Rom\u00e1n Duna z roku 1965, kter\u00fd je jedn\u00edm z nejvlivn\u011bj\u0161\u00edch sci-fi text\u016f v\u016fbec, inspiroval Franka Herberta k nato\u010den\u00ed n\u011bkter\u00fdch z nejzn\u00e1m\u011bj\u0161\u00edch sci-fi film\u016f, v\u010detn\u011b toho velk\u00e9ho: Hv\u011bzdn\u00e9 v\u00e1lky. Pokusy o zfilmov\u00e1n\u00ed samotn\u00e9 Duny v\u0161ak ne v\u017edy prob\u00edhaly podle pl\u00e1nu. (Viz Jodorowskyho Duna, dokument o marn\u00e9m pokusu re\u017eis\u00e9ra Alejandra Jodorowsk\u00e9ho adaptovat Herbert\u016fv text.) Verze Davida Lynche z roku 1984 si sice z\u00edskala kultovn\u00ed oblibu, ale v dob\u011b sv\u00e9ho uveden\u00ed byla pova\u017eov\u00e1na za katastrofu. Denis Villeneuve je v\u0161ak jin\u00fd typ filma\u0159e, jak se uk\u00e1zalo ve filmech Nep\u0159\u00edtel, P\u0159\u00edchoz\u00ed a Blade Runner 2049. Jeho rom\u00e1nov\u00fd p\u0159\u00edstup k filmov\u00e9 tvorb\u011b mu umo\u017enil usp\u011bt tam, kde jin\u00ed selhali, a prom\u011bnit p\u0159\u00edli\u0161 slo\u017eit\u00e9 p\u0159\u00edb\u011bhy ve snadno straviteln\u00e9 a dokonal\u00e9 sci-fi skvosty. To v\u0161e se d\u00e1 \u0159\u00edct o jeho ztv\u00e1rn\u011bn\u00ed Duny, epick\u00e9m filmu, kter\u00fd dok\u00e1\u017ee b\u00fdt stejn\u011b chytr\u00fd jako ohromuj\u00edc\u00ed - a to s dal\u0161\u00edmi pokra\u010dov\u00e1n\u00edmi.\n<\/p>\n
Stejn\u011b jako v p\u0159\u00edpad\u011b na Oscara nominovan\u00e9ho filmu Jackie z roku 2016 vytvo\u0159il re\u017eis\u00e9r Pablo Larra\u00edn se Spencer dal\u0161\u00ed intimn\u00ed portr\u00e9t ikonick\u00e9 \u017eeny, kterou v\u0161ichni znaj\u00ed, ale m\u00e1lokdo j\u00ed z\u0159ejm\u011b rozum\u00ed. Kristen Stewartov\u00e1 je v t\u00e9to roli prom\u011bn\u011bn\u00e1, kdy\u017e se pokou\u0161\u00ed rozkro\u010dit mezi t\u00edm, co se od n\u00ed o\u010dek\u00e1v\u00e1 (jako od man\u017eelky prince Charlese a \u010dlenky kr\u00e1lovsk\u00e9 rodiny), a zachov\u00e1n\u00edm si pocitu sv\u00e9pr\u00e1vnosti - a p\u0159itom dob\u0159e v\u00ed, \u017ee Charles m\u00e1 milenku ... a dokonce j\u00ed koupil stejnou \u0161\u0148\u016fru perel, jakou koupil sv\u00e9 milence. A\u010dkoli si film dovoluje p\u0159ekrucovat pravdu, zd\u00e1 se, \u017ee celkov\u00fd pocit, \u017ee se Diana c\u00edt\u00ed v pasti a mimo moc instituce, do n\u00ed\u017e se provdala, odpov\u00edd\u00e1 tomu, co v\u00edme o jej\u00edch osobn\u00edch boj\u00edch. D\u011bj filmu se odehr\u00e1v\u00e1 v roce 1991, rok p\u0159edt\u00edm, ne\u017e se Diana a Charles ofici\u00e1ln\u011b roze\u0161li - a \u0161est let p\u0159ed jej\u00ed p\u0159ed\u010dasnou smrt\u00ed.\n<\/p>\n
