{"id":35293,"date":"2022-12-29T09:40:17","date_gmt":"2022-12-29T06:40:17","guid":{"rendered":"https:\/\/demo5.teaser-cube.ru\/2022\/12\/29\/csmuzi-jsou-vynikajici-film-a-ja-nemam-tuseni-pro-koho-je-urcen\/"},"modified":"2022-12-29T09:40:17","modified_gmt":"2022-12-29T06:40:17","slug":"csmuzi-jsou-vynikajici-film-a-ja-nemam-tuseni-pro-koho-je-urcen","status":"publish","type":"post","link":"https:\/\/movieworld.blog\/cs\/2022\/12\/29\/csmuzi-jsou-vynikajici-film-a-ja-nemam-tuseni-pro-koho-je-urcen\/","title":{"rendered":"Mu\u017ei jsou vynikaj\u00edc\u00ed film a j\u00e1 nem\u00e1m tu\u0161en\u00ed, pro koho je ur\u010den"},"content":{"rendered":"<p>Od t\u00e9 doby, co v roce 2017 vy\u0161el Colossal, se sna\u017e\u00edm naj\u00edt lidi, se kter\u00fdmi bych se o n\u011bj pod\u011blil. Narazil jsem na ze\u010f. Lid\u00e9, pro kter\u00e9 by p\u0159\u00edb\u011bh mohl m\u00edt odezvu, se na n\u011bj d\u00edvaj\u00ed nejnep\u0159\u00edjemn\u011bji. A lid\u00e9, kte\u0159\u00ed by z internalizace jeho poselstv\u00ed o destruktivn\u00ed povaze toxick\u00e9 maskulinity m\u011bli nejv\u011bt\u0161\u00ed u\u017eitek, jsou ti, kte\u0159\u00ed jsou z toho, co chce film \u0159\u00edct, naprosto otup\u011bl\u00ed. Jen m\u00e1lokdo je na m\u00edst\u011b, aby z n\u011bj m\u011bl skute\u010dn\u00fd prosp\u011bch.\n<\/p>\n<p>Zd\u00e1 se, \u017ee mu\u017ei jsou odsouzeni k podobn\u00e9mu osudu.\n<\/p>\n<p>Film, kter\u00fd napsal a re\u017e\u00edroval Alex Garland (Ex Machina, Annihilation), je hororem, kter\u00fd je podle slov jeho tv\u016frce o \"pocitu hr\u016fzy.  \" Sp\u00ed\u0161e ne\u017e vra\u017edy nebo gore jsou v\u011bt\u0161inou zapamatovateln\u00fdch moment\u016f a\u017e p\u0159\u00edli\u0161 zn\u00e1m\u00e9 v\u0161edn\u00ed leka\u010dky. Nebo alespo\u0148 pro n\u011bkter\u00e9 lidi pov\u011bdom\u00e9.&nbsp;\n<\/p>\n<p>Film za\u010d\u00edn\u00e1 ve chv\u00edli, kdy Harper (Jessie Buckleyov\u00e1) p\u0159ij\u00ed\u017ed\u00ed do malebn\u00e9ho m\u011bste\u010dka na chalup\u011b v nad\u011bji, \u017ee se citov\u011b zotav\u00ed po smrti sv\u00e9ho b\u00fdval\u00e9ho man\u017eela. Ale od chv\u00edle, kdy p\u0159ijede, je nespokojen\u00e1. V\u0161ichni - majitel domu, kter\u00fd si pronajala, m\u00edstn\u00ed policie, far\u00e1\u0159 z nedalek\u00e9ho kostela, n\u00e1hodn\u00ed cizinci (v\u0161echny hraje Rory Kinnear) - j\u00ed vnucuj\u00ed znepokojivou p\u0159\u00edtomnost, kter\u00e1 v nejlep\u0161\u00edch chv\u00edl\u00edch znemo\u017e\u0148uje Harper prost\u00e9 pohodl\u00ed a existenci.