ed, vznik\u00e1 po\u017eadavek vzd\u00e1t se soukrom\u00e9ho a ve\u0159ejn\u00e9ho j\u00e1, uchopit osobnost, kter\u00e1 m\u016f\u017ee proch\u00e1zet mnoha r\u016fzn\u00fdmi sf\u00e9rami a z\u00e1rove\u0148 obst\u00e1t p\u0159i zkoum\u00e1n\u00ed. Je to skli\u010duj\u00edc\u00ed. Stejn\u011b jako Evelyn ve filmu V\u0161echno je tu hlubok\u00e1 touha \" vr\u00e1tit se do star\u00fdch kolej\u00ed. \"Pro Petera to znamen\u00e1 dobu, kdy m\u011bl sv\u00e9 soukrom\u00e9 j\u00e1, pro Evelyn jednodu\u0161\u0161\u00ed \u010dasy jej\u00edho ml\u00e1d\u00ed. M\u00edsto toho se ob\u011b postavy \u0161t\u011bp\u00ed ve \u0161vech, zat\u00edmco se setk\u00e1vaj\u00ed s n\u00e1porem nep\u0159\u00e1tel: z\u00e1ke\u0159n\u00fdch nep\u0159\u00e1tel, kte\u0159\u00ed se \u0159\u00edd\u00ed pohnutkami ciz\u00edmi sv\u011bt\u016fm na\u0161ich hrdin\u016f. Nen\u00ed pr\u00e1v\u011b tohle no\u010dn\u00ed m\u016fra internetu, \u017ee \u0159\u00edk\u00e1me soukrom\u00e9 v\u011bci v podivn\u00e9m polove\u0159ejn\u00e9m prostoru a posuzuj\u00ed n\u00e1s ciz\u00ed lid\u00e9, kte\u0159\u00ed neznaj\u00ed na\u0161e souvislosti ani z\u00e1m\u011bry?\n<\/p>\n
Multivesm\u00edrn\u00fd p\u0159\u00edb\u011bh, kter\u00fd se v t\u011bchto filmech odehr\u00e1v\u00e1, nakonec sm\u011b\u0159uje k celistvosti. A\u010dkoli je t\u0159eba nejprve uznat a dokonce oslavovat rozt\u0159\u00ed\u0161t\u011bnost, p\u0159eskakov\u00e1n\u00ed mezi sv\u011bty a j\u00e1 nen\u00ed udr\u017eiteln\u00fd stav. Peter i Evelyn nach\u00e1zej\u00ed tuto nepolapitelnou celistvost, kterou Everything p\u0159irovn\u00e1v\u00e1 k osv\u00edcen\u00ed, nejen p\u0159ijet\u00edm \u0159ady sv\u00fdch j\u00e1, ale i p\u0159ijet\u00edm sv\u00fdch nep\u0159\u00e1tel. Ve chv\u00edli, kdy se cel\u00e1 divadla rozpl\u00e1\u010dou, ji Evelynin man\u017eel pros\u00ed. \"V\u00edm, \u017ee jsi bojovnice,\" \u0159\u00edk\u00e1, ale \u017e\u00e1d\u00e1 ji, aby se vzdala sv\u00e9ho obrann\u00e9ho postoje. \" Jedin\u00e9, co v\u00edm, je, \u017ee mus\u00edme b\u00fdt laskav\u00ed. Pros\u00edm, bu\u010fte laskav\u00ed, zvl\u00e1\u0161\u0165 kdy\u017e nev\u00edme, co se d\u011bje. \" Evelyn i Peter si uv\u011bdomuj\u00ed, \u017ee br\u00e1nit sebe a lidi, kter\u00e9 maj\u00ed r\u00e1di, znamen\u00e1 chovat se k nep\u0159\u00e1tel\u016fm s empati\u00ed. To je dobr\u00e9, kdy\u017e sledujete boj superhrdin\u016f a fantastick\u00fdch padouch\u016f na pl\u00e1tn\u011b, n\u011bco jin\u00e9ho je, kdy\u017e \u010del\u00edte nelidsk\u00fdm \u00fatok\u016fm online.\n<\/p>\n
Evelyn a Peter maj\u00ed schopnosti. Jejich p\u00e9\u010de o nep\u0159\u00e1tele je doslova prom\u011b\u0148uje v jin\u00e9 lidi, kte\u0159\u00ed je ji\u017e neohro\u017euj\u00ed. Je skli\u010duj\u00edc\u00ed, a dokonce pov\u00fd\u0161en\u00e9, kdy\u017e v\u00e1m n\u011bkdo \u0159\u00edk\u00e1, \u017ee d\u016fvodem, pro\u010d se ideologov\u00e9, jako jsou transfobov\u00e9, aktivist\u00e9 proti potrat\u016fm a trollov\u00e9 ze zahrady, nevzdali sv\u00e9 agendy, je to, \u017ee se k nim nechovali dostate\u010dn\u011b empaticky, \u017ee lid\u00e9, kte\u0159\u00ed se boj\u00ed o sv\u00e1 pr\u00e1va, jsou prost\u011b p\u0159\u00edli\u0161 zl\u00ed.\n<\/p>\n
