{"id":33812,"date":"2022-12-29T09:10:08","date_gmt":"2022-12-29T06:10:08","guid":{"rendered":"https:\/\/demo5.teaser-cube.ru\/2022\/12\/29\/cshoror-o-vytahu-je-tu-naporad\/"},"modified":"2022-12-29T09:10:08","modified_gmt":"2022-12-29T06:10:08","slug":"cshoror-o-vytahu-je-tu-naporad","status":"publish","type":"post","link":"https:\/\/movieworld.blog\/cs\/2022\/12\/29\/cshoror-o-vytahu-je-tu-naporad\/","title":{"rendered":"Horor o v\u00fdtahu je tu napo\u0159\u00e1d"},"content":{"rendered":"<p>U\u017e n\u011bjakou dobu se to pl\u00ed\u017e\u00ed, star\u00e1 odr\u016fda hororu. Film sem, film tam. Ale nyn\u00ed, v roce 2022, nastal \u010das d\u00e1t mu jm\u00e9no:&nbsp;elevator-pitch horror.&nbsp;\n<\/p>\n<p>Tyto filmy jsou p\u0159esn\u011b takov\u00e9, jak zn\u011bj\u00ed: Jejich my\u0161lenka se d\u00e1 shrnout jedn\u00edm dechem. D\u011bsiv\u00fd d\u016fm p\u0159es Airbnb? Zkontrolujte (Barbar). Naka\u017eliv\u00fd a neup\u0159\u00edmn\u00fd \u00fasm\u011bv, kter\u00fd v\u00e1s za sedm dn\u00ed zabije? OK (\u00dasm\u011bv)! Mo\u017en\u00e1 je to stra\u0161ideln\u00fd Zoom vol\u00e1 (Hostitel) nebo pl\u00e1\u017e, kter\u00e1 v\u00e1s zest\u00e1rne (Star\u00fd). Nebo s\u00e9rie hr\u016fzn\u00fdch vra\u017ed na nat\u00e1\u010den\u00ed porna (X). A pro p\u0159\u00ed\u0161t\u00ed rok komedi\u00e1ln\u00ed obm\u011bna \u017e\u00e1nru: medv\u011bd na kokainu (Kokainov\u00fd medv\u011bd)! Ne v\u0161echny tyto filmy vy\u0161ly letos, ale tento rok se rozhodn\u011b jev\u00ed jako vrchol tohoto konceptu.&nbsp;\n<\/p>\n<p>Nejedn\u00e1 se o nov\u00e9 druhy film\u016f. Ur\u010dit\u011b u\u017e m\u00e1te sv\u00e9 obl\u00edben\u00e9. T\u0159eba&nbsp;Ringu, kde sledov\u00e1n\u00ed avantgardn\u00ed videokazety vyprovokuje ducha, aby vylezl z televize (op\u011bt za sedm dn\u00ed). Nebo&nbsp;Final Destination, kde p\u00e1r mlad\u00fdch sexy lid\u00ed na\u0161tve sama smrt. Nebo V\u00edm, co jsi d\u011blal loni v l\u00e9t\u011b, kde p\u00e1r mlad\u00fdch a sexy lid\u00ed ute\u010de z m\u00edsta \u010dinu, ale n\u011bkdo v\u00ed, co d\u011blali loni v l\u00e9t\u011b. Nebo&nbsp;Canydman, kde lid\u00e9 p\u011btkr\u00e1t \u0159eknou n\u00e1zev filmu do zrcadla, aby p\u0159ivolali jeho vraha (nebo alespo\u0148 ud\u011blali skv\u011blou reklamu sv\u00fdm p\u0159\u00e1tel\u016fm). Tyto filmy se \u0161\u00ed\u0159\u00ed prost\u0159ednictv\u00edm kulturn\u00edch premis. P\u016fsob\u00ed, jako by tak byly vytvo\u0159eny, podobn\u011b jako ty hern\u00ed po\u0159ady - Jen n\u00e1s tetuj\u00ed, Ex na pl\u00e1\u017ei - kde n\u00e1zev musel ur\u010dit\u011b p\u0159ij\u00edt d\u0159\u00edv ne\u017e detaily. Elevator-pitch horor se vy\u017e\u00edv\u00e1 ve sv\u00e9m h\u00e1\u010dku, kter\u00fd prod\u00e1v\u00e1, aby v\u00e1s pobavil a nal\u00e1kal zp\u011bt do kin.