\n<\/p>\n<p>Te\u010f u\u017e asi v\u00edte, kam to sm\u011b\u0159uje. Zd\u00e1 se, \u017ee mu\u017ei by r\u00e1di uk\u00e1zali dopad mikroagres\u00ed v\u016f\u010di \u017een\u00e1m t\u00edm, \u017ee je ud\u011blaj\u00ed jen trochu makro, co\u017e jen podtrhuje ot\u00e1zku, koho p\u0159esn\u011b film o\u010dek\u00e1v\u00e1 v publiku. Pro n\u011bkoho je tento p\u0159\u00edb\u011bh zcela zbyte\u010dn\u00fd. Mnoho \u017een u\u017e zn\u00e1, a\u017e p\u0159\u00edli\u0161 viditeln\u011b, \" pocit hr\u016fzy \", kter\u00fd Garlandov\u00e1 na pl\u00e1tn\u011b ztv\u00e1r\u0148uje. (Jak \u0159ekla moje kolegyn\u011b Jaina Greyov\u00e1: \" Nemus\u00edm platit 15 dolar\u016f, abych se b\u00e1la, \u017ee m\u011b budou pron\u00e1sledovat a vra\u017edit mu\u017ei, sta\u010d\u00ed j\u00edt ven.  \" ) Ostatn\u00ed, ti, kte\u0159\u00ed nev\u011bd\u011bli, kam tato sestava sm\u011b\u0159uje, jsou pravd\u011bpodobn\u011b div\u00e1ci, kte\u0159\u00ed by z jej\u00edho stra\u0161en\u00ed m\u011bli nejv\u011bt\u0161\u00ed prosp\u011bch - a jsou t\u011bmi, u nich\u017e je nejm\u00e9n\u011b pravd\u011bpodobn\u00e9, \u017ee si koup\u00ed l\u00edstek.&nbsp;\n<\/p>\n<p>Film jako by byl navr\u017een tak, aby se vyhnul argument\u016fm t\u011bch, kte\u0159\u00ed by cht\u011bli odm\u00edtnout to, co \u0159\u00edk\u00e1. Je to patrn\u00e9 u\u017e v traileru, nap\u0159\u00edklad kdy\u017e policista \u0159ekne Harperov\u00e9, \u017ee je skeptick\u00fd k tomu, \u017ee ji mu\u017e, kter\u00fd ji pron\u00e1sledoval, skute\u010dn\u011b pron\u00e1sledoval: \"Nev\u00edm, jestli v\u00e1s jednou vid\u011bl.  \" Tyto momenty zd\u016fraz\u0148uj\u00ed, jak skepse, odm\u00edt\u00e1n\u00ed a obvi\u0148ov\u00e1n\u00ed ob\u011bt\u00ed pom\u00e1haj\u00ed vytv\u00e1\u0159et pr\u00e1v\u011b to d\u011bsiv\u00e9 prost\u0159ed\u00ed, o kter\u00e9m mnoz\u00ed tvrd\u00ed, \u017ee neexistuje. Harperiny obavy nejsou vymy\u0161len\u00e9 nebo jen v jej\u00ed hlav\u011b; hr\u016fzu vytv\u00e1\u0159\u00ed kolektivn\u00ed odm\u00edt\u00e1n\u00ed br\u00e1t jej\u00ed obavy v\u00e1\u017en\u011b. Mu\u017ei tedy cht\u011bj\u00ed k\u0159i\u010det: \" Vid\u00edte? Tady nem\u016f\u017eete ignorovat nebezpe\u010d\u00ed.  \" Film m\u00e1 samoz\u0159ejm\u011b pravdu, ale jako by k\u0159i\u010del do pr\u00e1zdna.&nbsp;\n<\/p>\n<p>To v\u0161ak neznamen\u00e1, \u017ee v n\u011bm nejsou \u017e\u00e1dn\u00e9 skute\u010dn\u00e9 nadp\u0159irozen\u00e9 hr\u016fzy. P\u0159es v\u0161echny metafory a alegorie jsou zde skute\u010dn\u011b groteskn\u00ed sc\u00e9ny, ale v prav\u00e9m Garlandov\u011b stylu se ke konci st\u00e1vaj\u00ed abstraktn\u011bj\u0161\u00edmi a otev\u0159en\u011bj\u0161\u00edmi k interpretaci. (Pokud v\u00e1s zm\u00e1tl z\u00e1v\u011br Annihilation, tento film v\u00e1m ud\u011bl\u00e1 jen o n\u011bco v\u011bt\u0161\u00ed slu\u017ebu). P\u0159\u00edb\u011bh se tak\u00e9 nez\u0159\u00edk\u00e1 katarze. Vysvobozen\u00ed existuje, zejm\u00e9na ve zp\u016fsobech, jak\u00fdmi Harper reaguje na hr\u016fzy - z\u00e1v\u011bre\u010dn\u00e1 slova filmu se