Oscar Isaac z\u00e1\u0159\u00ed (co\u017e nen\u00ed \u017e\u00e1dn\u00e9 p\u0159ekvapen\u00ed) v roli Williama Tella, vojensk\u00e9ho veter\u00e1na s pohnutou minulost\u00ed, na kterou se sna\u017e\u00ed zapomenout t\u00edm, \u017ee se pono\u0159il do sv\u011bta hazardu a cestuje po cel\u00e9 zemi, aby hr\u00e1l turnaje v blackjacku a pokeru. Cestou potk\u00e1v\u00e1 a sp\u0159\u00e1tel\u00ed se s mlad\u00edkem jm\u00e9nem Cirk (Tye Sheridan), kter\u00fd Williama po\u017e\u00e1d\u00e1 o pomoc p\u0159i pomst\u011b vojensk\u00e9mu plukovn\u00edkovi (Willem Dafoe). Kdy\u017e Cirk Williamu vypr\u00e1v\u00ed o sv\u00fdch okolnostech a pl\u00e1nech, William si nem\u016f\u017ee pomoct a napadne ho, \u017ee jeho vztah s Cirkem by mohl b\u00fdt \u0161anc\u00ed na vykoupen\u00ed. Film napsal a re\u017e\u00edroval Paul Schrader a do zna\u010dn\u00e9 m\u00edry se \u0159\u00edd\u00ed stejn\u00fdm sc\u00e9n\u00e1\u0159em h\u0159\u00edchu a vykoupen\u00ed, s jak\u00fdm se pot\u00fdkalo mnoho Schraderov\u00fdch hrdin\u016f. A\u010dkoli Po\u010d\u00edtadlo karet p\u016fsob\u00ed jako jeden z m\u00e1la p\u0159\u00edpad\u016f, kdy se zd\u00e1, \u017ee Schraderova postava m\u00e1 skute\u010dn\u00fd z\u00e1jem o vykoupen\u00ed.\n<\/p>\n
Ale popo\u0159ad\u011b: Ano, Drive My Car trv\u00e1 t\u0159i hodiny - ale v\u011b\u0159te n\u00e1m. Film, kter\u00fd napsal a re\u017e\u00edroval Rj\u00fasuke Hamagu\u010di, vypr\u00e1v\u00ed p\u0159\u00edb\u011bh J\u00fasukeho Kafuku, ovdov\u011bl\u00e9ho divadeln\u00edho re\u017eis\u00e9ra (Hideto\u0161i Ni\u0161id\u017eima), kter\u00fd dva roky po smrti sv\u00e9 \u017eeny p\u0159ijme dvoum\u011bs\u00ed\u010dn\u00ed st\u00e1\u017e, aby re\u017e\u00edroval hru v Hiro\u0161im\u011b. Ka\u017ed\u00fd den se nech\u00e1v\u00e1 hodinu vozit do divadla a zp\u011bt a pomalu si za\u010d\u00edn\u00e1 budovat p\u0159\u00e1telstv\u00ed s mladou \u017eenou, kter\u00e1 mu d\u011bl\u00e1 \u0159idi\u010dku (Toko Miura) a kter\u00e9 se sv\u011b\u0159uje se sv\u00fdmi probl\u00e9my s herci a \u0161t\u00e1bem a se zradou sv\u00e9 \u017eeny, kter\u00e1 ho st\u00e1le pron\u00e1sleduje. Nakonec je \u0158i\u010f moje auto road movie - jen\u017ee takov\u00e1, kter\u00e9 nevad\u00ed, \u017ee se vyd\u00e1 po malebn\u011bj\u0161\u00ed trase. Zat\u00edm nen\u00ed k dispozici online.\n<\/p>\n
Rebecca Hallov\u00e1 (Godzilla vs. Kong) debutuje jako re\u017eis\u00e9rka adaptac\u00ed rom\u00e1nu harlemsk\u00e9 renesan\u010dn\u00ed spisovatelky Nelly Larsenov\u00e9 z roku 1929 o dvou kamar\u00e1dk\u00e1ch z d\u011btstv\u00ed, Reeny (Tessa Thompsonov\u00e1) a Clare (Ruth Neggaov\u00e1), kter\u00e9 se ztratily, ale v dosp\u011blosti se op\u011bt setkaly. Reeny, kter\u00e1 je provdan\u00e1 za l\u00e9ka\u0159e (Andr\u00e9 Holland), \u017eije se svou rodinou v luxusn\u00edm dom\u011b v Harlemu. Clarein man\u017eel je naopak obchodn\u00edk (Alexander Skarsg\u00e5rd) - a rasista, kter\u00fd si kv\u016fli jej\u00ed sv\u011btl\u00e9 pleti neuv\u011bdomuje, \u017ee jeho \u017eena je \u010derno\u0161ka. Film je n\u00e1dhern\u011b vymy\u0161len\u00fd, skv\u011ble zahran\u00fd a obsahuje silnou v\u00fdpov\u011b\u010f o rase, kter\u00e1 rezonuje i dnes.\n<\/p>\n