&nbsp;&nbsp;\n<\/p>\n<p>Pokud to zn\u00ed jako \u0161ablonovit\u00fd horor, pak tomu tak do jist\u00e9 m\u00edry je. Ale definice elevator-pitch hororu vyr\u016fst\u00e1 z jeho opozice v\u016f\u010di vzne\u0161en\u00e9mu hororu. Vzestup tohoto \u017e\u00e1nru vy\u017eaduje jeho definici. Kl\u00ed\u010dov\u00fd rozd\u00edl spo\u010d\u00edv\u00e1 v tom, jak jsou div\u00e1ci vyb\u00edzeni k tomu, aby o t\u011bchto dvou typech film\u016f mluvili. Zv\u00fd\u0161en\u00e9 horory jsou pova\u017eov\u00e1ny za metafory nebo varovn\u00e9 p\u0159\u00edb\u011bhy, kter\u00e9 se zab\u00fdvaj\u00ed spole\u010densk\u00fdmi ot\u00e1zkami skrze optiku gore, a tak, jak Wesley Morris&nbsp;ned\u00e1vno argumentoval v&nbsp;The New York Times&nbsp;ohledn\u011b modern\u00edch blockbuster\u016f, p\u0159ich\u00e1zej\u00ed pro\u0161pikovan\u00e9 diskurzem. Zat\u00edmco u v\u00fdtahov\u00e9ho hororu je mo\u017en\u00e9 diskutovat jen o d\u011bji, pov\u00fd\u0161en\u00e9 horory vy\u017eaduj\u00ed&nbspn\u011bco v\u00edc. Mus\u00ed se diskutovat o t\u00e9matu, nebo alespo\u0148 o n\u011b\u010dem, co s t\u00e9matem souvis\u00ed.\n<\/p>\n<p>The Babadook tedy nen\u00ed ''o vysok\u00e9m mu\u017ei s kloboukem na hlav\u011b, kter\u00fd vysko\u010d\u00ed z poh\u00e1dkov\u00e9 kn\u00ed\u017eky pro va\u0161e d\u00edt\u011b, ale o rodinn\u00e9 dynamice, o tlac\u00edch spojen\u00fdch s d\u011btmi.&nbsp;Hereditary&nbsp;nen\u00ed ''o sekt\u011b d\u016fchodc\u016f, kte\u0159\u00ed podv\u00e1d\u011bj\u00ed smrt a svl\u00e9kaj\u00ed se, ale o rodinn\u00e9 dynamice, o tlac\u00edch spojen\u00fdch s d\u011btmi.&nbsp;The Witch nen\u00ed ''o kozlovi, kter\u00fd z\u00edsk\u00e1v\u00e1 du\u0161e pro \u010f\u00e1blovo m\u00e1slo, ale o rodinn\u00e9 dynamice, o tlac\u00edch spojen\u00fdch s d\u011btmi. Ve filmu P\u0159ich\u00e1z\u00ed v noci se nic ned\u011bje, a o to jde. Diskutovat o pov\u00fd\u0161en\u00fdch hororech doslova znamen\u00e1 p\u0159ehl\u00e9dnout les pro stromy, b\u00fdt p\u0159\u00edli\u0161 komer\u010dn\u00ed; koneckonc\u016f, v\u00fdtah je kapitalistick\u00e1 formule, um\u011bn\u00ed redukovan\u00e9 na svou v\u00fdnosnou premisu.\n<\/p>\n<p>Chytr\u00e1 kritika zv\u00fd\u0161en\u00e9ho hororu je tu u\u017e n\u011bjakou dobu. Jak upozor\u0148uje kriti\u010dka Nia Edwards-Behiov\u00e1, tento koncept vych\u00e1z\u00ed z kulturn\u00edho snobismu a ned\u016fv\u011bry k \u017e\u00e1nru. Hodn\u011b to souvis\u00ed s \u010dast\u00fdm kritick\u00fdm omylem, \u0161ir\u0161\u00edm ne\u017e jen filmov\u00fdm, kdy se p\u0159edpokl\u00e1d\u00e1, \u017ee pulpiern\u00ed d\u00edla postr\u00e1daj\u00ed tematickou hloubku. Nikdo, kdo vid\u011bl&nbsp;Candymana, podobenstv\u00ed o rasismu a gentrifikaci, by nemohl tvrdit, \u017ee je bezobsa\u017en\u00fd.