zdaj\u00ed b\u00fdt p\u0159edur\u010dena k tomu, aby se stala druhem p\u0159\u00edli\u0161 re\u00e1ln\u00e9ho mementa, kter\u00e9 je obvykle dom\u00e9nou ran\u00fdch epizod BoJacka Horsemana -, ale je rezignovan\u011bj\u0161\u00ed a vy\u010derpan\u011bj\u0161\u00ed ne\u017e t\u0159eba Kolos\u00e1ln\u00ed. \u017d\u00e1dn\u00e9 triumf\u00e1ln\u00ed v\u00edt\u011bzstv\u00ed nad sv\u00fdm tr\u00fdznitelem se nekon\u00e1. Jen l\u00edtost.\n<\/p>\n<p>Tento nedostatek triumfu se zd\u00e1 b\u00fdt z\u00e1m\u011brn\u00fd. Neexistuje \u017e\u00e1dn\u00e9 kouzeln\u00e9 tla\u010d\u00edtko, kter\u00e9 by mu\u017ee p\u0159im\u011blo pochopit, jak\u00e9 to je \u017e\u00edt jako \u017eena - co\u017e mimochodem nic ne\u0159\u00edk\u00e1 o slo\u017eit\u00fdch \u0161ed\u00fdch oblastech genderu a identity, kter\u00fdch se tato recenze nedotkla, proto\u017ee se jich nedotkl ani film. Proto\u017ee tato tla\u010d\u00edtka neexistuj\u00ed, mu\u017ei je nemohou stisknout. Ironi\u00ed je, \u017ee p\u0159\u00edb\u011bh, kter\u00fd tento film vypr\u00e1v\u00ed, je do jist\u00e9 m\u00edry o jeho vlastn\u00edm selh\u00e1n\u00ed. Mo\u017en\u00e1 by mohl p\u0159il\u00e1kat publikum p\u0159esn\u011b t\u011bch mu\u017e\u016f, kter\u00e9 se sna\u017e\u00ed pran\u00fd\u0159ovat, ve snaze je pou\u010dit, ale to mi p\u0159ipad\u00e1 jako hodn\u011b riskantn\u00ed. Kdyby to bylo tak snadn\u00e9, Mu\u017ei by nemuseli existovat.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Od t\u00e9 doby, co v roce 2017 vy\u0161el Colossal, se sna\u017e\u00edm naj\u00edt lidi, se kter\u00fdmi bych se o n\u011bj pod\u011blil. Narazil jsem na ze\u010f. Lid\u00e9, pro kter\u00e9 by p\u0159\u00edb\u011bh mohl m\u00edt odezvu, se na n\u011bj d\u00edvaj\u00ed nejnep\u0159\u00edjemn\u011bji. A lid\u00e9, kte\u0159\u00ed by z internalizace jeho poselstv\u00ed o destruktivn\u00ed povaze toxick\u00e9 maskulinity m\u011bli nejv\u011bt\u0161\u00ed u\u017eitek, jsou ti, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":35298,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[62],"tags":[],"class_list":["post-35293","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-other"],"_links":{"self":[{"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/posts\/35293","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/comments?post=35293"}],"version-history":[{"count":0,"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/posts\/35293\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/media\/35298"}],"wp:attachment":[{"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/media?parent=35293"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/categories?post=35293"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/tags?post=35293"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}