Zbavit se obranyschopnosti v re\u00e1ln\u00e9m \u017eivot\u011b m\u016f\u017ee b\u00fdt \u017eivotu nebezpe\u010dn\u00e9, zbavit se j\u00ed online znamen\u00e1 m\u00edt pocit, \u017ee kdy\u017e u\u017e svou identitu nechr\u00e1n\u00edte, mus\u00edte si myslet, \u017ee nestoj\u00ed za to ji chr\u00e1nit. Abychom se c\u00edtili bezpe\u010dn\u011b a empaticky online, mus\u00edme vyu\u017e\u00edt jedine\u010dn\u00fdch vlastnost\u00ed internetu, jako je experimentov\u00e1n\u00ed, organizov\u00e1n\u00ed komunit, p\u0159\u00edstup k neomezen\u00fdm znalostem a neutuchaj\u00edc\u00ed nutk\u00e1n\u00ed sd\u00edlet, a vytvo\u0159it nov\u00e9 zp\u016fsoby oslavov\u00e1n\u00ed a podpory na\u0161\u00ed rozmanitosti. Pr\u00e1v\u011b v tomto duchu bychom mohli br\u00e1t v\u00e1\u017en\u011b pou\u010den\u00ed z film\u016f o multivesm\u00edru jako internetu. V\u0161ichni cestujeme z r\u016fzn\u00fdch sv\u011bt\u016f, v\u0161ichni jsme si navz\u00e1jem cizinci a mohli bychom si p\u0159i setk\u00e1n\u00ed \u0159\u00edct: P\u0159ich\u00e1z\u00edm v m\u00edru.<\/p>\n","protected":false},"excerpt":{"rendered":"
Od sv\u00e9ho vzniku slou\u017e\u00ed science fiction jako prizma, skrze kter\u00e9 lze nahl\u00ed\u017eet na technologick\u00e9 obavy: Godzilla a Superman vyr\u016fstaj\u00edc\u00ed z atomov\u00e9ho prachu, milenci robot\u016f, kte\u0159\u00ed nut\u00ed div\u00e1ky pochybovat o jedine\u010dnosti lidsk\u00e9ho \u017eivota, vzru\u0161uj\u00edc\u00ed a zvr\u00e1cen\u00e9 ta\u017een\u00ed t\u011b\u017ea\u0159\u016f za hranice slune\u010dn\u00ed soustavy. Nejorigin\u00e1ln\u011bj\u0161\u00ed vypr\u00e1v\u011bn\u00ed tohoto \u017e\u00e1nru tyto obavy vym\u00edtaj\u00ed prost\u0159ednictv\u00edm katarze. Lidstvo p\u0159elst\u00ed kaiju, v\u011bda l\u00e9\u010d\u00ed […]<\/p>\n","protected":false},"author":1,"featured_media":35584,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-35580","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-movies"],"_links":{"self":[{"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/posts\/35580","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/comments?post=35580"}],"version-history":[{"count":0,"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/posts\/35580\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/media\/35584"}],"wp:attachment":[{"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/media?parent=35580"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/categories?post=35580"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/tags?post=35580"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}