Dev Patel n\u00e1m prost\u0159ednictv\u00edm scen\u00e1risty a re\u017eis\u00e9ra Davida Loweryho (Miss Juneteenth) p\u0159edkl\u00e1d\u00e1 nov\u00fd druh artu\u0161ovsk\u00e9 legendy. Patel hraje sira Gawaina, ne\u00fastupn\u00e9ho synovce kr\u00e1le Artu\u0161e, kter\u00fd je nad sv\u00e9 s\u00edly, kdy\u017e riskuje sv\u016fj \u017eivot a dobrovoln\u011b se vyd\u00e1 na cestu, aby se utkal se Zelen\u00fdm ryt\u00ed\u0159em. Je to nebezpe\u010dn\u00fd \u00fakol, ale privilegovan\u00fd Gawain je odhodl\u00e1n prosadit se jako neohro\u017een\u00fd bojovn\u00edk. A\u010dkoli se film dr\u017e\u00ed (p\u0159edev\u0161\u00edm) sc\u00e9n\u00e1\u0159e artu\u0161ovsk\u00e9 legendy, Lowery se neboj\u00ed pou\u017e\u00edt trochu lehkosti a postavit tropu \"vracej\u00edc\u00edho se hrdiny\" na hlavu.\n<\/p>\n
Na Oscara nominovan\u00e1 Maggie Gyllenhaalov\u00e1 je dal\u0161\u00edm hercem, kter\u00fd v roce 2021 \u00fa\u017easn\u011b debutoval jako re\u017eis\u00e9r filmem Ztracen\u00e1 dcera, adaptac\u00ed rom\u00e1nu Eleny Ferranteov\u00e9, kter\u00fd Gyllenhaalov\u00e1 tak\u00e9 napsala. Velk\u00e1 \u010d\u00e1st brilantnosti filmu spo\u010d\u00edv\u00e1 v neust\u00e1l\u00e9m pocitu neklidu, kdy\u017e se Leda (Olivia Colmanov\u00e1), profesorka literatury na dovolen\u00e9 v \u0158ecku, sp\u0159\u00e1tel\u00ed s Ninou (Dakota Johnsonov\u00e1), mladou matkou, kter\u00e1 p\u0159izn\u00e1v\u00e1, \u017ee se n\u011bkdy c\u00edt\u00ed b\u00fdt rodi\u010dovstv\u00edm zahlcena. Ani\u017e by Leda prozradila p\u0159\u00edli\u0161 ze sv\u00e9 minulosti, \u0159ekne Nin\u011b, \u017ee ji ch\u00e1pe. Ale p\u0159esto\u017ee \u017eeny sed\u00ed na pl\u00e1\u017ei v \u0158ecku, neust\u00e1le maj\u00ed pocit, \u017ee se zdi uzav\u00edraj\u00ed a \u017ee se ka\u017edou chv\u00edli m\u016f\u017ee st\u00e1t n\u011bco stra\u0161n\u00e9ho. Film je d\u016fkazem toho, \u017ee Gyllenhaal rozum\u00ed tomu, jak se dostat do div\u00e1kovy hlavy - a z\u016fstat tam.\n<\/p>\n
Paul Thomas Anderson m\u00e1 z\u0159ejm\u011b nejeklekti\u010dt\u011bj\u0161\u00ed filmografii ze v\u0161ech sou\u010dasn\u00fdch re\u017eis\u00e9r\u016f. Od sv\u00e9ho p\u0159\u00edchodu na sc\u00e9nu p\u0159ed \u010dtvrtstolet\u00edm s filmem Hard Eight z roku 1996 nato\u010dil filmy o v\u00fdhod\u00e1ch a nev\u00fdhod\u00e1ch pornobyznysu (Boogie Nights), o dualit\u011b \u017eivota, jak se \u010dasto projevuje mezi slibn\u00fdm d\u011btstv\u00edm a realitou dosp\u011blosti (Magnolia); o krut\u00e9m prospektorovi, kter\u00fd si nade v\u0161e cen\u00ed pen\u011bz (There Will Be Blood); o v\u016fdci sekty (The Master); a o n\u00e1vrh\u00e1\u0159i vysok\u00e9 m\u00f3dy se skv\u011bl\u00fdm vkusem pro pono\u017eky, kter\u00fd se nech\u00e1 svou \u017eenou dotla\u010dit na pokraj smrti (Phantom Thread). \n<\/p>\n
I kdy\u017e je jeho tvorba \u00fa\u017easn\u011b nep\u0159edv\u00eddateln\u00e1 a nev\u00edte, jak\u00e9 t\u00e9ma ho zaujme p\u0159\u00ed\u0161t\u011b, u ka\u017ed\u00e9ho Andersonova filmu se obvykle m\u016f\u017eete vsadit na dv\u011b v\u011bci: (1) bude m\u00edt p\u0159es dv\u011b hodiny a (2) skon\u010d\u00ed na seznamu nejlep\u0161\u00edch film\u016f roku. V mnoha ohledech je L\u00e9ko\u0159icov\u00e1 pizza n\u00e1vratem k Andersonov\u00fdm ko\u0159en\u016fm, proto\u017ee je kalifornskou sluncem zalitou \u00f3dou na d\u011btstv\u00ed a prvn\u00ed l\u00e1sky z doby, kdy vyr\u016fstal v 70. letech v San Fernando Valley. (Obsazen\u00ed Coopera Hoffmana, syna zesnul\u00e9ho Philipa Seymoura Hoffmana, bylo dojemn\u00fdm geni\u00e1ln\u00edm tahem.\n<\/p>\n