&nbsp;Barbar, kter\u00e9ho je t\u011b\u017ek\u00e9 shrnout bez spoilerov\u00e1n\u00ed, se zpo\u010d\u00e1tku prezentuje jako druh slasheru, ale pak se vyd\u00e1v\u00e1 n\u011bkam \u00fapln\u011b jinam. V\u00e1\u017en\u00e1 t\u00e9mata vyr\u016fstaj\u00ed z nev\u00e1\u017en\u00fdch sv\u011bt\u016f.\n<\/p>\n<p>Stejn\u011b jako v p\u0159\u00edpad\u011b v\u011bt\u0161iny kulturn\u00edch klasifikac\u00ed, i zde plat\u00ed, \u017ee pokud se pod\u00edv\u00e1te p\u0159\u00edli\u0161 zbl\u00edzka, rozd\u00edly jsou st\u00e1le nejasn\u011bj\u0161\u00ed. Ari Aster by nejsp\u00ed\u0161 dok\u00e1zal&nbsp;Midsommar&nbsp;postavit do v\u00fdtahu;&nbsp;It Follows&nbsp;by mohl spadat do obou t\u00e1bor\u016f. P\u0159esto je zde st\u00e1le mo\u017en\u00e9 rozli\u0161ovat. Tyto filmy jsou v souladu s t\u00edm, jak v\u011bt\u0161ina div\u00e1k\u016f reaguje na horor: Reaguj\u00ed na n\u011bj doslova, bez p\u0159etv\u00e1\u0159ky. Vykouzl\u00ed si vlastn\u00ed h\u0159i\u0161t\u011b (m\u016fj kamar\u00e1d st\u00e1le douf\u00e1, \u017ee jednou nap\u00ed\u0161e sv\u016fj film \" \u0161patn\u00e1 tr\u00e1va prom\u011bn\u00ed lond\u00fdnsk\u00e9 huli\u010de v zombie\"); debatuj\u00ed o tom, zda by z\u016fstali v Airbnb s ciz\u00edm mu\u017eem. Proto\u017ee jedn\u00edm z nejcenn\u011bj\u0161\u00edch po\u017eitk\u016f hororov\u00fdch film\u016f je pr\u00e1v\u011b tato doslovnost: sc\u00e9n\u00e1\u0159e, a\u0165 u\u017e nemo\u017en\u00e9, nebo mo\u017en\u00e9, kter\u00e9 mohou v d\u011bsiv\u00e9m sv\u011bt\u011b potkat kohokoli.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>U\u017e n\u011bjakou dobu se to pl\u00ed\u017e\u00ed, star\u00e1 odr\u016fda hororu. Film sem, film tam. Ale nyn\u00ed, v roce 2022, nastal \u010das d\u00e1t mu jm\u00e9no:&nbsp;elevator-pitch horror.&nbsp; Tyto filmy jsou p\u0159esn\u011b takov\u00e9, jak zn\u011bj\u00ed: Jejich my\u0161lenka se d\u00e1 shrnout jedn\u00edm dechem. D\u011bsiv\u00fd d\u016fm p\u0159es Airbnb? Zkontrolujte (Barbar). Naka\u017eliv\u00fd a neup\u0159\u00edmn\u00fd \u00fasm\u011bv, kter\u00fd v\u00e1s za sedm dn\u00ed zabije? OK [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":33816,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-33812","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-year-in-review"],"_links":{"self":[{"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/posts\/33812","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/comments?post=33812"}],"version-history":[{"count":0,"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/posts\/33812\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/media\/33816"}],"wp:attachment":[{"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/media?parent=33812"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/categories?post=33812"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/movieworld.blog\/cs\/wp-json\/wp\/v2\/tags?post=33812"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}