Po dvan\u00e1ctilet\u00e9 pauze od nat\u00e1\u010den\u00ed celove\u010dern\u00edch film\u016f se Jane Campionov\u00e1 vr\u00e1tila k filmu S\u00edla psa. Benedict Cumberbatch bude bezpochyby pat\u0159it k favorit\u016fm, kte\u0159\u00ed budou hr\u00e1t proti typu v roli padoucha Phila Burbanka, bohat\u00e9ho ran\u010dera, kter\u00fd si r\u00e1d \u0161pin\u00ed ruce se sv\u00fdmi kolegy kovboji, i kdy\u017e to znamen\u00e1 kastraci kr\u00e1vy. Je to hroziv\u00e1 postava, aby bylo jist\u00e9, co\u017e je v ostr\u00e9m kontrastu s jeho bratrem Georgem (Jesse Plemons), kter\u00fd \u010dasto vypad\u00e1, \u017ee se omlouv\u00e1 za Phila v bratrov\u011b stop\u011b. Kdy\u017e se George o\u017een\u00ed s d\u011blnickou vdovou Rose (Kirsten Dunstov\u00e1) a p\u0159ivede si ji dom\u016f, aby s nimi \u017eila, zd\u00e1 se, \u017ee si Phil libuje v tom, \u017ee ji tr\u00e1p\u00ed na ka\u017ed\u00e9m kroku. Kdy\u017e v\u0161ak k nim na l\u00e9to p\u0159ijede jej\u00ed syn Peter (Kodi Smit-McPhee), zd\u00e1 se, \u017ee Phil mlad\u00edka pomalu bere pod sv\u00e1 k\u0159\u00eddla. Je nemo\u017en\u00e9 shrnout film zp\u016fsobem, kter\u00fd by byl stru\u010dn\u00fd a \u00fapln\u00fd, vzhledem k jeho hluboce vrstevnat\u00fdm d\u011bjov\u00fdm lini\u00edm, ale sta\u010d\u00ed \u0159\u00edct, \u017ee p\u0159es v\u0161echny Philovy hroziv\u00e9 vlastnosti existuje i jin\u00e1 - skryt\u00e1, ale mnohem zraniteln\u011bj\u0161\u00ed - str\u00e1nka jeho p\u0159\u00edb\u011bhu.<\/p>\n","protected":false},"excerpt":{"rendered":"
Duna Rom\u00e1n Duna z roku 1965, kter\u00fd je jedn\u00edm z nejvlivn\u011bj\u0161\u00edch sci-fi text\u016f v\u016fbec, inspiroval Franka Herberta k nato\u010den\u00ed n\u011bkter\u00fdch z nejzn\u00e1m\u011bj\u0161\u00edch sci-fi film\u016f, v\u010detn\u011b toho velk\u00e9ho: Hv\u011bzdn\u00e9 v\u00e1lky. Pokusy o zfilmov\u00e1n\u00ed samotn\u00e9 Duny v\u0161ak ne v\u017edy prob\u00edhaly podle pl\u00e1nu. (Viz Jodorowskyho Duna, dokument o marn\u00e9m pokusu re\u017eis\u00e9ra Alejandra Jodorowsk\u00e9ho adaptovat Herbert\u016fv text.) Verze Davida […]<\/p>\n","protected":false},"author":1,"featured_media":34830,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-34826","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-year-in-review"],"_links":{"self":[{"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/posts\/34826","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/comments?post=34826"}],"version-history":[{"count":0,"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/posts\/34826\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/media\/34830"}],"wp:attachment":[{"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/media?parent=34826"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/categories?post=34826"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/tags?post=34826"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}